Part 23 (1/2)

'My likeness?' cried Edmund, in the greatest amazement. 'How did you come by it, uncle?'

Every trace of colour had faded from the Baron's face, but it was only for a moment. He felt how much was at stake. By a strenuous effort of his will he succeeded in recovering outward calm, and taking advantage of the error, replied:

'You seem surprised. Why should I not possess a portrait of you?'

As he spoke, he made an attempt to take the case from the young man's hand, but the latter stepped back, and declined to surrender it.

'But I never sat for this portrait, and what is the meaning of this uniform, which I have never worn?'

'Edmund, give me back that case,' said Heideck authoritatively, stretching out his hand for it again--but in vain. Had it not been for that previous occurrence in the Countess's room, Edmund would probably have allowed himself to be deceived by any pretext invented on the spur of the moment, for suspicion and distrust were far removed from his open, ingenuous nature. But now both had been inoculated, now he knew that some secret, some baneful secret, was being kept from him.

His instinct told him that it had some connection with this picture, and he obstinately clung to the clue thus obtained, little dreaming as yet, it is true, whither it would lead.

'How did you come by the picture, uncle?' he asked again, this time in a somewhat louder key.

'That I will tell you when you have restored it to me,' was the sharp reply.

For all answer, Edmund stepped from the centre of the room, growing dark in the gathering twilight, to the window, where he could still see clearly, and began to study the picture, trait by trait, and line by line, as Oswald had studied it on the preceding day.

A long and troubled pause ensued.

Heideck convulsively grasped the back of the chair from which he had sprung. He had no choice but to look on in silence; for he told himself that any false step now, any attempt at forcible interference, might be the ruin of them all; but the ordeal of suspense was hard to bear.

'Are you satisfied?' he asked, when some minutes had elapsed; 'and do you intend to restore to me my property?'

Edmund turned.

'That is not my portrait,' he said slowly, emphasising each word; 'but it bears an extraordinary resemblance to myself, one which deceives at the first glance. Whom does it represent?'

Baron Heideck had foreseen the question, and was prepared for it. So he answered without hesitation:

'A relation of ours who has been dead many years.'

'An Ettersberg?'

'No; a member of my family.'

'Indeed. And why have I never heard of this relative, and of the wonderful resemblance existing between him and me?'

'By mere accident, probably. Good heavens, you need not stare at the picture so persistently! Such likenesses are frequent enough among relations.'

'Frequent?' repeated Edmund mechanically. 'Was this the fatal souvenir which must disappear to-day? Had you destined it to be consumed by those flames? Was it for this you had the fire lighted?'

The young Count's deadly pallor, the faint accents of his voice, showed that he felt himself to be nearing an abyss, though as yet he could not fathom its depth. Heideck saw this, and made a last desperate effort to drag him from the brink.

'Edmund, my patience is now thoroughly exhausted,' he said, taking refuge in simulated anger. 'You cannot seriously suppose that I shall make reply to this folly, or try to solve all the mad fancies of your brain.'

'I demand that the secret of this portrait be made known to me,' cried Edmund, summoning up all his energy. 'You must give me an answer, uncle, now--at once, or you will drive me to extreme measures.'

Heideck racked his brain in vain to find a way out of the dilemma. He was not skilful in lying, and felt, moreover, that his nephew would no longer be deceived. The one chance left him was to gain time.