Part 3 (1/2)

”Of course I am. You know, Tucker, I can always count on you not to bore me. Pray tell, what do you find so interesting about the corpse we picked up on G Street Northeast?”

”Why? Did he suddenly regain consciousness?”

”Almost. If he had, he might've said his name isn't Judson Ryder.”

For a rare moment, Tucker was speechless. How did she know?

Her tone grew tough as she continued. ”You're correct that his injuries are consistent with being hit by a snowmobile, but after that it gets hinky. The ME found that prosthetic devices had been applied to his face to give him a nose b.u.mp, make his cheekbones prominent, and square his chin. According to the ME, the prostheses are some kind of new skinlike silicone that he'd heard rumors about at an international pathologists' convention last year, but he'd never seen-until now. The silicone was coated with colored polymer layers to duplicate the color of the wearer's skin. The ME took a bunch of photos then he peeled off the prostheses, which was no easy thing, and took more photos. What the h.e.l.l is going on, Tucker?”

”I can't tell you. If I could, I would.”

”This is my dead body,” she reminded him. ”My investigation.”

”I need a full report yesterday,” he ordered, ”and this can go no further than you, the ME, and the door, at least for now. You don't have to like it, Annie. Just do as I say. National security.”

She sniffed. ”National security? That old saw?”

He ignored her tone. ”Yes, national security, G.o.ddammit. And I need to find out who the corpse really is, p.r.o.nto.”

”Oh, I can tell you that, too. There was nothing on his fingerprints, so I ran him through the tristate facial recognition database. Bingo. His name is Jeff Goos. He's a professional actor. Lives in an apartment in Richmond and does theater and TV up and down the coast. Divorced a couple of times. Heavy child support payments. I could go on and on.”

That was the thing about Annie, she was d.a.m.n good. ”Christ,” Tucker said. ”Wait for me. I'm on my way.”

10.

As soon as Tucker Andersen left the movie theater, Sabino Zaragosa-the Padre-ripped off his white clerical collar and black vest. His man, Ricardo Agote, who had been sitting quietly ten rows below, was soon at his side. In seconds, they traded clothes, and Ricardo settled into the Padre's seat, the black cashmere overcoat folded on his lap, the bag of popcorn in his hands, the black brimmed hat sitting squarely on his head.

Wearing Ricardo's thermal jacket, the Padre trotted down the aisle, took Ricardo's seat, and leaned comfortably back, eyes half closed, observing a thirtyish woman enter the theater. By turning his head slightly, he saw her settle into one of the higher seats from where she could easily keep tabs on the moviegoer she believed to be the Padre. She was one of Tucker Andersen's surveillance spies.

Smiling to himself, the a.s.sa.s.sin peered at the screen again. George Clooney and his men were creeping toward a cabin where the villains were hiding. The villains were in terrible danger. The Padre knew intimately what that was like, the threat of imminent attack, of annihilation. It made his gut sour, and yet he wanted Clooney and his men to win. In a rare moment of insight he realized that was the conflict that had fueled his life.

The last ten minutes of the movie pa.s.sed quickly. At the thrilling end, the Padre felt the sweet heat of redemption.

As the credits ran on the screen, Ricardo marched down the aisle, wearing the Padre's black hat and long black overcoat. His white clerical collar shone in the reflected light.

The surveillance spy rose and descended, too, tailing discreetly.

As the audience vanished, the Padre removed a red plaid cloth cap with ear protectors from his jacket pocket. Pulling it on, he Velcroed the strap tightly, producing a roll of flab beneath his chin. Lowering his head, he shuffled downstairs, out the rear door, and into a long gray corridor toward the main lobby.

Ahead were gla.s.s exit doors into the parking garage, where some patrons were awaiting rides. Just then the door opened and cold air blew in, carrying the stink of vehicle exhaust. And standing next to the door was what looked like another of Tucker Andersen's spies, wiry build, brown hair, bland features. While apparently texting on his handheld, Tucker's spy was a.s.sessing everyone who left the theater.

As the Padre observed all of this, a familiar nerviness swept across his shoulders and down his right arm toward the navaja, the knife, in his pocket. He carried it because it was foolish not to carry something, and he had always disliked the bulk of a pistol. He was long past needing to prove his finesse as a knife fighter, and even less interested, so this weapon was a state-of-the-art WASP injector knife-so fast and powerful it could drop the globe's largest land predators.

Still, the last thing the Padre wanted today was a confrontation and the inconvenience of a dead body. He needed to get away undetected. So he joined the line, shambling along as if feeble. When the spy noticed him, the Padre snuffled then casually wiped his nose on the sleeve of his jacket.

For a moment there was no reaction. Then disgust flitted across the spy's face, and his eyes focused down again on his handheld's screen. His fingers tapped the keyboard.

But as the Padre pa.s.sed, he glanced at the screen, too-and saw his own photo.

As if the spy had been reading the Padre's mind, he lifted his gaze.

In an unexpected moment, each stared directly into the other's eyes.

Without changing his expression, the Padre cursed silently and shuffled out through the door. Knowing he would be followed, he continued shuffling. In the parking garage, he headed down the stairwell. His footsteps sounded like sandpaper on the cement. At the bottom level, he pushed through the door and slipped around the corner, where he would be out of sight. Breathing evenly, he slid out his WASP knife and listened.

As soon as he heard the door open, the Padre ran back around the corner and used his bulk to slam the smaller man against the wall. At the same time he rammed the point of the WASP blade into the spy's gut. He pressed the b.u.t.ton on the Neoprene handle, shooting 24 grams of carbon dioxide gas at the blinding speed of 800 pounds per square inch from the handle through a small tube in the blade and out the tip.

And into the man. The spy screamed. Horror shone from his eyes. As he jerked and writhed, the basketball-size cavity of his internal organs was being snap frozen. Soon he slumped, and the Padre lowered his shoulder and pulled him over it. With one hand, the Padre texted for his limo. He had to get rid of the corpse and hope Tucker Andersen would never be able to a.s.sociate him with the death.

In less than a minute, his chauffeur was backing the black Cadillac limousine up to the Padre. The angle of the vehicle prevented the pa.s.senger in the rear seat from seeing what the Padre was doing. The trunk opened silently. As he dumped the corpse inside, the chauffeur appeared. The Padre gave him instructions about its disposal and soon was sliding in next to his wife, inhaling her expensive perfume. He dismissed all thoughts of business.

”Hola, generalissimo, querido mo.” Catalina greeted him in Spanish with a smile and a shy kiss on the cheek.

He felt welcomed to the center of his heart. She was small, just nineteen years old, with the wide face and hips of a solid Basque woman. Her beautiful black eyes glowed in admiration for him. Her teeth were small-straight now, due to the excellent orthodontist he had found near their new home in Gstaad. Her fingers were tiny, but her hands were broad and strong. As he watched, she knitted her fingers into his. This was his first marriage. He lifted his arm, and she slid under it.

”It went well?” She was an innocent and knew nothing of his work.

”As well as could be expected,” he responded in Basque. As he had grown older he had yearned for his heritage. One satisfaction was to bring their conversation back to their native tongue.

”Did you locate the man you wished to?” she asked curiously in Basque. ”I think I heard you call him the Carnivore.”

”Do not worry. It is only business, but I have more to do. The limo can drop you off in Bethesda for shopping, or you can stay with me.”

She patted his chest. Her diamond-drenched wedding band and engagement ring glittered. ”I'll stay with you.”

He was rich and gave her all the money she wanted. Still she had chosen not to go shopping. He prized her modesty and common sense. She was like his mother-solid, reliable, and strict. His throat tightened with emotion as he remembered his mother. He had joined ETA when he was only fifteen years old to help force Spain to give the Basques their own nation. But then his mother was killed in the crossfire between his ETA unit and Franco's police. His unit could have saved her but had decided to sacrifice her to make a political statement.

It was then that he had taken the skills ETA had taught him and left. Long ago he had stopped caring about governments and their small issues. They paid him very well to do their dirty work so they could deny their dirty motives. They were no different from ETA.

Catalina sighed and burrowed against him. He smiled and stroked her silky hair. When his iPhone vibrated against his hip, he slid it out. And smiled again. Everything was on schedule.

11.

Silver Spring, Maryland The sky glistened blue, and the air was warming. As snow dripped from eaves and mailboxes, Ryder drove onto Derby Ridge Lane. Homes lined the left side of the curving street, while on the right a snowy forest spread into the distance. He parked in front of Eva's place, a modern row house with white pillars and shutters. As he turned off the engine, his Samsung Galaxy smartphone vibrated.

Tucker's voice was loud and strong: ”I've been to the ME's office to check on the corpse of the man who was pretending to be you. The reason he looked like you was prosthetics.”

Ryder frowned. ”Are you sure?”

”According to the ME, you would've needed a magnifying gla.s.s, or you would've had to inspect his face with your fingers. There are minute seams, and the prostheses feel a little stiffer than human flesh.” Tucker described the colored polymer layers, the cosmetic paint that blended the edges, and the waterproof biocompatible drying adhesive.