Part 39 (1/2)
Then when the letter was sent I went out as if to free myself from the instantaneous remorse of this infamous action.
I went to see Olympe, whom I found trying on dresses, and when we were alone she sang obscene songs to amuse me. She was the very type of the shameless, heartless, senseless courtesan, for me at least, for perhaps some men might have dreamed of her as I dreamed of Marguerite. She asked me for money. I gave it to her, and, free then to go, I returned home.
Marguerite had not answered.
I need not tell you in what state of agitation I spent the next day. At half past nine a messenger brought me an envelope containing my letter and the five-hundred-franc note, not a word more.
”Who gave you this?” I asked the man.
”A lady who was starting with her maid in the next mail for Boulogne, and who told me not to take it until the coach was out of the courtyard.”
I rushed to the Rue d'Antin.
”Madame left for England at six o'clock,” said the porter.
There was nothing to hold me in Paris any longer, neither hate nor love.
I was exhausted by this series of shocks. One of my friends was setting out on a tour in the East. I told my father I should like to accompany him; my father gave me drafts and letters of introduction, and eight or ten days afterward I embarked at Ma.r.s.eilles.
It was at Alexandria that I learned from an attache at the emba.s.sy, whom I had sometimes seen at Marguerite's, that the poor girl was seriously ill.
I then wrote her the letter which she answered in the way you know; I received it at Toulon.
I started at once, and you know the rest.
Now you have only to read a few sheets which Julie Duprat gave me; they are the best commentary on what I have just told you.
Chapter 25
Armand, tired by this long narrative, often interrupted by his tears, put his two hands over his forehead and closed his eyes to think, or to try to sleep, after giving me the pages written by the hand of Marguerite. A few minutes after, a more rapid breathing told me that Armand slept, but that light sleep which the least sound banishes.
This is what I read; I copy it without adding or omitting a syllable:
To-day is the 15th December. I have been ill three or four days. This morning I stayed in bed. The weather is dark, I am sad; there is no one by me. I think of you, Armand. And you, where are you, while I write these lines? Far from Paris, far, far, they tell me, and perhaps you have already forgotten Marguerite. Well, be happy; I owe you the only happy moments in my life.
I can not help wanting to explain all my conduct to you, and I have written you a letter; but, written by a girl like me, such a letter might seem to be a lie, unless death had sanctified it by its authority, and, instead of a letter, it were a confession.
To-day I am ill; I may die of this illness, for I have always had the presentiment that I shall die young. My mother died of consumption, and the way I have always lived could but increase the only heritage she ever left me. But I do not want to die without clearing up for you everything about me; that is, if, when you come back, you will still trouble yourself about the poor girl whom you loved before you went away.
This is what the letter contained; I shall like writing it over again, so as to give myself another proof of my own justification.
You remember, Armand, how the arrival of your father surprised us at Bougival; you remember the involuntary fright that his arrival caused me, and the scene which took place between you and him, which you told me of in the evening.
Next day, when you were at Paris, waiting for your father, and he did not return, a man came to the door and handed in a letter from M. Duval.
His letter, which I inclose with this, begged me, in the most serious terms, to keep you away on the following day, on some excuse or other, and to see your father, who wished to speak to me, and asked me particularly not to say anything to you about it.
You know how I insisted on your returning to Paris next day.
You had only been gone an hour when your father presented himself. I won't say what impression his severe face made upon me. Your father had the old theory that a courtesan is a being without heart or reason, a sort of machine for coining gold, always ready, like the machine, to bruise the hand that gives her everything, and to tear in pieces, without pity or discernment, those who set her in motion.