Part 20 (2/2)
PAMELA. Well, I suppose we--I mean you--well, we'll come up to London together, I suppose, and you'll go to your old rooms. At least, if you still have them.
BOB (instantly depressed again). My old rooms. That'll be lively.
PAMELA. Well, unless you'd rather--
BOB. I'm not going home, if that's what you mean. The prodigal son, and Gerald falling on my neck.
PAMELA (stroking his head). Never mind Gerald, Baby. (He turns round suddenly and seizes her hands.)
BOB (in a rush). Whatever happens, you mustn't desert me when I come out. I want you. I've got to know you're there, waiting for me. I'm not making love to you, you're engaged to somebody else, but you were my friend before you were his, and you've got to go on being my friend. I want you--I want you more than he does. I'm not making love to you; you can marry him if you like, but you've got to stand by me. I want you.
PAMELA. Haven't I stood by you?
BOB (in a low voice). You've been an angel. (He kisses her hands and then gets up and walks away from her; with his back to her, looking out of the window, he says) When are you marrying him?
PAMELA (taken by surprise). I--I don't know, Bob. We _had_ thought about--but, of course, things are different now. We haven't talked about it lately.
BOB (casually). I wonder if you'd mind promising me something.
PAMELA. What is it?
BOB. Not to get married till after I come out. (After waiting for PAMELA to speak) You will have about forty years together afterwards. It isn't much to ask.
PAMELA. Why should it make a difference to you?
BOB. It would.
PAMELA. It isn't a thing I like making promises about. But I don't suppose for a moment--Would it help you very much, Bob?
BOB (from the bottom of his heart). I don't want Gerald's wife to be waiting for me when I come out; I want my friend.
PAMELA (standing up and facing him as he turns round towards her). All right, Bob, she shall be there.
(They stand looking at each other intently for a moment. Voices are heard outside, and SIR JAMES, LADY FARRINGDON, and GERALD come into the room.)
ACT III
[SCENE.--In the hall at SIR JAMES FARRINGDON'S again. It is autumn nom and there is a fire burning.]
[LETTY and TOMMY are on the sofa side by side, holding hands, and looking the picture of peaceful happiness. Indeed, TOMMY has his mouth open slightly.]
LETTY. It's your turn to say something, Tommy.
TOMMY. Oh, I say.
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