Volume I Part 7 (2/2)

Vestigia George Fleming 65490K 2022-07-22

'But, mother dear, you never asked me. I always thought you knew it.

It was plain enough. And how was I to guess you wanted to be told? I have never even told--her,' the young man said.

'And _she_ was to come first? Nay, 'tis but natural. The young birds build new nests. Ah, but, Dino! Dino! I've lost you. I've lost my own boy----'

Her voice broke: she turned abruptly away, and hid her gray head upon her clasped hands.

'But, mother dear,--dearest mother!'

He stood with one hand on her shoulder, looking down at her bowed head with a curiously-blended feeling of distress over her grief and impatience at its unreasonableness: 'Mother! After all, you must have expected it sooner or later: it is but natural----'

'Yes, lad. I know. 'Tis as you say: 'tis natural,' Catarina said meekly; and then she turned her face away again with a sob and a feeling of utter inevitable loneliness. How could the lad understand?

He was young, and she was growing old; and to him what was natural was easy, and to her it was hard. That was all the difference.

She swallowed something in her throat, a lump which seemed to choke her, and stood up. '_Poverino_! I won't tease you any more: don't be vexed with me, lad,' she said soothingly, looking into his perplexed face with a quivering smile. She put up her hand to brush off an imaginary speck of dust from his coat. 'Nay, 'tis no wonder if people love you. Go, my Dino, go to--her,' she said; and as Dino bent his head and kissed her, 'It's because I am sending him away,' she thought, bitterly enough.

'And how about Monte Nero, mother? The pilgrimage, you know. Italia was asking about it last night,' he said cheerfully, glad to see her beginning to accept things more placidly.

'Ay, lad, I'll think of it; but go now, go. I will not--I cannot--I mean, do as you please. Make all your plans, and I will help you carry them out. It's what I'm good for now, I suppose. I must learn not to stand in your way--and hers.'

'Mother!'

'I-- Don't mind me, my Dino. Don't be angry with your old mother, my own boy. It was only a--a surprise. I shall be all right when you come back; for you will come back to dinner, my Dino? I am good for that much: I can take care of you still.'

She followed him to the door, and then went and stood by the open window, shading her eyes from the bright March sun, to watch him as he pa.s.sed down the street. Perhaps he would turn his head and look up.

But no. From that height she could not distinguish his face; she felt a pang of idle regret at the thought; he seemed to get so soon beyond her reach. After a while she went into her son's room, and opened all his drawers, and began to turn over his possessions. She folded an old coat which she found on the back of a chair: she folded it carefully.

I am not sure that she did not kiss it. Everything belonging to him with which she had anything to do was kept in the most scrupulous order, and she wanted to find something to mend, some work which she could do for him.

There was a small faded photograph, a portrait of his father, hanging over the young man's bed. She went and looked at it as it hung against the wall, then took it down and stood with it in her hand. It was the likeness of a man who had been in every way a disappointment in her life; but she was not thinking of that now. The faded face looked at her out of the past with its easy confident smile. She only remembered the first year or two after her marriage, and her young husband's kindness to her, and his first pride and pleasure in their boy. 'If _he_ had not gone there would have been some one left to understand,'

she thought. Her own personal life seemed ended: she gazed with the strangest pang of regret and companions.h.i.+p at this fading likeness of the dead face she had loved in her youth. What if afterwards he had neglected her? At least he had come to her once of his own accord, for her own sake--and they had been young together.

She felt herself quite alone, this austere and self-contained woman--alone in a world which could never change for the better now; in which each new morning would only bring new deprivations in place of fresh joys.

Dino had dressed himself in workman's clothes that morning. Drea did not expect him yet, but it was just possible there might be something which wanted doing in the boat. It was such a bright fresh morning after the storm; a morning to make young hearts beat lightly and young blood run fast with a quick sense and joy of dear life. But as he turned mechanically down the busy Via Grande he saw nothing of all this. His mother's words, the way in which she had taken it for granted that if he loved Italia, Italia must love him, and how there could be but one possible solution to their lives, all that would have been so natural, so full of hope and radiant happiness last month, last week--last week? only yesterday, only one day ago! And now; oh, the bitter irony of fate! it was he himself who had forged the chain which bound him. He cursed his own folly. Why could he not have been contented? was he not deeply enough involved before then? why could he not have let that last crowning piece of madness alone?

The look of the commonplace crowd around him, the presence of those scores of hurrying, interested, contented, busy men, the very look of the shop windows, all things seemed to conspire together to discredit and ridicule the devoted side, the dramatic side, the only possible side, of his situation. In a world like this--a world of common-sense and convenience and keen enjoyments, a world of sunlight and youth and possibilities, to choose deliberately, at four-and-twenty, to throw away all one's future, all one's love, all one's life in doing--_that_.

d.a.m.n it! Even to himself he would never mention that accursed plan, he would never think of it.

He thrust his hands deeper into the great pockets of his rough jacket, and threw up his head defiantly, as he glanced about him. And each house he pa.s.sed, each soldier, each policeman, each lamp-post even--every visible sign of peace and law and order--seemed a tangible ironical comment on his folly. And why, in G.o.d's name, had he done this thing? He remembered so well that evening--it was after their demonstration had been dispersed by the police, and he was hot with a sense of battle, and wild with excitement, with bitter baffled indignation. It had seemed so easy a thing then to pledge away his future. He had done it without consulting Valdez--suddenly, madly, on the desperate impulse of the moment. He had done it in a moment of mental crisis; because he was imaginative, because he believed in the cause, heart and soul, because he had been a fool. And as he said that to himself some old words of Pietro Valdez came back to him with sudden force out of some old forgotten talk of theirs. 'How can any one believe in your highest emotions?' he heard the familiar voice asking him, 'how can you expect any one to believe in your highest emotions if you question them yourself?'

The softest wind blew in his face and he did not feel it, the sunlight rested on him, the sky was blue and white; but he had ceased to look even at the pa.s.sers-by. He felt like a man awakened from a dream, when a hand touched him, and a voice spoke in his ear, and he looked up and recognised the Marchese Gasparo.

'Hallo, old boy, are you asleep? are you dreaming? what the devil is the matter with you?'

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