Part 13 (1/2)

Elephant poles, Roman, by McKim, Mead & White; streamers by Guerin

Bear fountains, in walls of Palaces of Liberal Arts and Manufactures, north of Tower of Jewels Three on each wall Colors, pink, dark blue, light green

Largest court in Exposition By McKim, Mead & White, architects, of New York Inspired by Bernini's entrance to St Peter's, in Rome

Area of court, seven acres; 650 feet wide from arch to arch; 1200 feet froress

Palaces around court: northeast, Transportation; northwest, Agriculture; southwest, Liberal Arts; southeast, Manufactures

Sunken Garden, planted by John McLaren

Height of Arches of Rising Sun and Setting Sun, 203 feet fro Sun; Arch of Setting Sun, in west Suggested by arches of Constantine and titus in Roreen lattices, Oriental, and by colossal sculptural groups, the East and the West, in place of Roa

Colu of Ionic and Corinthian; feel of Peace,” by Leo Lentelli, on each side of arches on Sienna columns, repeated four times Sword is turned down, but not sheathed, a coular spaces above arch, by Frederick G R Roth, repeated on the other side

Medallions, right and left sides of arches Feesting Art, by B Bufano, of New York

Above riffons

Quotations on Arch of Rising Sun, west side, facing court, chosen by Garnett Panels froht: ”They who know the truth are not equal to those who love it,” from Confucius, the Chinese philosopher; ”The lorious sun behind the herald dawn appears; thus rise and set in constant change those shi+ning orbs and regulate the very life of this, our world,” from ”Shakuntala” by Kalidasa, the Indian poet; ”Our eyes and hearts uplifted seeaze on heaven's radiance,” from Hito Sun, east side, facing Florentine Court

Panels froht: ”He that honors not hioes,” from Zuhayr, the Arabian poet; ”The balenial glow that we know neither heat nor cold; tulips and hyacinths abound; fostered by a delicious cliarden,” frory Fro, the Siamese poet

Crenellated parapet on arches, note from military architecture Archers used to shoot froe of arches Used by the Egyptians as historical records and public bulletins Merely decorative

Green jars, beautifully designed, in niches at base of Arches of Rising and Setting Sun, McKi Sun, sur types of Oriental civilization ”Nations of the East,” designed by Calder, and executed in collaboration with Lentelli and Roth Froyptian on camel, Arab falconer, Indian prince, Buddhist priest or laro slave, and Mongolian on horseback

Murals in arch by Edward Siht, True Hope and False Hope, Coround Asiatic and American cities On south wall: historical types, nations that have crossed the Atlantic; fro to the past, the workh the adventurer, Colue of lost Atlantis, the Graeco-Ro the call to fortune In background, ancient andSun Statues, frieze, spandrels, parapet, identical with Arch of Rising Sun Group on top, ”The Nations of the West,” designed by Calder, executed in collaboration with Lentelli and Roth Aon, drawn by two oxen Above wagon, ”Enterprise”; in front, ”The Mother of Tomorrohite boy on one side, colored boy on other; south, a French-Canadian, an Alaskan woman, a Spanish-American, a German; north, an Italian, British-American, squaw, A Sun, chosen by Garnett Panels fro court: ”In Nature's infinite book of secrecy a little I can read,” frolish poet;

”Facing west fro what is yet unfound,

I, a child, very old, over waves, toward the house of rations, look afar,