Part 8 (1/2)

”That's right! Only I should call it providential myself, Jacob. Be seated, won't you, Mr.--now Jacob told me your name!--Pippin--to be sure! Be seated, Mr. Pippin. We'll be having supper soon, and you'll set right down with us, I hope.”

”Thank you, ma'am! If there was some knives I could be sharpenin', to earn my supper, sort of, I should be tickled to death to stay. Or if there's anything else you'd rather--what I aim at is to please, you see.

Them scissors the young lady has in her lap don't appear to be what I'd call real sharp, now.”

Mrs. Bailey laid her hand gently on the girl's fair head.

”Flora May can't have sharp scissors!” she said. ”She's good as gold, but she's a little wantin', and she might cut off her lovely hair, mightn't you, Flora?”

The girl raised a sweet, vacant face. ”I might cut off my lovely hair!”

she repeated in a musical singsong. ”My lovely, lovely hair! My--” The quiet hand touched her again, and she was silent.

”After supper we'll have some singin'!” she said. ”Flora May admires to sing.”

”Does she?” Pippin looked earnestly at the young face, pure and perfect in form and tint. ”It's like a lamp when you've blown it out!” he thought.

Now Mrs. Bailey brought an ap.r.o.nful of knives and scissors. Pippin retreated to the yard where he had left his wheel, and was soon grinding and singing away, oblivious of all else save flying wheel and s.h.i.+ning steel. Glancing up after a while, he saw all the inhabitants of the Poor Farm gathered in the doorway, listening; he paid little heed; folks always listened. That was the way the Lord had given him, to pay folks for bein' so pleasant to him as they always was. He was real thankful.

”Look at the aidge on this knife, will you? Hardly you can't tell which is it, and which is air; see?”

He broke out into a wild, sweet air:

”Oh! carry me 'long!

Dar's no more trouble for me.

I's gwine away to a better land, Where all de n.i.g.g.e.rs am free.

Long, long hab I worked, I'b handled many a hoe; I'll turn my eye before I die, And see de sugar cane grow.”

Something moved near him. He glanced down and saw the girl Flora May.

She had crept nearer and nearer, till now she was almost at his feet.

She sat, or rather crouched, on the ground, graceful as a creature of the woods, her blue print gown taking the lovely lines of her figure, her ma.s.ses of fair hair, neatly braided, wound round and round her head.

Such a pretty head! Just a little too small, poor Flora May! not for grace, but for other things. Looking at her, Pippin saw, and wondered to see, the face which he had likened to a dead lamp, now full of light, the pale cheeks glowing, the red lips parted, the blue eyes s.h.i.+ning.

Yet somehow--what was the matter? They did not s.h.i.+ne as other eyes shone; those brown ones, for instance, of the brown man towering in the doorway, or the twinkling gray eyes of Jacob Bailey.

”The lamp's burnin',” said Pippin, ”but yet it's went wrong, some ways, but even so--green gra.s.s! she's a pictur!”

Coming to the end of his song, he smiled and nodded at the upturned face.

”Sing more for Flora May!” cried the girl. ”Sing more!”

”Sure!” said Pippin. ”Wait till I get a start on this aidge, Miss Flora May--Now! Here's what'll please you, I expect:

”Joseph was an old man, An old man was he; He married sweet Mary, The Queen of Galilee.

”As they went a-walking In the garden so gay, Maid Mary spied cherries Hanging over yon tree.

”Mary said to cherry tree, 'Bow down to my knee, That I may pluck cherries By one, two, and three.'”