Part 7 (1/2)

”I had the idea that E. P. Roe was a kindly old gentleman with gray hair. Kindly he undoubtedly is, but old he is not. His portrait shows him to have a frank, manly countenance, with an earnest and somewhat sad expression. He has dark hair and a full beard, long and black. Mr. Roe is at present writing a series of articles on small fruits for _Scribner's Magazine_. The publishers of that periodical intend to give a portrait of Mr. Roe, which will be the first ever published. It may appear in the December number, and if it does the readers of this paper are respectfully referred to the pages of that magazine. It seems to be the general idea that Mr.

Roe is an old man. For instance, a lady writing from Wheeling, W.

Va., to _The Household_ a few weeks since, says:--

”'Some one asked if Rev. E. P. Roe had taken his characters from life or not. Several years ago we had amongst us a certain Professor Roe (vocal teacher, possessing a beautiful tenor voice), said to be a son of the novelist. If he was a son, the character of Walter Gregory in '”Opening of a Chestnut Burr”

was certainly drawn from him, and it always seemed to me that Dennis Fleet's wonderful voice in ”Barriers Burned Away” was likened to his voice.'

”If this writer could have seen the youthful appearance of Mrs.

Roe, she would have no hesitation in denying the professor's alleged relations.h.i.+p to the novelist. Her husband is not yet forty.

”I wish Scribners would publish a portrait of Mrs. Roe. It would certainly add to the popularity of the magazine. Such a lady must be a wonderful help to her husband. I think, as a general thing, the world gives too little credit to the power behind the throne.

”Mrs. Roe deserves at least half the credit of 'Barriers Burned Away,' which is certainly E. P. Roe's most dramatic work, and had, no doubt, a great deal to do with many of his other volumes. This particular work describes the thrilling scenes of the Chicago fire with a vividness and power that is rarely surpa.s.sed. When the whole world was thrilled by the dreadful tidings of a city's destruction, Mr. Roe said to his wife that if he could collect some of the actual occurrences that must be transpiring there he thought he could write a book about it. Mrs. Roe at once decided for him. Her advice was that so tersely put by Mr. Greeley. Although nearly a thousand miles intervened, Mr. Roe was in Chicago before the fire had ceased, and the incidents so graphically depicted in 'Barriers Burned Away' were the result of actual observation.

”Most of Mr. Roe's characters are taken from real life, and all of his works are written for a purpose, as can readily be seen in 'What Can She Do?' for example. His next book, which will be published in a few days, will furnish another instance of writing for a purpose. Its t.i.tle is, 'Without a Home;' the subject it treats is the tenement-house problem, which is at present agitating New York and all large cities. In this work the scenes and personages will be nearly all from real life. If the book were not in press the tenement-house fires in New York on Friday, causing the death of seven persons, would furnish a tragic climax to his story. What could be more terribly pathetic than the frantic mother penned in by the smoke and flame, dragging herself to the bedside of her children to die with them? In choosing the evils of the tenement-house system as a subject, Mr. Roe strikes at one of the worst features of city life.

”It was to finish the last pages of this book that Mr. Roe was now 'Without a Home' himself, and as the printers were clamoring for copy, he had betaken himself to a room in a New York hotel to write without interruption. Mr. Roe is too good-natured to deny himself to visitors, and they make great inroads on his time.

”'If he hears the voice of a friend,' said Mrs. Roe, 'he cannot remain at his desk.'

”So when there is work that must be done, Mr. Roe banishes himself from home and friends and flies to that loneliness which only a great and crowded city can supply.

”Mrs. Roe's favorite book is 'The Opening of a Chestnut Burr,' and this must be a favorite work with many, for it has reached its thirtieth thousand, not to mention the numerous reprints in England and Canada. The realistic incident in this work, which supplies the place the Chicago fire does in the other, is the sinking in mid ocean of the French steamer Ville d'Havre.

”I think, although it is only mere conjecture on my part, that Mrs.

Roe herself is the heroine of this book. For that reason I shall not attempt to say anything of the lady, as the reader can turn to the book and satisfy all curiosity there. But if I should find, at some future time, that I am mistaken in my surmise, I shall make that my excuse for the pleasant task of writing again of Mrs. Roe.

The old homestead is described in the 'Opening of a Chestnut Burr,'

and naturally this would endear the book to those who lived there.

”The library in which Mr. Roe does his writing, when at home, is a sunny room filled from floor to ceiling with books. A large flat desk, covered with papers, stands in the centre of the room, and this is the novelist's work-bench. I shall conclude with a few words regarding Mr. Roe's method of working. Mr. Roe himself has supplied this in a letter written nearly a year ago, to an admirer, and part of which I am allowed to copy. This extract forms a portion of Mr. Roe's work never before published, and the writer himself had no idea it would ever appear in print. The letter bears date November 25, 1878. He says:--

”'My aim is to spend the earlier part of the day in my study, but I cannot always control my time, much of which is lost in interruptions. I sometimes have to go away and shut myself up for a time. I am not as systematic as I ought to be. I like to write the latter part of my books at white heat, first getting full of my story and then writing with a zest. I call from five to eight pages a good day's work, although in some moods I write many more. Again, I will work hard over three or four. I am opposed to night work.

”'I hope to average five hours a day hereafter in my study, and three or four in my garden. I employ from ten to fifteen men and from ten to thirty boys in picking the berries. A large part of my labor is employed in taking up and packing plants. The department of fruit culture to which I give my chief attention, is the keeping of each variety separate and pure. This I trust to no one, and it requires constant vigilance.'

”After leaving the residence of Mr. Roe, we went half a mile or so farther on to Idlewild, once the home of N. P. Willis. Darkness came on before we reached there and we had our labor for our pains.

”Mrs. Roe said that Idlewild is little changed since the poet left it. A recent freshet swept away the bridges he built in the Glen, but otherwise it is the same as it was before. Thus ended our visit to Cornwall-on-the-Hudson.”

CHAPTER XI

SANTA BARBARA

My brother's boyhood friend, Mr. Merwin, speaking of his visits at Cornwall later, says: ”When honors came in troops, I found Edward was the same kindly unostentatious man, the truly loyal friend. Later, after some correspondence with me, he came to Southern California, where under those sunny skies and semi-tropical scenes his love of Nature found great delight.

”While visiting at Pasadena, as we drove about that beautiful city, he emphasized what he had often told me, that one of the great joys of his life was that which came to him from the hundreds of letters from all parts of the country, and many written by people in humble circ.u.mstances, thanking him most heartily for the cheer and encouragement he had given them through his books.”

After a short stay with his friend in Pasadena Edward went with his wife and children to Santa Barbara. There they occupied a pleasantly situated cottage, owned by a New England lady and her daughter, under whose excellent care they enjoyed the rest and freedom from restraint that cannot be found in crowded hotels.