Part 31 (1/2)

Then they had talked about the pa.s.sion for adventure, and Craven had spoken of his love, not yet lost, for Browning's poem, ”Waring”; how he had read it when quite a boy and been fascinated by it as by few other poems. He had even quoted some lines from it, and said them well, taking pains and not fearing any criticism or ridicule from her. And they had wondered whether underneath the smooth surface of Browning, the persistent diner out, there had not been far down somewhere a brown and half-savage being who, in some other existence, had known life under lateen sails on seas that lie beyond the horizon line of civilization.

And they had spoken of the colours of sails, of the red, the brown, the tawny orange-hued canvases, that, catching the winds under sunset skies, bring romance, like some rare fruit from hidden magical islands, upon emerald, bright-blue or indigo seas.

The talk had run on without any effort. They had been happily sunk in talk. She had kept the fire from her face with the big fan. But the fire had lit his face up sometimes and the flames had seemed to leap in his eyes. And watching him without seeming to watch him the self-mockery had died out of her eyes. She had forgotten to mock at herself and had let herself go down the stream: floating from subject to subject, never touching bottom, never striking the bank, never brought up short by an obstacle. It had been a perfect conversation. Even her imp must have been quite absorbed in it. For he had not tormented her during it.

But at last the clock had struck one, just one clear chiming blow. And suddenly Craven had started up. His blue eyes were s.h.i.+ning and a dusky red had come into his cheeks. And he had apologized, had said something about being ”carried away” beyond all recollection of the hour. She had stayed where she was and had bidden him good night quietly from the sofa, shutting up her fan and laying it on a table. And she had said: ”I wonder what it was like with the Georgians!” And then he had again forgotten the hour, and had stood there talking about the ultra-modern young people of London as if he were very far away from them, were much older, much simpler, even much more akin to her, than they were. He had prefaced his remarks with the words, ”I had forgotten all about them!”

and she had felt it was true. Beryl Van Tuyn's name had not been mentioned between them. But she was not a Georgian. Perhaps that fact accounted for the omission, or perhaps there were other reasons for their not speaking of her just then. She had done her best to prevent the evening intimacy which had been theirs. And they both knew it.

Perhaps that was why they did not speak of her. Poor Beryl! Just then Lady Sellingworth had known a woman's triumph which was the sweeter because of her disadvantages. Thirty-six years older than the young and vivid beauty! And yet he had preferred to end his evening with her! He must be an unusual, even perhaps a rather strange man. Or else--no, the tremendous humiliation she had endured ten years ago, acting on a nature which had always been impaired by a secret diffidence, had made her too humble to believe any longer that she had within herself the conqueror's power. He was not like other young men. That was it. She had come upon an exceptional nature. Exceptional natures love, hate, are drawn and repelled in exceptional ways. The rules which govern others do not apply to them. Craven was dangerous because he was, he must be, peculiar.

When at last he had left her that night it had been nearly half-past one. But he had not apologized again. In going he had said: ”Thank G.o.d you refused to go to the Cafe Royal!”

Nearly half-past one! Lady Sellingworth now looked at the clock. It was nearly half-past six.

She had a lonely dinner, a lonely evening before her.

Suddenly all her resignation seemed to leave her, to abandon her, as if it had had enough of her and could not bear to be with her for another minute. She saw her life as a desert, without one flower, one growing green thing in it. How had she been able to endure it for so long? It was a monstrous injustice that she should be condemned to this horrible, unnerving loneliness. What was the use of living if one was entirely alone? What was the use of money, of a great and beautiful house, of comfort and leisure, if n.o.body shares them with you? People came to see her, of course. But what is the use of visitors, of people who drop in, and drop out just when you most need someone to help you in facing life, in the evenings and when deep night closes in? At that moment she felt, in her anger and rebellion, that she had never had anything in her life, that all the women she knew--except perhaps Caroline Briggs--had had more than herself, had had a far better time than she had had. During the last ten years her brilliant past had faded until now she could scarcely believe in it. It had become like a pale aquarelle. Her memory retained events, of course, but they seemed to have happened in the life of someone she had known intimately rather than of herself. They were to her like things told rather than like things lived. There were times when she even felt innocent. So much had she changed during the last ten years. And now she revolted, like a woman who had never lived and wanted to live for the first time, like a woman who had never had anything and who demanded possession. She even got up and stood out in the big room, saying to herself:

”What shall I do to-night? I can't stay here all alone. I must go out. I must do something unusual to take me out of myself. Mere stagnation here will drive me mad. I've got to do something to get away from myself.”

But what could she do? An elderly well-known woman cannot break out of her house in the night, like an unknown young man, and run wild in the streets of London, or wander in the parks, seeking distractions and adventures.

Ten years ago in Paris she had felt something of the same angry desire for the freedom of a man, something of the same impotence. Her curbed wildness then had tortured her. It tortured her now. Life was in violent activity all about her. Even the shop girls had something to look forward to. Soon they would be going out with their lovers. She knew something of the freedom of the modern girl. Women were beginning to take what men had always had. But all that freedom was too late for her!

(She forgot that she had taken it long ago in Paris and felt that she had never had it. And that feeling made part of her anger.)

The clock struck the half-hour.

Just then the door was opened and the footman appeared before she had had time to move. He looked faintly surprised at seeing her standing facing him in the middle of the room.

”Mr. Craven has called my lady.”

”Mr. Craven! But I told you to let him in. Have you sent him away?”

”No, my lady. But Mr. Craven wouldn't come up till I had seen your ladys.h.i.+p. He said it was so late. He asked me first to tell your ladys.h.i.+p he had called, and whether he might see you just for a minute, as he had a message to give your ladys.h.i.+p.”

”A message! Please ask him to come up.”

The footman went out, and Lady Sellingworth went to sit down near the fire. She now looked exactly as usual, casual, indifferent, but kind, not at all like a woman who would ever pity herself. In a moment the footman announced ”Mr. Craven,” and Craven walked in with an eager but slightly anxious expression on his face.

”I know it is much too late for a visit,” he said. ”But I thought I might perhaps just speak to you.”

”Of course. I hear you have a message for me. Is it from Beryl?”

He looked surprised.

”Miss Van Tuyn? I haven't seen her.”

”Yes?”

”I only wanted--I wondered whether, if you are not doing anything to-night, I could persuade you to give me a great pleasure. . . . Could I?”

”But what is it?”