Part 3 (1/2)
Wotan's Throne. Two majestic b.u.t.tes in the heart of the Canyon, to the east, have been demanding our attention for some time. They are both towering mountains of rock, that stand out even more strikingly than do the temples near at hand. The flat-topped ma.s.s is Wotan's Throne (once Newberry Terrace), and is as ma.s.sive as s.h.i.+va Temple, seen to the west. Its elevation is seven thousand seven hundred feet.
Vishnu Temple. The more ornate and sculptured of the b.u.t.tes is Vishnu Temple, a solid mountain of rock carved into a majestic form by centuries of erosion. Wherever one stands, at the eastern end of the Canyon, whether on the north or the south, on the promontories at the rim or on the plateaus beneath, it is the dominating and eye-compelling object. It is, without doubt, the most stupendous ma.s.s of nature's carving in the known world. It is seven thousand five hundred and thirty-seven feet above sea level, and over five thousand feet above the Colorado River, which practically laves its base.
In front of Wotan's Throne, and a trifle nearer the river, is the Angel Gate, described in the chapter on Indian Legends.
Indian Garden. Now let the eye fall upon the Bright Angel Plateau. The tents at Indian Garden are clearly to be seen as well as any trail party that may happen to be crossing the plateau. The insignificant size of the horses and mules and their riders can scarcely be believed. On the rim the elevation is seven thousand and eighty-one feet. At the Garden the elevation is three thousand eight hundred and seventy-six feet, so we are looking down four thousand two hundred and five feet, over three-fourths of a mile.
Immediately below us, to the right, we see the rugged gorge of gneiss in which flows Pipe Creek. The left fork of this (to the west) is Garden Creek. A small break from Angel Plateau will be observed, where Garden Creek curves to enter Pipe Creek. Here is a beautiful ma.s.s of green, and not far away the trail that leads from the plateau to the river is in sight.
El Tovar Point. A quarter of a mile west from Yavapai Point is El Tovar Point (formerly called Grandeur Point), so named because it is the end of the right arm of the amphitheatre in which El Tovar is located. Its elevation is seven thousand feet.
Coconino Forest and Angel Plateau. To the west and south is the Coconino Forest; beyond is seen the dry bed of the ancient Eocene lake, and the blue ridge, where the lava-flows from Mount Floyd shut in the view. It is a glorious expanse of over a hundred miles, and on a clear day every object is plainly discerned. Here even better views of the Angel Plateau may be obtained than from Yavapai Point, and an excellent outlook over the narrow break in the great wall, where the shattering of the strata and the deposition of talus and vegetable matter made possible the building of the zigzag portion of the trail near the top. The faulting of the strata is clearly seen, and the observer will not fail to note that the strata of the left arm of El Tovar Amphitheatre are thrust up some one hundred to two hundred feet above the level of the same strata upon which El Tovar itself stands. This is one line of the Bright Angel fault, which extends across the river, and accounts for the carving out of the Bright Angel Gorge as described in the chapter ”How the Canyon was Formed.”
How exquisite is the rich beauty of the greens of the Douglas spruces, and the vegetation on the upper part of the trail, contrasted with the reds and grays and creams and buffs of the rocks around!
The round trip from El Tovar to Yavapai Point is about six miles. A foot-path has been cut from El Tovar to El Tovar Point, so that visitors may walk to and fro between these so diverse and yet equally attractive outlooks over the Canyon.
Many visitors, however, after the drive to Yavapai Point, go to Hopi Point.
And, while this point is pa.s.sed on the Rim Road drive, it is also very popular as a morning drive.
Drive to Hopi Point. This point is three miles to the west, and is just beyond Maricopa Point, which is practically the left arm of El Tovar Amphitheatre. The round trip is about six miles, taking in both points, and occupies from an hour and a half to two hours. Those who go in private conveyances generally stay longer, and make a three-hour trip of it.
Leaving El Tovar, the road turns southwest for a short distance, and then enters the forest to the north. It is a restful drive over a section of the well-made Hermit Rim Road.
View at Hopi Point. The first impression when one arrives at Hopi Point is of the nearness of the b.u.t.tes, and the sheer precipitousness of the place upon which he stands. Both are owing to the fact that Hopi Point is thrust far into the heart of the Canyon. Its elevation is seven thousand and forty-nine feet.
Dana b.u.t.te. Immediately facing the visitor, a continuation of Hopi Point at the five thousand and twenty-five foot level, is a b.u.t.te that would dwarf into insignificance the most stupendous of all the world's city sky-sc.r.a.pers, yet here it is hardly noticeable in the wealth of more ma.s.sive and majestic structures. It is Dana b.u.t.te, so named after the great geologist. Across the river, which here can be seen in five different places, are the temples to the right or east of Bright Angel Gorge, while Buddha and Manu on the left (west) are equally in evidence. But right before us is the dominating ma.s.s of s.h.i.+va Temple, with Isis Temple and Cheops Pyramid guarding it on the right. To the left, new architectural forms and ma.s.ses come out into clearer view, two of these being stupendous structures of great beauty and majesty that guard the approach to s.h.i.+va Temple. These are Osiris and Horus Temples, the latter being in front.
Tower of Set. Just before Horus is a smaller but ma.s.sive structure, known as the Tower of Set. The elevation of Osiris above sea level is six thousand six hundred and thirty-seven feet, that of Horus six thousand one hundred and fifty feet, and of the Tower of Set five thousand nine hundred and ninety-seven feet. Beyond these, to the west and north, are Confucius and Mencius Temples, the latter being the nearer. These are respectively at an elevation of seven thousand one hundred and twenty-eight feet and seven thousand feet. The eye now rests on Point Sublime, the spot where Captain Dutton indited his vividly descriptive accounts of the Great Canyon.
Marsh b.u.t.te. On this side of the river, nearly opposite Mencius Temple, is a b.u.t.te of singularly beautiful structure, of an elevation of four thousand seven hundred and thirty feet. This is named Marsh b.u.t.te, in honor of the great paleontologist, the rival of the equally great Cope. In the far-away distance is Havasupai Point, the most notable of all the points of the south rim, because of its great projection over the river.
Dutton Point. Across from Havasupai Point, on the north side, is the ma.s.s of Powell Plateau, the ”nose” of which, facing this way, is named Dutton Point, after the poet-geologist. Beyond, in the faraway distance, is to be seen the curve of the Canyon wall, at the great bend of the river, where the granite disappears from the Inner Gorge, and, resting upon the paler blue of the horizon, is the line of the Uinkaret Mountains in Southern Utah, about sixty-five miles away. What a wondrous outlook it is!
On returning, a short stop is made at Maricopa Point, where the views are much the same, but changed by the new angle of vision. It is one of the great charms of the Canyon that each point of view, even though not more than half a mile away, reveals new and interesting features of the stupendous wonder.
Second Trip--Drive to Grand View. This is a fourteen-mile trip, over a fairly good road, made in comfort in two and one-half hours. One may stay from two to four hours, observe all he wishes to see, and return to El Tovar in another two and a half hours, thus making twenty-eight miles for the round trip. The drive is through the Coconino Forest, by narrow canyoncitos (little canyons), washes, and through gra.s.sy glades and royal parks, where one need not be surprised at any moment to see deer or antelope bound before him. A full description of this trip is found in the chapter devoted to Grand View and its trail, the scenery being too varied and important to be hastily described.
If one has but one day, and he wishes to spend it on the rim, the Grand View trip may be made with a limited amount of time devoted to sightseeing at that point, so that on the return the drive may be taken to Hopi Point in time to view the sunset. This, however, can usually only be done in the summer months, when the sunset is late enough to afford time.
Third Trip--Down Bright Angel Trail. To an ordinarily well person, there is neither danger nor serious fatigue in this trip, but it is not to be ignored that riding down, down, down, for four thousand four hundred and thirty feet (the difference in elevation between the rim and the river) puts a pressure upon certain generally unused muscles, so that one returns tired. But it is a healthful fatigue, and invariably benefits all who experience it. To go down the trail and back is enough to accomplish in one day, unless the visitor is very ”strenuous,” although not a few do take the drive out to Hopi Point and see the sunset, upon returning from the trail trip. Those who take this ride down the trail, after arriving on the morning train, do not go as far down as the river. They visit the Indian Garden, and are then taken out to a prominent point of Angel Plateau, and there obtain a fine view of the river. From the scenic standpoint, this is much to be preferred to going down to the river itself, especially when time is limited. The trail to the river is down a side gorge, where one's view is materially obstructed, and while there is great satisfaction in standing immediately before the river itself, and seeing it roll along between the gloomy walls of the Inner Gorge, one does not see as much of it, or in so striking a setting, as from the plateau, one thousand three hundred and twenty feet above.
If one is determined to go to the river, however, it will be necessary for him to arrange for a special guide, and push along down the trail with vigor, for the regular trail party for the river leaves at 8:30 A.M., while the train does not arrive at El Tovar until about 9 o'clock, and one may wish to take breakfast before starting. Hence the start is seldom accomplished until after ten o'clock, two hours beyond the allotted time.
Sunrise and Sunset at Hopi Point. It already has been pointed out that this is the strong scenic point near to El Tovar, for both eastern and western canyon scenery, though the eastern is not so fully revealed as from Yavapai Point. Regular conveyances take visitors out to this point both morning and evening. The scenic effects are heightened in the Canyon a hundredfold by the presence of the morning and evening shadows. In the glare of the midday sun, the temples, towers, walls and b.u.t.tes lose their distinctiveness, while in the shadows of either early morning or the late afternoon, they stand forth as vividly as a profile cameo cut in black on a light ground. As the hours of sunrise and sunset vary, the drives are so planned as to reach the points at the proper time, so as not to weary the visitor by too long waiting, or lose the enchanting effects by too late arrival. As the sun sinks, the shadows lengthen and deepen, bringing out into bold relief features. .h.i.therto un.o.bserved, and giving a sublimity to the vast scene that it did not possess in the full blaze of the sun. If clouds obscure the direct rays, all the better, for then other and even more startling effects of beauty and color are produced. At times the whole Canyon seems filled with a luminous mist, in which the temples float into individual prominence in a remarkable manner.
Then, as the vision is turned to the east, one may see the shadows gradually, and, at the last, rapidly rise and shut off the peach glows, the vermilions, the absolutely fiery lights, that often blaze in lingering affection on the peaks they love so well to illumine. No two nights are the effects the same. One can never grow weary of watching them. Sometimes the tones are soft and tender. Again the vividness of the flaming colors is as if the G.o.d of color were declaring his power, and demanding special homage.
From the soft tint of rose-ashes to the fiery red of a blinding sun, the whole gamut of colors and effects is used. The afterglow is by many considered more alluring than the sunset itself.