Part 7 (1/2)

Th.o.r.eau was not a great philosopher, he was not a great naturalist, he was not a great poet, but as a nature-writer and an original character he is unique in our literature. His philosophy begins and ends with himself, or is entirely subjective, and is frequently fantastic, and nearly always illogical. His poetry is of the oracular kind, and is only now and then worth attention. There are crudities in his writings that make the conscientious literary craftsman shudder; there are mistakes of observation that make the serious naturalist wonder; and there is often an expression of contempt for his fellow countrymen, and the rest of mankind, and their aims in life, that makes the judicious grieve. But at his best there is a gay symbolism, a felicity of description, and a freshness of observation that delight all readers.

As a person he gave himself to others reluctantly; he was, in truth, a recluse. He stood for character more than for intellect, and for intuition more than for reason. He was often contrary and inconsistent. There was more crust than crumb in the loaf he gave us.

He went about the business of living with his head in the clouds, or with an absolute devotion to the ideal that is certainly rare in our literary history. He declared that he aimed to crow like chanticleer in the morning, if only to wake his neighbors up. Much of his writings have this chanticleerian character; they are a call to wake up, to rub the film from one's eyes, and see the real values of life. To this end he prods with paradoxes, he belabors with hyperboles, he teases with irony, he startles with the unexpected. He finds poverty more attractive than riches, solitude more welcome than society, a sphagnum swamp more to be desired than a flowered field.

Th.o.r.eau is suggestive of those antibodies which modern science makes so much of. He tends to fortify us against the dry rot of business, the seductions of social pleasures, the pride of wealth and position.

He is ant.i.toxic; he is a literary germicide of peculiar power. He is too religious to go to church, too patriotic to pay his taxes, too fervent a humanist to interest himself in the social welfare of his neighborhood.

Th.o.r.eau called himself a mystic, and a transcendentalist, and a natural philosopher to boot. But the least of these was the natural philosopher. He did not have the philosophic mind, nor the scientific mind; he did not inquire into the reason of things, nor the meaning of things; in fact, had no disinterested interest in the universe apart from himself. He was too personal and illogical for a philosopher. The scientific interpretation of things did not interest him at all. He was interested in things only so far as they related to Henry Th.o.r.eau.

He interpreted Nature entirely in the light of his own idiosyncrasies.

Science goes its own way in spite of our likes and dislikes, but Th.o.r.eau's likes and dislikes determined everything for him. He was stoical, but not philosophical. His intellect had no free play outside his individual predilection. Truth as philosophers use the term, was not his quest but truth made in Concord.

Th.o.r.eau writes that when he was once asked by the a.s.sociation for the Advancement of Science what branch of science he was especially interested in, he did not reply because he did not want to make himself the laughing-stock of the scientific community, which did not believe in a science which deals with the higher law--his higher law, which bears the stamp of Henry Th.o.r.eau.

He was an individualist of the most p.r.o.nounced type. The penalty of this type of mind is narrowness; the advantage is the personal flavor imparted to the written page. Th.o.r.eau's books contain plenty of the pepper and salt of character and contrariness; even their savor of whim and prejudice adds to their literary tang. When his individualism becomes aggressive egotism, as often happens, it is irritating; but when it gives only that pungent and personal flavor which pervades much of ”Walden,” it is very welcome.

Th.o.r.eau's critics justly aver that he severely arraigns his countrymen because they are not all Th.o.r.eaus--that they do not desert their farms and desks and shops and take to the woods. What unmeasured contempt he pours out upon the lives and ambitions of most of them! Need a nature-lover, it is urged, necessarily be a man-hater? Is not man a part of nature?--averaging up quite as good as the total scheme of things out of which he came? Cannot his vices and shortcomings be matched by a thousand cruel and abortive things in the fields and the woods? The fountain cannot rise above its source, and man is as good as is the nature out of which he came, and of which he is a part. Most of Th.o.r.eau's harsh judgments upon his neighbors and countrymen are only his extreme individualism gone to seed.

An extremist he always was. Extreme views commended themselves to him because they were extreme. His aim in writing was usually ”to make an extreme statement.” He left the middle ground to the school committees and trustees. He had in him the stuff of which martyrs and heroes are made. In John Brown he recognized a kindred soul. But his literary bent led him to take his own revolutionary impulses out in words. The closest he came to imitation of the hero of Harper's Ferry and to defying the Government was on one occasion when he refused to pay his poll-tax and thus got himself locked in jail overnight. It all seems a petty and ign.o.ble ending of his fierce denunciation of politics and government, but it no doubt helped to satisfy his imagination, which so tyrannized over him throughout life. He could endure offenses against his heart and conscience and reason easier than against his imagination.

He presents that curious phenomenon of a man who is an extreme product of culture and civilization, and yet who so hungers and thirsts for the wild and the primitive that he is unfair to the forces and conditions out of which he came, and by which he is at all times nourished and upheld. He made his excursions into the Maine wilderness and lived in his hut by Walden Pond as a scholar and philosopher, and not at all in the spirit of the lumbermen and sportsmen whose wildness he so much admired. It was from his vantage-ground of culture and of Concord transcendentalism that he appraised all these types. It was from a community built up and sustained by the common industries and the love of gain that he decried all these things. It was from a town and a civilization that owed much to the pine tree that he launched his diatribe against the lumbermen in the Maine woods: ”The pine is no more lumber than man is; and to be made into boards and houses no more its true and highest use than the truest use of man is to be cut down and made into manure.” Not a happy comparison, but no matter. If the pine tree had not been cut down and made into lumber, it is quite certain that Th.o.r.eau would never have got to the Maine woods to utter this protest, just as it is equally certain that had he not been a member of a thrifty and industrious community, and kept his hold upon it, he could not have made his Walden experiment of toying and coquetting with the wild and the non-industrial. His occupations as land-surveyor, lyceum lecturer, and magazine writer attest how much he owed to the civilization he was so fond of decrying. This is Th.o.r.eau's weakness--the half-truths in which he plumes himself, as if they were the whole law and gospel. His Walden bean-field was only a pretty piece of play-acting; he cared more for the ringing of his hoe upon the stones than for the beans. Had his living really depended upon the product, the sound would not have pleased him so, and the botany of the weeds he hoed under would not have so interested him.

Th.o.r.eau's half-truths t.i.tillate and amuse the mind. We do not nod over his page. We enjoy his art while experiencing an undercurrent of protest against his unfairness. We could have wished him to have shown himself in his writings as somewhat sweeter and more tolerant toward the rest of the world, broader in outlook, and more just and charitable in disposition--more like his great prototype, Emerson, who could do full justice to the wild and the spontaneous without doing an injustice to their opposites; who could see the beauty of the pine tree, yet sing the praises of the pine-tree State House; who could arraign the Government, yet pay his taxes; who could cherish Th.o.r.eau, and yet see all his limitations. Emerson affirmed more than he denied, and his charity was as broad as his judgment. He set Th.o.r.eau a good example in bragging, but he bragged to a better purpose. He exalted the present moment, the universal fact, the omnipotence of the moral law, the sacredness of private judgment; he pitted the man of to-day against all the saints and heroes of history; and, although he decried traveling, he was yet considerable of a traveler, and never tried to persuade himself that Concord was an epitome of the world. Emerson comes much nearer being a national figure than does Th.o.r.eau, and yet Th.o.r.eau, by reason of his very narrowness and perversity, and by his intense local character, united to the penetrating character of his genius, has made an enduring impression upon our literature.

III

Th.o.r.eau's life was a search for the wild. He was the great disciple of the Gospel of Walking. He elevated walking into a religious exercise.

One of his most significant and entertaining chapters is on ”Walking.”

No other writer that I recall has set forth the Gospel of Walking so eloquently and so stimulatingly. Th.o.r.eau's religion and his philosophy are all in this chapter. It is his most mature, his most complete and comprehensive statement. He says:

I have met with but one or two persons in the course of my life who understood the art of Walking, that is, of taking walks--who had a genius, so to speak, for _sauntering_, which word is beautifully derived ”from idle people who roved about the country, in the Middle Ages, and asked charity, under pretence of going _a la Sainte Terre_,” to the Holy Land, till the children exclaimed, ”There goes a _Sainte-Terrer_,”--a Saunterer, a Holy-Lander. They who never go to the Holy Land in their walks, as they pretend, are indeed mere idlers and vagabonds; but they who do go there are saunterers in the good sense, such as I mean....

For every walk is a sort of crusade, preached by some Peter the Hermit in us, to go forth and reconquer this Holy Land from the hands of the Infidels.

Th.o.r.eau was the first man in this country, or in any other, so far as I know, who made a religion of walking--the first to announce a Gospel of the Wild. That he went forth into wild nature in much the same spirit that the old hermits went into the desert, and was as devout in his way as they were in theirs, is revealed by numerous pa.s.sages in his Journal. He would make his life a sacrament; he discarded the old religious terms and ideas, and struck out new ones of his own:

What more glorious condition of being can we imagine than from impure to become pure? May I not forget that I am impure and vicious! May I not cease to love purity! May I go to my slumbers as expecting to arise to a new and more perfect day! May I so live and refine my life as fitting myself for a society ever higher than I actually enjoy!

To watch for and describe all the divine features which I detect in nature! My profession is to be always on the alert to find G.o.d in nature, to know his lurking-place, to attend all the oratorios, the operas, in nature.

Ah! I would walk, I would sit, and sleep, with natural piety. What if I could pray aloud or to myself as I went along the brooksides a cheerful prayer like the birds? For joy I could embrace the earth. I shall delight to be buried in it.

I do not deserve anything. I am unworthy the least regard, and yet I am made to rejoice. I am impure and worthless, and yet the world is gilded for my delight and holidays are prepared for me, and my path is strewn with flowers. But I cannot thank the Giver; I cannot even whisper my thanks to the human friends I have.

In the essay on ”Walking,” Th.o.r.eau says that the art of walking ”comes only by the grace of G.o.d. It requires a direct dispensation from Heaven to become a walker. You must be born into the family of the Walkers.” ”I think that I cannot preserve my health and spirits, unless I spend four hours a day at least,--it is commonly more than that,--sauntering through the woods and over the hills and fields, absolutely free from all worldly engagements.”

Th.o.r.eau made good his boast. He was a new kind of walker, a Holy-Lander. His walks yielded him mainly spiritual and ideal results.

The fourteen published volumes of his Journal are mainly a record of his mental reactions to the pa.s.sing seasons and to the landscape he sauntered through. There is a modic.u.m of natural history, but mostly he reaps the intangible harvest of the poet, the saunterer, the mystic, the super-sportsman.