Part 8 (1/2)
The distinction, on which Wotton insisted, between the sciences which require ages for their development and the imaginative arts which may reach perfection in a short time had been recognised by Fontenelle, whose argument on this point differs from that of his friend Perrault.
For Perrault contended that in literature and art, as well as in science, later generations can, through the advantage of time and longer experience, attain to a higher excellence than their predecessors.
Fontenelle, on the other hand, held that poetry and eloquence have a restricted field, and that therefore there must be a time at which they reach a point of excellence which cannot be exceeded. It was his personal opinion that eloquence and history actually reached the highest possible perfection in Cicero and Livy.
But neither Fontenelle nor Wotton came into close quarters with the problem which was raised--not very clearly, it is true--by Perrault. Is there development in the various species of literature and art? Do they profit and enrich themselves by the general advance of civilisation?
Perrault, as we have seen, threw out the suggestion that increased experience and psychological study enabled the moderns to penetrate more deeply into the recesses of the human soul, and therefore to bring to a higher perfection the treatment of the character, motives, and pa.s.sions of men. This suggestion admits of being extended. In the Introduction to his Revolt of Islam, Sh.e.l.ley, describing his own intellectual and aesthetic experiences, writes:
The poetry of ancient Greece and Rome, and modern Italy, and our own country, has been to me like external nature, a pa.s.sion and an enjoyment.... I have considered poetry in its most comprehensive sense; and have read the poets and the historians and the metaphysicians whose writings have been accessible to me--and have looked upon the beautiful and majestic scenery of the earth--as common sources of those elements which it is the province of the Poet to embody and combine. And he appends a note:
In this sense there may be such a thing as perfectibility in works of fiction, notwithstanding the concession often made by the advocates of human improvement, that perfectibility is a term applicable only to science.
In other words, all the increases of human experience, from age to age, all the speculative adventures of the intellect, provide the artist, in each succeeding generation, with more abundant sources for aesthetic treatment. As years go on, life in its widest sense offers more and more materials ”which it is the province of the Poet to embody and combine.”
This is evidently true; and would it not seem to follow that literature is not excluded from partic.i.p.ating in the common development of civilisation? One of the latest of the champions of the Moderns, the Abbe Terra.s.son, maintained that ”to separate the general view of the progress of the human mind in regard to natural science, and in regard to belles-lettres, would be a fitting expedient to a man who had two souls, but it is useless to him who has only one.” [Footnote: Abbe Terra.s.son, 1670-1750. His Philosophie applicable a tons les objets de l'esprit et de la raison was issued posthumously in 1754. His Dissertation critique sur l'Iliade appeared in 1715.]He put the matter in too abstract a way to carry conviction; but the nineteenth century was to judge that he was not entirely wrong. For the question was, as we shall see, raised anew by Madame de Stael, and the theory was finally to emerge that art and literature, like laws and inst.i.tutions, are an expression of society and therefore inextricably linked with the other elements of social development--a theory, it may be observed, which while it has discredited the habit of considering works of art in a vacuum, dateless and detached, as they were generally considered by critics of the seventeenth century, leaves the aesthetic problem much where it was.
Perrault's suggestion as to the enrichment of the material of the artist by new acquisitions would have served to bring literature and art into the general field of human development, without compromising the distinction on which Wotton and others insisted between the natural sciences and the aesthetic arts. But that distinction, emphatically endorsed by Voltaire, had the effect of excluding literature and art from the view of those who in the eighteenth century recognised progress in the other activities of man.
12.
It is notable that in this literary controversy the Moderns, even Fontenelle, seem curiously negligent of the import of the theory which they were propounding of the intellectual progress of man. They treat it almost incidentally, as part of the case for the defence, not as an immensely important conclusion. Its bearings were more definitely realised by the Abbe Terra.s.son, whom I have just named. A geometer and a Cartesian, he took part in the controversy in its latest stage, when La Motte and Madame Dacier were the princ.i.p.al antagonists. The human mind, he said, has had its infancy and youth; its maturity began in the age of Augustus; the barbarians arrested its course till the Renaissance; in the seventeenth century, through the illuminating philosophy of Descartes, it pa.s.sed beyond the stage which it had attained in the Augustan age, and the eighteenth century should surpa.s.s the seventeenth.
Cartesianism is not final; it has its place in a development. It was made possible by previous speculations, and it will be succeeded by other systems. We must not pursue the a.n.a.logy of humanity with an individual man and antic.i.p.ate a period of old age. For unlike the individual, humanity ”being composed of all ages,” is always gaining instead of losing. The age of maturity will last indefinitely, because it is a progressive, not a stationary, maturity. Later generations will always be superior to the earlier, for progress is ”a natural and necessary effect of the const.i.tution of the human mind.”
CHAPTER VI. THE GENERAL PROGRESS OF MAN: ABBE DE SAINT-PIERRE
The revolutionary speculations on the social and moral condition of man which were the outstanding feature of the eighteenth century in France, and began about 1750, were the development of the intellectual movement of the seventeenth, which had changed the outlook of speculative thought. It was one continuous rationalistic movement. In the days of Racine and Perrault men had been complacently conscious of the enlightenment of the age in which they were living, and as time went on, this consciousness became stronger and acuter; it is a note of the age of Voltaire. In the last years of Louis XIV., and in the years which followed, the contrast between this mental enlightenment and the dark background--the social evils and miseries of the kingdom, the gross misgovernment and oppression--began to insinuate itself into men's minds. What was the value of the achievements of science, and the improvement of the arts of life, if life itself could not be ameliorated? Was not some radical reconstruction possible, in the social fabric, corresponding to the radical reconstruction inaugurated by Descartes in the principles of science and in the methods of thought?
Year by year the obscurantism of the ruling powers became more glaring, and the most gifted thinkers, towards the middle of the century, began to concentrate their brains on the problems of social science and to turn the light of reason on the nature of man and the roots of society.
They wrought with unscrupulous resolution and with far-reaching effects.
With the extension of rationalism into the social domain, it came about naturally that the idea of intellectual progress was enlarged into the idea of the general Progress of man. The transition was easy. If it could be proved that social evils were due neither to innate and incorrigible disabilities of the human being nor to the nature of things, but simply to ignorance and prejudices, then the improvement of his state, and ultimately the attainment of felicity, would be only a matter of illuminating ignorance and removing errors, of increasing knowledge and diffusing light. The growth of the ”universal human reason”--a Cartesian phrase, which had figured in the philosophy of Malebranche--must a.s.sure a happy destiny to humanity.
Between 1690 and 1740 the conception of an indefinite progress of enlightenment had been making its way in French intellectual circles, and must often have been a topic of discussion in the salons, for instance, of Madame de Lambert, Madame de Tencin, and Madame Dupin, where Fontenelle was one of the most conspicuous guests. To the same circle belonged his friend the Abbe de Saint-Pierre, and it is in his writings that we first find the theory widened in its compa.s.s to embrace progress towards social perfection. [Footnote: For his life and works the best book is J. Drouet's monograph, L'Abbe de Saint-Pierre: l'homme et l'oeuvre (1912), but on some points Goumy's older study (1859) is still worth consulting. I have used the edition of his works in 12 volumes published during his lifetime at Rotterdam, 1733-37.]
1.
He was brought up on Cartesian principles, and he idealised Descartes somewhat as Lucretius idealised Epicurus. But he had no apt.i.tude for philosophy, and he prized physical science only as far as it directly administered to the happiness of men. He was a natural utilitarian, and perhaps no one was ever more consistent in making utility the criterion of all actions and theories. Applying this standard he obliterated from the roll of great men most of those whom common opinion places among the greatest. Alexander, Julius Caesar, Charlemagne receive short shrift from the Abbe de Saint-Pierre. [Footnote: Compare Voltaire, Lettres sur les Anglais, xii., where Newton is acclaimed as the greatest man who ever lived.] He was superficial in his knowledge both of history and of science, and his conception of utility was narrow and a little vulgar.
Great theoretical discoverers like Newton and Leibnitz he sets in a lower rank than ingenious persons who used their scientific skill to fas.h.i.+on some small convenience of life. Monuments of art, like Notre Dame, possessed little value in his eyes compared with a road, a bridge, or a ca.n.a.l.
Like most of his distinguished contemporaries he was a Deist. On his deathbed he received the usual rites of the Church in the presence of his household, and then told the priest that he did not believe a word of all that. His real views are transparent in some of his works through the conventional disguises in which prudent writers of the time were wont to wrap their a.s.saults on orthodoxy. To attack Mohammedanism by arguments which are equally applicable to Christianity was a device for propagating rationalism in days when it was dangerous to propagate it openly. This is what the Abbe did in his Discourse against Mohammedanism. Again, in his Physical Explanation of an Apparition he remarks: ”To diminish our fanatical proclivities, it would be useful if the Government were to establish an annual prize, to be awarded by the Academy of Sciences, for the best explanation, by natural laws, of the extraordinary effects of imagination, of the prodigies related in Greek and Latin literature, and of the pretended miracles told by Protestants, Schismatics, and Mohammedans.” The author carefully keeps on the right side of the fence. No Catholic authorities could take exception to this. But no intelligent reader could fail to see that all miracles were attacked. The miracles accepted by the Protestants were also believed in by the Catholics.
He was one of the remarkable figures of his age. We might almost say that he was a new type--a nineteenth century humanitarian and pacifist in an eighteenth century environment. He was a born reformer, and he devoted his life to the construction of schemes for increasing human happiness. He introduced the word bienfaisance into the currency of the French language, and beneficence was in his eyes the sovran virtue.
There were few departments of public affairs in which he did not point out the deficiencies and devise ingenious plans for improvement. Most of his numerous writings are projets--schemes of reform in government, economics, finance, education, all worked out in detail, and all aiming at the increase of pleasure and the diminution of pain. The Abbe's nimble intelligence had a weak side, which must have somewhat compromised his influence. He was so confident in the reasonableness of his projects that he always believed that if they were fairly considered the ruling powers could not fail to adopt them in their own interests.
It is the nature of a reformer to be sanguine, but the optimism of Saint-Pierre touched naivete. Thousands might have agreed with his view that the celibacy of the Catholic clergy was an unwholesome inst.i.tution, but when he drew up a proposal for its abolition and imagined that the Pope, unable to resist his arguments, would immediately adopt it, they might be excused for putting him down as a crank who could hardly be taken seriously. The form in which he put forward his memorable scheme for the abolition of war exhibits the same sanguine simplicity. All his plans, Rousseau observed, showed a clear vision of what their effects would be, ”but he judged like a child of means to bring them about.” But his abilities were great, and his actual influence was considerable. It would have been greater if he had possessed the gift of style.
2.
He was not the first to plan a definite scheme for establis.h.i.+ng a perpetual peace. Long ago Emeric Cruce had given to the world a proposal for a universal league, including not only the Christian nations of Europe, but the Turks, Persians, and Tartars, which by means of a court of arbitration sitting at Venice should ensure the settlement of all disputes by peaceful means. [Footnote: Le Nouveau Cynee (Paris, 1623).
It has recently been reprinted with an English translation by T. W.
Balch, Philadelphia (1909).] The consequence of universal peace, he said, will be the arrival of ”that beautiful century which the ancient theologians promise after there have rolled by six thousand years. For they say that then the world will live happily and in repose. Now it happens that that time has nearly expired, and even if it is not, it depends only on the Princes to give beforehand this happiness to their peoples.” Later in the century, others had ventilated similar projects in obscure publications, but the Abbe does not refer to any of his predecessors.
He was not blinded by the superficial brilliancy of the reign of Louis XIV. to the general misery which the ambitious war-policy of that sovran brought both upon France and upon her enemies. His Annales politiques are a useful correction to the Siecle de Louis Quatorze. It was in the course of the great struggle of the Spanish Succession that he turned his attention to war and came to the conclusion that it is an unnecessary evil and even an absurdity. In 1712 he attended the congress at Utrecht in the capacity of secretary to Cardinal de Polignac, one of the French delegates. His experiences there confirmed his optimistic mind in the persuasion that perpetual peace was an aim which might readily be realised; and in the following year he published the memoir which he had been preparing, in two volumes, to which he added a third four years later.