Part 3 (1/2)
VI.
THE MAN IN THE GALLERY.
Beckoning to Sweet.w.a.ter, Mr. Gryce pointed out this extra man and asked him if he recognized him as one of the twenty-two he had tabulated.
The answer was a vigorous no. ”It's a new face to me. He must have dropped from the roof or come up through the flooring. He certainly wasn't anywhere about when I made out my list. He looks a trifle hipped, eh?”
”Troubled--decidedly troubled.”
”You might go a little further and say done up.”
”Good-looking, though. Appears to be of foreign birth.”
”English, I should say, and just over.”
”English, without a doubt. I'll go speak to him; you wait here, but watch out for the Coroner, and send him my way as soon as he's at leisure.”
Then he reapproached the bench, and observing, with the keenness with which he observed everything without a direct look, that with each step he took the stranger's confusion increased, he decided to wait till after he had finished with the others, before he entered upon an inquiry which might prove not only lengthy but of the first importance.
He was soon very glad that he had done this. He got nothing from Mr. Simpson; but the questions put to Mr. Turnbull were more productive. Almost at the first word, this gentleman acknowledged that he had seen a movement in the great square of tapestry to which Mr. Gryce drew his attention. He did not know when, or just where he stood at the time, but he certainly had noticed it shake.
”Can you describe the movement?” asked the gratified detective.
”It swayed out----”
”As if blown by some wind?”
”No, more as if pushed forward by a steady hand.”
”Good! And what then?”
”It settled back almost without a quiver.”
”Instantly?”
”No, not instantly. A moment or two pa.s.sed before it fell back into place.”
”This was before the attendant Correy called out his alarm, of course?”
Yes, of course it was before; but how long before, he couldn't say. A minute--two minutes--five minutes--how could he tell! He had no watch in hand.
Mr. Gryce thought possibly he might a.s.sist the man's memory on this point but forbore to do so at the time. It was enough for his present purpose that the necessary link to the establishment of his theory had been found. No more doubt now that the bow lying in the niche of the doorway overhead had been the one made use of in this desperate tragedy; and the way thus cleared for him, he could confidently proceed in his search for the man who had flung it there. He believed him to be within his reach at that very moment, but his countenance gave no index to his thought as reapproaching the young man now sitting all alone on the bench, he halted before him and pleasantly inquired: ”Do I see you for the first time? I thought we had listed the name of every person in the building. How is it that we did not get yours?”
The tide of color which instantly flooded the young man's countenance astonished Mr. Gryce both by its warmth and fullness. If he were as thin-skinned as this betokened, one should experience but little difficulty in reaching the heart of his trouble.
With an air of quiet interest Mr. Gryce sat down by the young man's side. Would this display of friendliness have the effect of restoring some of his self-possession and giving him the confidence he evidently lacked? No, the red fled from his cheek, and a ghastly white took its place; but he showed no other change.
Meantime the detective studied his countenance. It was a good one, but just now so distorted by suffering that only such as were familiar with his every look could read his character from his present expression. Would a more direct question rouse him? Possibly. At all events, Mr. Gryce decided to make the experiment.
”Will you give me your name?” he asked, ”--your name and residence?”
The man he addressed gave a quick start, pulled himself together and made an attempt to reply.
”My name is Travis. I am an Englishman just off the steamer from Southampton. My home is in the county of Hertfords.h.i.+re. I have no residence here.”
”Your hotel, then?”
Another flush--then quickly: ”I have not yet chosen one.”
This was too surprising for belief. A stranger in town without rooms or hotel accommodations, making use of the morning hours to visit a museum!
”You must be very much interested in art!” observed his inquisitor a little dryly.
Again that flush and again the quick-recurring pallor.
”I--I am interested in all things beautiful,” he replied at last in broken tones.
”I see. May I ask where you were when that arrow flew which killed a young lady visitor? Not in this part of the court, I take it?”
Mr. Travis gave a quick shudder and that was all. The detective waited, but no other answer came.
”I am told that as she fell she uttered one cry. Did you hear it, Mr. Travis?”
”It wasn't a cry,” was his quick reply. ”It was something quite different, but dreadful, dreadful!”
Mr. Gryce's manner changed.
”Then you did hear it. You were near enough to distinguish between a scream and a gasp. Where were you, and why weren't you seen by my man when he went through the building?”
”I--I was kneeling out of sight--too shocked to move. But I grew tired of that and wanted to go; but on reaching the court, I found the doors closed. So I came here.”
”Kneeling! Where were you kneeling?”
He made a quick gesture in the direction of the galleries.
The detective frowned, perhaps to hide his secret satisfaction.
”Won't you be a little more definite?” he asked; then as the man continued to hesitate he added, but as yet without any appreciable loss of kindliness: ”Every other person here has been good enough to show us the exact place he was occupying at that serious moment. I must ask you to do the same; it is only just.”
Was the look this called up one of fear or of simple repugnance? It might be either; but the detective was disposed to consider it fear.
”Will you lead the way?” he pursued. ”I shall be glad to follow.”
A glance of extreme reproach; then these words, uttered with painful intensity: ”You want me to go back there--where I saw--where I can see again--_I cannot_. I'm not well. I suffer. You will excuse me. You will allow me to say what I have to say, here.”
”I'm sorry, but I cannot do that. The others have gone without question to their places; why should not you?”