Part 25 (2/2)
”Who is there?” asked a woman's voice.
”Oh, my G.o.d!” murmured La Mole; ”they are coming, I hear them; 'tis I--'tis I!”
”Who are you?” said the voice.
La Mole recollected the pa.s.s-word.
”Navarre--Navarre!” cried he.
The door instantly opened. La Mole, without thanking, without even seeing Gillonne, dashed into the vestibule, then along a corridor, through two or three chambers, until at last he entered a room lighted by a lamp suspended from the ceiling.
Behind curtains of velvet with gold fleurs-de-lis, in a bed of carved oak, a lady, half naked, leaning on her arm, stared at him with eyes wide open with terror.
La Mole sprang toward her.
”Madame,” cried he, ”they are killing, they are butchering my brothers--they seek to kill me, to butcher me also! Ah! you are the queen--save me!”
And he threw himself at her feet, leaving on the carpet a large track of blood.
At the sight of a man pale, exhausted, and bleeding at her feet, the Queen of Navarre started up in terror, hid her face in her hands, and called for help.
”Madame,” cried La Mole, endeavoring to rise, ”in the name of Heaven do not call, for if you are heard I am lost! a.s.sa.s.sins are in my track--they are rus.h.i.+ng up the stairs behind me. I hear them--there they are! there they are!”
”Help!” cried the queen, beside herself, ”help!”
”Ah!” said La Mole, despairingly, ”you have killed me. To die by so sweet a voice, so fair a hand! I did not think it possible.”
At the same time the door flew open, and a troop of men, their faces covered with blood and blackened with powder, their swords drawn, and their pikes and arquebuses levelled, rushed into the apartment.
Coconnas was at their head--his red hair bristling, his pale blue eyes extraordinarily dilated, his cheek cut open by La Mole's sword, which had ploughed its b.l.o.o.d.y furrow there. Thus disfigured, the Piedmontese was terrible to behold.
”By Heaven!” he cried, ”there he is! there he is! Ah! this time we have him at last!”
La Mole looked round him for a weapon, but in vain; he glanced at the queen, and saw the deepest pity depicted in her face; then he felt that she alone could save him; he threw his arms round her.
Coconnas advanced, and with the point of his long rapier again wounded his enemy's shoulder, and the crimson drops of warm blood stained the white and perfumed sheets of Marguerite's couch.
Marguerite saw the blood flow; she felt the shudder that ran through La Mole's frame; she threw herself with him into the recess between the bed and the wall. It was time, for La Mole, whose strength was exhausted, was incapable of flight or resistance; he leaned his pallid head on Marguerite's shoulder, and his hand convulsively seized and tore the thin embroidered cambric which enveloped Marguerite's body in a billow of gauze.
”Oh, madame,” murmured he, in a dying voice, ”save me.”
He could say no more. A mist like the darkness of death came over his eyes, his head sunk back, his arms fell at his side, his legs gave way, and he sank on the floor, bathed in his blood, and dragging the queen with him.
At this moment Coconnas, excited by the shouts, intoxicated by the sight of blood, and exasperated by the long chase, advanced toward the recess; in another instant his sword would have pierced La Mole's heart, and perhaps Marguerite's also.
At the sight of the bare steel, and even more moved at such brutal insolence, the daughter of kings drew herself up to her full stature and uttered such a shriek of terror, indignation, and rage that the Piedmontese stood petrified by an unknown feeling; and yet undoubtedly had this scene been prolonged and no other actor taken part in it, his feeling would have vanished like a morning snow under an April sun. But suddenly a secret door in the wall opened, and a pale young man of sixteen or seventeen, dressed in black and with his hair in disorder, rushed in.
”Wait, sister!” he cried; ”here I am, here I am!”
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