Part 27 (1/2)

”He come down here just now. What's his name?”

”F'ank.”

Another silence. Then the boy spoke.

”I seen some fishes down thar in the crick jus' now.”

”I've seen 'em--lots of times.”

”Say--what about goin' down thar now?”

”I don't care,” said Tommy.

An hour later they came out of the woods together and started for the house, old Frank strolling along pleasantly behind them. Joe's hair was wet and plastered down over his face like an Indian's; Tommy's was also wet under the white cloth hat. They had done more than look at fish; they had gone in with them.

Tommy walked close to Joe: he had learned many thrilling facts, among them that Joe lived in Greenville and had run away. This he had found out, not all at once, but in fragments, while they splashed water over one another, and later while they sat on the shaded bank of the creek.

Somebody had ”beat Joe up--see!” Joe had exhibited a welt on his shoulder and another on his leg in proof of the a.s.sertion. It seems that previous to this Joe had swiped some bananas from the fruit stand of one Tony, and that, previous to that, Joe had been hungry--”Hung'y as h.e.l.l”

was Joe's way of putting it--a way that commended itself to Tommy at once as being extremely picturesque. In fact, even while Joe talked he kept on saying it over and over in his mind, so fine was the phrase and so expansive.

There had been a ”cop” in the story. Tommy did not know what a cop was until Joe told him. ”Dam ol' cop” was the phrase, to be exact. The cop had chased him, then Joe had run away. It seemed that he didn't stop running for a long time. There was also the driver of a motor truck in the story, Mike by name. Mike drove the truck that carried an oil tank from the city to a town. Mike had given him a lift; Mike often did that.

When they got out in the country here, Joe had asked Mike to let him down--he wanted to get some blackberries. Mike had said he would pick Joe up on the way back.

Such was the thriller Tommy had listened to. It hadn't come easy, this story, but only after repeated questions. Now and then, while he was telling it, Joe had looked at Tommy with a wry, wise grin, as if sizing him up. He was little, and he couldn't talk plainly, but he seemed old somehow. We live in deeds, not in years, as the poet says.

Joe was still grinning when they came into the back yard. He had held back a time or two, as if he were afraid of that big house on the hill, but Tommy had over-persuaded him. There wasn't anybody at home, he had declared, but there were biscuits and jam in the kitchen.

Halfway between the barn lot and the house they were confronted by Aunt Cindy. She was an enormous black woman, dressed always in starched gingham and ap.r.o.n, with a red bandanna handkerchief on her head.

”Whar you been, honey?” she demanded; then sternly: ”Whose chile dat you got wid you?”

Tommy did not reply; in fact, he didn't know; what's more, he didn't care. It was Joe, that was enough.

She was towering above them now.

”Who yo' ma an' pa, chile?” she demanded of the miniature Marco Polo who had come home with her charge. ”Whar you come from?”

Marco Polo did not reply. He only grinned up at her, an impertinent, sc.r.a.ppy sort of grin. In a hard school he had learned the virtue of silence.

”I found him in the woods,” volunteered Tommy at last. ”He's lost an'

he's goin' to stay wif me.”

”Stay wid you, honey?” cried the old woman. ”No, honey,” she shook her head. ”He ain't gwine stay wid you.”

And she meant it, too, every word of it. Society to her was divided into quality white folks like the Earles, black folks like herself, and poor white trash like this waif; and between the first cla.s.s and the third was there a great gulf fixed.

”We gwine fin' who he ma an' pa is, honey, an' sen' him home,” was her verdict.

”You ain't goin' to send him home!” cried Tommy, his face suddenly crimson. ”He ain't got no home. You ain't goin' to send him anywhere.