Part 12 (1/2)
Considering all the conditions, the quality of Stanford has from the first been astonis.h.i.+ngly good both in the faculty and in the student body. Can we not, as we sit here to-day, frame a vision of what it may be a century hence, with the honors of the intervening years all rolled up in its traditions? Not vast, but intense; less a place for teaching youths and maidens than for training scholars; devoted to truth; radiating influence; setting standards; shedding abroad the fruits of learning; mediating between America and Asia, and helping the more intellectual men of both continents to understand each other better.
What a history! and how can Stanford ever fail to enter upon it?
[1] An Address at Stanford University on Founders' Day, 1906. Printed in _Science_, for May 25, 1906.
XV
A PLURALISTIC MYSTIC[1]
Not for the ign.o.ble vulgar do I write this article, but only for those dialectic-mystic souls who have an irresistible taste, acquired or native, for higher flights of metaphysics. I have always held the opinion that one of the first duties of a good reader is to summon other readers to the enjoyment of any unknown author of rare quality whom he may discover in his explorations. Now for years my own taste, literary as well as philosophic, has been exquisitely t.i.tillated by a writer the name of whom I think must be unknown to the readers of this article; so I no longer continue silent about the merits of Benjamin Paul Blood.
Mr. Blood inhabits a city otherwise, I imagine, quite unvisited by the Muses, the town called Amsterdam, situated on the New York Central Railroad. What his regular or bread-winning occupation may be I know not, but it can't have made him super-wealthy. He is an author only when the fit strikes him, and for short spurts at a time; shy, moreover, to the point of publis.h.i.+ng his compositions only as private tracts, or in letters to such far-from-reverberant organs of publicity as the _Gazette_ or the _Recorder_ of his native Amsterdam, or the _Utica Herald_ or the _Albany Times_. Odd places for such subtile efforts to appear in, but creditable to American editors in these degenerate days! Once, indeed, the lamented W. T. Harris of the old ”Journal of Speculative Philosophy” got wind of these epistles, and the result was a revision of some of them for that review (_Philosophic Reveries_, 1889). Also a couple of poems were reprinted from their leaflets by the editor of _Scribner's Magazine_ (”The Lion of the Nile,” 1888, and| ”Nemesis,” 1899). But apart from these three dashes before the footlights, Mr. Blood has kept behind the curtain all his days.[2]
The author's maiden adventure was the _Anoesthetic Revelation_, a pamphlet printed privately at Amsterdam in 1874. I forget how it fell into my hands, but it fascinated me so ”weirdly” that I am conscious of its having been one of the stepping-stones of my thinking ever since.
It gives the essence of Blood's philosophy, and shows most of the features of his talent--albeit one finds in it little humor and no verse. It is full of verbal felicity, felicity sometimes of precision, sometimes of metaphoric reach; it begins with dialectic reasoning, of an extremely Fichtean and Hegelian type, but it ends in a trumpet-blast of oracular mysticism, straight from the insight wrought by anaesthetics--of all things in the world--and unlike anything one ever heard before. The practically unanimous tradition of ”regular”
mysticism has been unquestionably _monistic_; and inasmuch as it is the characteristic of mystics to speak, not as the scribes, but as men who have ”been there” and seen with their own eyes, I think that this sovereign manner must have made some other pluralistic-minded students hesitate, as I confess that it has often given pause to me. One cannot criticise the vision of a mystic--one can but pa.s.s it by, or else accept it as having some amount of evidential weight. I felt unable to do either with a good conscience until I met with Mr. Blood. His mysticism, which may, if one likes, be understood as monistic in this earlier utterance, develops in the later ones a sort of ”left-wing”
voice of defiance, and breaks into what to my ear has a radically pluralistic sound. I confess that the existence of this novel brand of mysticism has made my cowering mood depart. I feel now as if my own pluralism were not without the kind of support which mystical corroboration may confer. Morrison can no longer claim to be the only beneficiary of whatever right mysticism may possess to lend _prestige_.
This is my philosophic, as distinguished from my literary, interest, in introducing Mr. Blood to this more fas.h.i.+onable audience: his philosophy, however mystical, is in the last resort not dissimilar from my own. I must treat him by ”extracting” him, and simplify--certainly all too violently--as I extract. He is not consecutive as a writer, aphoristic and oracular rather; and being moreover sometimes dialectic, sometimes poetic, and sometimes mystic in his manner; sometimes monistic and sometimes pluralistic in his matter, I have to run my own risk in making him orate _pro domo mea_, and I am not quite unprepared to hear him say, in case he ever reads these pages, that I have entirely missed his point. No matter; I will proceed.
I
I will separate his diverse phases and take him first as a pure dialectician. Dialectic thought of the Hegelian type is a whirlpool into which some persons are sucked out of the stream which the straightforward understanding follows. Once in the eddy, nothing but rotary motion can go on. All who have been in it know the feel of its swirl--they know thenceforward that thinking unreturning on itself is but one part of reason, and that rectilinear mentality, in philosophy at any rate, will never do. Though each one may report in different words of his rotational experience, the experience itself is almost childishly simple, and whosoever has been there instantly recognizes other authentic reports. To have been in that eddy is a freemasonry of which the common pa.s.sword is a ”fie” on all the operations of the simple popular understanding.
In Hegel's mind the vortex was at its liveliest, and any one who has dipped into Hegel will recognize Mr. Blood to be of the same tribe.
”That Hegel was pervaded by the great truth,” Blood writes, ”cannot be doubted. The eyes of philosophy, if not set directly on him, are set towards the region which he occupied. Though he may not be the final philosopher, yet pull him out, and all the rest will be drawn into his vacancy.”
Drawn into the same whirlpool, Mr. Blood means. Non-dialectic thought takes facts as singly given, and accounts for one fact by another. But when we think of ”_all_ fact,” we see that nothing of the nature of fact can explain it, ”for that were but one more added to the list of things to be accounted for. . . . The beginning of curiosity, in the philosophic sense,” Mr. Blood again writes, ”is the stare [Transcriber's note: state?] of being at itself, in the wonder why anything is at all, and what this being signifies. Naturally we first a.s.sume the void, and then wonder how, with no ground and no fertility, anything should come into it.” We treat it as a positive nihility, ”a barrier from which all our batted b.a.l.l.s of being rebound.”
Upon this idea Mr. Blood pa.s.ses the usual transcendentalist criticism.
There _is_ no such separate opposite to being; yet we never think of being as such--of pure being as distinguished from specific forms of being--save as what stands relieved against this imaginary background.
Being has no _outline_ but that which non-being makes, and the two ideas form an inseparable pair. ”Each limits and defines the other.
Either would be the other in the same position, for here (where there is as yet no question of content, but only of being itself) the position is all and the content is nothing. Hence arose that paradox: 'Being is by nothing more real than not-being.'”
”Popularly,” Mr. Blood goes on, ”we think of all that is as having got the better of non-being. If all were not--_that_, we think, were easy: there were no wonder then, no tax on ingenuity, nothing to be accounted for. This conclusion is from the thinking which a.s.sumes all reality as immediately given a.s.sumes knowledge as a simple physical light, rather than as a distinction involving light and darkness equally. We a.s.sume that if the light were to go out, the show would be ended (and so it would); but we forget that if the darkness were to go out, that would be equally calamitous. It were bad enough if the master had lost his crayon, but the loss of the blackboard would be just as fatal to the demonstration. Without darkness light would be useless--universal light as blind as universal darkness. Universal thing and universal no-thing were indistinguishable. Why, then, a.s.sume the positive, the immediately affirmative, as alone the ingenious? Is not the mould as shapely as the model? The original ingenuity does not show in bringing light out of darkness, nor in bringing things out of nothing, but in evolving, through the just opposition of light and darkness, this wondrous picture, in which the black and white lines have equal significance--in evolving from life and death at once, the conscious spirit. . . .
”It is our habit to think of life as dear, and of death as cheap (though t.i.thonus found them otherwise), or, continuing the simile of the picture, that paper is cheap while drawing is expensive; but the engraver had a different estimation in one sense, for all his labor was spent on the white ground, while he left untouched those parts of the block which make the lines in the picture. If being and non-being are both necessary to the presence of either, neither shall claim priority or preference. Indeed, we may fancy an intelligence which, instead of regarding things as simply owning ent.i.ty, should regard chiefly their background as affected by the holes which things are making in it.
Even so, the paper-maker might see your picture as intrusive!”
Thus ”does the negation of being appear as indispensable in the making of it.” But to anyone who should appeal to particular forms of being to refute this paradox, Mr. Blood admits that ”to say that a picture, or any other sensuous thing, is the same as the want of it, were to utter nonsense indeed: there is a difference equivalent to the whole stuff and merit of the picture; but in so far as the picture can be there for thought, as something either a.s.serted or negated, its presence or its absence are the same and indifferent. By _its_ absence we do not mean the absence of anything else, nor absence in general; and how, forsooth, does its absence differ from these other absences, save by containing a complete description of the picture? The hole is as round as the plug; and from our thought the 'picture' cannot get away. The negation is specific and descriptive, and what it destroys it preserves tor our conception.”
The result is that, whether it be taken generally or taken specifically, all that which _either is or is not_ is or is not _by distinction or opposition_. ”And observe the life, the process, through which this slippery doubleness endures. Let us suppose the present tense, that G.o.ds and men and angels and devils march all abreast in this present instant, and the only real time and date in the universe is now. And what _is_ this instant now? Whatever else, it is _process_--becoming and departing; with what between? Simply division, difference; the present has no breadth for if it had, that which we seek would be the middle of that breadth. There is no precipitate, as on a stationary platform, of the process of becoming, no residuum of the process of departing, but between the two is a curtain, _the apparition of difference_, which is all the world.”
I am using my scissors somewhat at random on my author's paragraphs, since one place is as good as another for entering a ring by, and the expert reader will discern at once the authentic dialectic circling.
Other paragraphs show Mr. Blood as more Hegelian still, and thoroughly idealistic:--