Part 5 (2/2)
”Yes, I see a great many things. But what does it all mean?”
Audrey sank on to an ottoman, and answered slowly and incisively, looking straight before her--
”It means that I'm sick of the hideousness of life, of the excruciating lower middle-cla.s.s arrangement of this room. I don't know how I've stood it all these years. My soul must have been starved--stifled. I want to live in another atmosphere, to be surrounded by beautiful things. Don't laugh like that,--I know I'm not an artist; I couldn't paint a picture--how could I? I haven't been taught. But I know that Art is the only thing worth caring about. I want to cultivate my sense of beauty, and I don't want my room to look like anybody else's.”
”It certainly doesn't at present.”
”Please be serious. You're not helping me one bit. Look at that pile of things Liberty's have sent me! First of all, I want you to choose between them. Then I want you to suggest a colour-scheme, and to tell me the difference between Louis Quinze and Louis Quatorze (I _can't_ remember), whether it'll do to mix Queen Anne with either. And whether would you have old oak, real old oak, or Chippendale, for the furniture?
and must I do away with the cosy corner?”
Ted felt his head going round and round. Artistic delight in Audrey's beauty, pagan adoration of it, saintly belief in it, the first tremor of crude unconscious pa.s.sion, mingled with intense amus.e.m.e.nt, reduced him to a state of utter bewilderment. But he had sufficient presence of mind to take her last question first and to answer authoritatively--
”Certainly. A cosy corner is weak-minded and conventional.”
”Yes, it is. I'm not in the least conventional, and I don't think I'm weak-minded. And I want my room to express my character, to be a bit of myself. So give me some ideas. You don't mind my asking you, do you?
You're the only artist I know.”
”Am I really? And if you knew six or seven artists, what then?”
”Why, then--I should ask you all the same, of course.”
Boy-like he laughed for pure pleasure, and boy-like he tried to dissemble his emotion, and did her bidding under a faint show of protest. He gave his vote in favour of Venetian gla.s.s and a small marble Diana, against majolica and a French dancing-girl in terra-cotta; he made an intelligent choice from amongst the various state-properties around him, and avoided committing himself on the subject of Louis Quatorze. On one point Audrey was firm. For what reasons n.o.body can say, but some Malay creeses had caught her fancy, and no argument could dissuade her from arranging them over the Neapolitan Psyche which she had kept at Ted's suggestion. The gruesome weapons, on a background of barbaric gold, hung above that pathetic torso, like a Fate responsible for its mutilation. Audrey was pleased with the effect; she revelled in strong contrasts and grotesque combinations, and if Liberty's had sent her a stuffed monkey, she would have perched him on Psyche's pedestal.
”I know a man,” said Ted, when he had disposed the last bit of drapery according to an ingenious colour-scheme, in which Audrey's hair sounded a brilliant staccato note--”a first-rate artist--who was asked to decorate a lady's room. What do you think he did? He made her take all the pictures off the walls, and he covered them over with little halfpenny j.a.panese fans, and stuck little halves and quarters of fans in the corners and under the ceiling. Then he put a large j.a.panese umbrella in the fireplace, and went away smiling.”
”Was the lady pleased?”
”Immensely. She asked all her friends to a j.a.panese tea-party in Mr.
Robinson's room. The rest of the furniture was early Victorian.”
This anecdote was not altogether to Audrey's taste. She walked to a shelf where Ted had put some bronzes, looked at them with a decided air of criticism, and arranged them differently. Having a.s.serted her independence, she replied severely--
”Your friend's friend must have been an extremely silly woman.”
”Not at all; she was a most intelligent, well-informed person, with--er--a deep sense of religion.”
”And now, Mr. Haviland, you're making matters worse. You care nothing about her religion; you simply think her a fool, and you meant that I'm like her. Else why did you tell such a pointless story?”
”Forgive me; the a.s.sociation of ideas was irresistible. You _are_ like her--in your utter simplicity and guileless devotion to an ideal.”
He looked all round the room again, and sank back on the sofa cus.h.i.+ons all limp with laughter.
”I--I never saw anything so inexpressibly sad as this afternoon's work; it's heartrending.”
His eye fell on the terra-cotta Parisienne dancing inanely on her pedestal, and he moaned like one in pain. Audrey's mouth twitched and her cheeks flamed for a second. She turned her back on Ted, until his fit had spent itself, dying away among the cus.h.i.+ons in low gurgles. Then there was silence.
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