Part 8 (2/2)
In this atmosphere, when we were prepared to take our ease, the talk was no longer of stocks, or railways, or schemes, but of books. Whether or not Henderson loved literature I did not then make up my mind, but he had a pa.s.sion for books, especially for rare and first editions; and the delight with which he exhibited his library, the manner in which he handled the books that he took down one after the other, the sparkle in his eyes over a ”find” or a bargain, gave me a side of his character quite different from that I should have gained by seeing him ”in the street” only. He had that genuine respect and affection for a ”book”
which has become almost traditional in these days of cheap and flimsy publications, a taste held by scholars and collectors, and quite beyond the popular comprehension. The respect for a book is essential to the dignity and consideration of the place of literature in the world, and when books are treated with no more regard than the newspaper, it is a sign that literature is losing its power. Even the collector, who may read little and care more for the externals than for the soul of his favorites, by the honor he pays them, by the solicitude he expends upon their preservation without spot, by the lavishness of expense upon binding, contributes much to the dignity of that art which preserves for the race the continuity of its thought and development. If Henderson loved books merely as a collector whose taste for luxury and expense takes this direction, his indulgence could not but have a certain refining influence. I could not see that he cultivated any decided specialty, but he had many rare copies which had cost fabulous prices, the possession of which gives a reputation to any owner. ”My shelves of Americana,” he said, ”are nothing like Goodloe's, who has a lot of scarce things that I am hoping to get hold of some day. But there's a little thing” (it was a small coffee-colored tract of six leaves, upon which the binder of the city had exercised his utmost skill) ”which Goodloe offered me five hundred dollars for the other day. I picked it up in a New Hamps.h.i.+re garret.” Not the least interesting part of the collection was first editions of American authors--a person's value to a collector is often in proportion to his obscurity--and what most delighted him among them were certain thin volumes of poetry, which the authors since becoming famous had gone to a good deal of time and expense to suppress. The world seems to experience a lively pleasure in holding a man to his early follies. There were many examples of superb binding, especially of exquisite tooling on hog-skin covers--the appreciation of which has lately greatly revived. The recent rage for bindings has been a sore trouble to students and collectors in special lines, raising the prices of books far beyond their intrinsic value. I had a charming afternoon in Henderson's library, an enjoyment not much lessened at the time by experiencing in it, with him, rather a sense of luxury than of learning. It is true, one might pa.s.s an hour altogether different in the garret of a student, and come away with quite other impressions of the pageant of life.
At five o'clock his stylish trap was sent around from the boarding stable, and we drove in the Park till twilight. Henderson handling the reins, and making a part of that daily display which is too heterogeneous to have distinction, reverted quite naturally to the tone of worldliness and tolerant cynicism which had characterized his conversation in the morning. If the Park and the moving a.s.semblage had not the air of distinction, it had that of expense, which is quite as attractive to many. Here, as downtown, my companion seemed to know and be known by everybody, returning the familiar salutes of brokers and club men, receiving gracious bows from stout matrons, smiles and nods from pretty women, and more formal recognition from stately and stiff elderly men, who sat bolt-upright beside their wives and tried to look like millionaires. For every pa.s.serby Henderson had a quick word of characterization sufficiently amusing, and about many a story which illuminated the social life of the day. It was wonderful how many of this chance company had little ”histories”--comic, tragic, pitiful, interesting enough for the pages of a novel.
”There is a young lady”--Henderson touched his hat, and I caught a glimpse of golden hair and a flash of dark eyes out of a ma.s.s of furs--”who has no history: the world is all before her.”
”Who is that?”
”The daughter of old Esch.e.l.le--Carmen Esch.e.l.le--the banker and politician, you remember; had a diplomatic position abroad, and the girl was educated in Europe. She is very clever. She and her mother have more money than they ought to know what to do with.”
”That was the celebrated Jay Hawker” ( a moment after), ”in the modest coupe--not much display about him.”
”Is he recognized by respectable people?”
”Recognized?” Henderson laughed. ”He's a power. There are plenty of people who live by trying to guess what he is going to do. Hawker isn't such a bad fellow. Other people have used the means he used to get rich and haven't succeeded. They are not held up to point a moral. The trouble is that Hawker succeeded. Of course, it's a game. He plays as fair as anybody.”
”Yes,” Henderson resumed, walking his horses in sight of the obelisk, which suggested the long continuance of the human race, ”it is the same old game, and it is very interesting to those who are in it. Outsiders think it is all greed. In the Chamber it is a good deal the love of the game, to watch each other, to find out a man's plans, to circ.u.mvent him, to thwart him, to start a scheme and manipulate it, to catch somebody, to escape somebody; it is a perpetual excitement.”
”The machine in the Chamber appears to run very smoothly,” I said.
”Oh, that is a public register and indicator. The system back of it is comprehensive, and appears to be complicated, but it is really very simple. Spend an hour some day in the office of Flamm and Slamm, and you will see a part of the system. There are, always a number of men watching the blackboard, figures on which are changed every minute by the attendants. Telegrams are constantly arriving from every part of the Union, from all over the continent, from all the centres in Europe, which are read by some one connected with the firm, and then displayed for the guidance of the watchers of the blackboard. Upon this news one or another says, 'I think I'll buy,' or 'I think I'll sell,' so and so.
His order is transmitted instantly to the Chamber. In two minutes the result comes back and appears upon the blackboard.”
”But where does the news come from?”
”From the men whose special business it is to pick it up or make it.
They are inside of politics, of the railways, of the weather bureau, everywhere. The other day in Chicago I sat some time in a broker's office with others watching the market, and dropped into conversation with a bright young fellow, at whose right hand, across the rail, was a telegraph operator at the end of a private wire. Soon a man came in quietly, and whispered in the ear of my neighbor and went out. The young fellow instantly wrote a despatch and handed it to the operator, and turning to me, said, 'Now watch the blackboard.'
”In an incredibly short s.p.a.ce of time a fall in a leading railway showed on the blackboard. 'What was it?' I asked. 'Why, that man was the general freight manager of the A. B. road. He told me that they were to cut rates. I sent it to New York by a private wire.' I learned by further conversation that my young gentleman was a Manufacturer of News, and that such was his address and intelligence that though he was not a member of the broker's firm, he made ten thousand a year in the business. Soon another man came in, whispered his news, and went away.
Another despatch--another responsive change in the figures. 'That,'
explained my companion, 'was a man connected with the weather bureau. He told me that there would be a heavy frost tonight in the Northwest.'”
”Do they sell the weather?” I asked, very much amused.
”Yes, twice; once over a private wire, and then to the public, after the value of it has been squeezed out, in the shape of predictions. Oh, the weather bureau is worth all the money it costs, for business purposes.
It is a great auxiliary.”
Dining that evening with Henderson at his club, I had further opportunity to study a representative man. He was of a good New Hamps.h.i.+re family, exceedingly respectable without being distinguished.
Over the chimney-place in the old farmhouse hung a rusty Queen Anne that had been at the taking of Louisburg. His grandfather shouldered a musket at Bunker Hill; his father, the youngest son, had been a judge as well as a farmer, and noted for his shrewdness and reticence. Rodney, inheriting the thrift of his ancestors, had pushed out from his home, adapting this thrift to the modern methods of turning it to account. He had brought also to the city the stamina of three generations of plain living--a splendid capital, by which the city is constantly reinforced, and which one generation does not exhaust, except by the aid of extreme dissipation. With sound health, good ability, and fair education, he had the cheerful temperament which makes friends, and does not allow their misfortunes to injure his career. Generous by impulse, he would rather do a favor than not, and yet he would be likely to let nothing interfere with any object he had in view for himself. Inheriting a conventional respect for religion and morality, he was not so bigoted as to rebuke the gayety of a convivial company, nor so intractable as to make him an uncomfortable a.s.sociate in any scheme, according to the modern notions of business, that promised profit. His engaging manner made him popular, and his good-natured adroitness made him successful. If his early experience of life caused him to be cynical, he was not bitterly so; his cynicism was of the tolerant sort that does not condemn the world and withdraw from it, but courts it and makes the most of it, lowering his private opinion of men in proportion as he is successful in the game he plays with them. At this period I could see that he had determined to be successful, and that he had not determined to be unscrupulous. He would only drift with the tide that made for fortune. He enjoyed the world--a sufficient reason why the world should like him. His business morality was gauged by what other people do in similar circ.u.mstances. In short, he was a product of the period since the civil war closed, that great upheaval of patriotic feeling and sacrifice, which ended in so much expansion and so many opportunities. If he had remained in New Hamps.h.i.+re he would probably have been a successful politician, successful not only in keeping in place, but in teaching younger aspirants that serving the country is a very good way to the attainment of luxury and the consideration that money brings. But having chosen the law as a stepping-stone to the lobby, to speculation, and the manipulation of chances, he had a poor opinion of politics and of politicians. His success thus far, though considerable, had not been sufficient to create for him powerful enemies, so that he may be said to be admired by all and feared by none. In the general opinion he was a downright good fellow and amazingly clever.
VII
In youth, as at the opera, everything seems possible. Surely it is not necessary to choose between love and riches. One may have both, and the one all the more easily for having attained the other. It must be a fiction of the moralists who construct the dramas that the G.o.d of love and the G.o.d of money each claims an undivided allegiance. It was in some wholly legendary, perhaps spiritual, world that it was necessary to renounce love to gain the Rhine gold. The boxes at the Metropolitan did not believe this. The spectators of the boxes could believe it still less. For was not beauty there seen s.h.i.+ning in jewels that have a market value, and did not love visibly preside over the union, and make it known that his sweetest favors go with a prosperous world? And yet, is the charm of life somewhat depending upon a sense of its fleetingness, of its phantasmagorial character, a note of coming disaster, maybe, in the midst of its most seductive pageantry, in the whirl and glitter and hurry of it? Is there some subtle sense of exquisite satisfaction in s.n.a.t.c.hing the sweet moments of life out of the very delirium of it, that must soon end in an awakening to bankruptcy of the affections, and the dreadful loss of illusions? Else why do we take pleasure--a pleasure so deep that it touches the heart like melancholy--in the common drama of the opera? How gay and joyous is the beginning! Mirth, hilarity, entrancing sound, brilliant color, the note of a trumpet calling to heroism, the beseeching of the concordant strings, and the soft flute inviting to pleasure; scenes placid, pastoral, innocent; light-hearted love, the dance on the green, the stately pageant in the sunlit streets, the court, the ball, the mad splendor of life. And then love becomes pa.s.sion, and pa.s.sion thwarted hurries on to sin, and sin lifts to the heights of the immortal, sweetly smiling G.o.ds, and plunges to the depths of despair. In vain the orchestra, the inevitable accompaniment of life, warns and pleads and admonishes; calm has gone, and gayety has gone; there is no sweetness now but in the wildness of surrender and of sacrifice. How sad are the remembered strains that aforetime were incentives to love and promises of happiness! Gloom settles upon the scene; Mephisto, the only radiant one, flits across it, and mocks the poor broken-hearted girl clinging to the church door. There is a dungeon, the chanting of the procession of tonsured priests, the pa.s.sing-bell. Seldom appears the golden bridge over which the baffled and tired pa.s.s into Valhalla.
Do we like this because it is life, or because there is a certain satisfaction in seeing the tragedy which impends over all, pervades the atmosphere, as it were, and adds something of zest to the mildest enjoyment? Should we go away from the mimic stage any, better and stronger if the drama began in the dungeon and ended on the greensward, with innocent love and resplendent beauty in possession of the Rhine gold?
How simple, after all, was the created world on the stage to the real world in the auditorium, with its thousand complexities and dramatic situations, and if the little knot of players of parts for an hour could have had leisure to be spectators of the audience, what a deeper revelation of life would they not have seen! For the world has never a.s.sembled such an epitome of itself, in its pa.s.sion for pleasure and its pa.s.sion for display, as in the modern opera, with its ranks and tiers of votaries from the pit to the dome. I fancy that even Margaret, whose love for music was genuine, was almost as much fascinated by the greater spectacle as by the less.
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