Part 82 (1/2)
Color Combinations in the Garden.
MISS ELIZABETH STARR, 2224 FREMONT SO., MINNEAPOLIS.
English books on gardening set forth two princ.i.p.al methods of making a garden: first, to have each part perfect for a short time each year and then let it melt into the background for the rest of the season; second, to have every part of the garden showing some flowers all through the summer.
These two methods suggest the impressionistic and miniature schools of painting. With the first method it is possible to get great ma.s.ses of color and brilliant effects to be viewed at a distance, but it requires a great deal of s.p.a.ce, with a perennial garden at least, for unfortunately most of our perennials are in their greatest glory for only a few weeks at a time. The second method fills more nearly the needs of the small garden, where the vistas are short and the individual plant is under close inspection. The greatest difficulty is this, that the amateur cannot resist the lure of a great variety of plants, and unless a vigorous thinning out is faithfully practiced and the habit of growth, the period of blooming, the height and color of each individual is carefully studied, the effect of the whole is very apt to be mussy and distracting to the eye, whereas the ideal garden is soothing in effect.
I have only been studying the problem for the last five or six years, so that I am still decidedly an amateur, but I have kept a faithful record of the time of flowering of each variety I have grown in my garden and have discovered that the time of blooming does not vary more than five days for each plant no matter whether the season be wet or dry. With this record at hand I can arrange each part of my garden with a view to the succession of bloom throughout the summer. I can place plants with clas.h.i.+ng colors side by side with the calm a.s.surance that they will not clash because their periods of blooming do not overlap. In this way I can completely change the color of certain parts of my garden during the summer if I so desire.
In studying combinations for the garden we must take into consideration the harmony and contrast of color, texture, form, height and the succession of bloom. We must also see that plants requiring the same soil and the same care are put together. In my garden I use both annuals and perennials but am limited in choice to those plants that are perfectly hardy, that will stand infinite neglect, drought, much wind, a stiff soil, that do not require especial protection in the winter, that will be in bloom all summer long and be beautiful. This, as I have found, is a rather difficult task.
[Ill.u.s.tration: Perennial border. Edging of pinks and Shasta daisies, pink canterbury bells and Festiva Maxima peony. Behind, pyrethrum, uliginosum and hollyhocks. Blue flowering flax adds depth to the pink and white.]
There is a great diversity of opinion as to how to set out plants. Some say, ”Give each plant plenty of room; let it expand as much as it will.”
Others say, ”Each six inches of ground should have its plant; set them so closely that no dirt will show between; in this way each individual plant will be finer than when set out singly and the leaves will form a shade for the ground.” I have used the latter method, for, since we have no means of watering, the conservation of moisture is an important item.
The chief objection is that there is a constant danger of overcrowding, and it requires a frequent resetting of plants as they increase in size from year to year.
[Ill.u.s.tration: Yellow iris against the blue of distant hills.]
I have a border on the north side of my garden that is six feet wide and about seventy feet long. It is my aim to keep this in bloom all through the summer long. There is a background of purple and white lilacs and cut-leaf spirea. The first thing that comes in the spring is poet's narcissus, then groups of Darwin tulips; both of these are naturalized and remain in the ground from year to year. Next comes the perennial blue flax, a half dozen plants set at intervals down the border, that every morning from mid-April until August are a ma.s.s of blue. Clumps of May-flowering iris and then June-flowering iris and four large peony plants make the border bright until the latter part of June, when alternating groups of field daisies and pink and red sweet williams are in full bloom at one end of the border, and summer-flowering cosmos holds sway at the other end, while the flax, bachelor's b.u.t.tons and daisies fill the center with blue and white. By the middle of July the calendulas, coreopsis and annual larkspur make a vivid display where the narcissus was before. These four make a very good combination, for if the bed is well made and the narcissus planted deep, the coreopsis and larkspur seed themselves, and with the exception of a deep raking in the late fall the bed needs no attention except thinning out for three years, and it is in bloom for at least four months of the season.
[Ill.u.s.tration: Pink and white pinks, field and Shasta daisies, canterbury bells and hollyhocks.]
In this border I have at last found a place for the magenta phlox that usually fights with the whole garden. I put it in front of a single row of pink and white cosmos, flank it on one side with pink and white verbenas, on the other with mixed scabiosas and in front of all a single row of Shasta daisies. This combination pleases the family as well as the phlox.
On the south side of the garden, against a low buckthorn hedge is a narrower border of sky-blue belladonna, delphinium, b.u.t.tercups and achillea, with an edging of Chinese pinks. I had thought the complementary colors of the delphinium and b.u.t.tercups would set each other off, but it is a very poor combination, for the foliage is so much alike that there is no contrast there, and when the plants are not in bloom it is almost impossible to tell which is which so as to take out the b.u.t.tercups, whose yellow is too bright. Shasta daisies set off the delphiniums to perfection with the wonderful purity of their white and yellow and pleasing contrast of form, foliage and height. With Emperor narcissus bulbs set between the plants, there are flowers in the border the whole season.
Another very poor combination that is in my garden, much to my sorrow, is hemerocallis and siberica iris. They started out about three feet from each other, but the hemerocallis spreads so quickly that now they form a ma.s.s that is almost impossible to break apart. Another mistake I made was to put Shasta daisies and field daisies near together. It is unfair to the smaller daisies, for although they are fully two inches in diameter, yet they appear dwarfed beside the giants.
There is one point in my garden that is vivid throughout the summer.
First comes the orange lilium elegans, then scarlet lychnis and later, tiger lilies. Another bit is gorgeous from the first of August until frost; it is made up of blue and white campanula pyramidalis, that grow quite five feet high, and Mrs. Francis King gladioli.
An important thing to think of is the line of vision from each point of vantage of the house--the endwise view of a multicolored bed of fairy columbines against a light green willow from the sewing room window, from the library the blue of a Juniata iris swaying four feet up in the air in front of a sweet briar, from the front porch pale yellow Flavescens iris through a mist of purple sweet rockets.
The garden is in its glory during the iris season. At a conservative estimate we have about twenty-five hundred of them in our little garden, ranging through all the colors of the rainbow and blooming from April until late June. They may easily make such an increase that it is baffling to cope with, but they are so beautiful and so amenable to the experimenting of an amateur that we feel as though we couldn't get enough of them. Last summer a wonderful effect was achieved by putting dark blue and mahogany-colored pansies beside Jacquesiana and Oth.e.l.lo iris, this repeating the color and texture in different plants.
[Ill.u.s.tration: Rocky Mountain columbine against the willow hedge, with perennial candytuft as edging.]
We leave the garden through a wooden arch. Climbing over one side of this is a Thousandschon rose, and on the other side a Dr. Van Fleet grows rank. A wild clematis is planted beside each rose and fills the top of the arch. I am rather dubious about the combination, for I fear the clematis may grow so heavy that it will choke out the roses, but this summer at least it was beautiful, and another summer will come to try other combinations.
Truck Crop and Garden Insects.
AN EXERCISE LED BY PROF. WM. MOORE, ENTOMOLOGICAL DEPARTMENT, UNIVERSITY FARM, ST. PAUL.
There is one insect that probably all those who are in the market garden business are very much interested in, and that is the cabbage maggot. As you all know, in the spring of the year, after cabbages are put out, frequently you will find the cabbages slowly dying, one dying one day and two or three the next day, and so on until sometimes fifty per cent or more of the cabbages die. At first it is not exactly apparent what is killing the cabbages, but when one is pulled up it will be noticed that a little maggot is working in the root of the cabbage. This insect is commonly known as the cabbage maggot.