Part 26 (1/2)

'I feel better, too, thank you. The air is so exhilarating. I'm glad to see you're still in the land of the living. Addie has told me of your debauches of work.'

'Addie is foolish. I never felt better. Come inside. Don't be afraid of walking on the papers, they're all old.'

'I always heard literary people were untidy,' said Esther, smiling.

'_You_ must be a regular genius.'

'Well, you see, we don't have many ladies coming here,' said Raphael deprecatingly, 'though we have plenty of old women.'

'It's evident you don't, else some of them would go down on their hands and knees and never get up till this litter was tidied up a bit.'

'Never mind that now, Miss Ansell. Sit down, won't you? You must be tired. Take the editorial chair--allow me a minute.' He removed some books from it.

'Is that the way you sit on the books sent in for review?' She sat down. 'Dear me! it's quite comfortable. You men like comfort, even the most self-sacrificing. But where is your fighting editor? It would be awkward if an aggrieved reader came in and mistook me for the editor, wouldn't it? It isn't safe for me to remain in this chair!'

'Oh yes, it is! We've tackled our aggrieved readers for to-day,' he a.s.sured her.

She looked curiously round.

'Please pick up your pipe; it's going out. I don't mind smoke--indeed I don't. Even if I did, I should be prepared to pay the penalty of bearding an editor in his den.'

Raphael resumed his pipe gratefully.

'I wonder, though, you don't set the place on fire,' Esther rattled on, 'with all this ma.s.s of inflammable matter about.'

'It is very dry, most of it,' he admitted, with a smile.

'Why don't you have a real fire? It must be quite cold sitting here all day. What's that great ugly picture over there?'

'That steamer? It's an advertis.e.m.e.nt.'

'Heavens! what a decoration! I should like to have the criticism of that picture. I've brought you those picture-galleries, you know: that's what I've come for.'

'Thank you; that's very good of you! I'll send it to the printers at once.'

He took the roll, and placed it in a pigeon-hole without taking his eyes off her face.

'Why don't you throw that awful staring thing away?' she asked, contemplating the steamer with a morbid fascination; 'and sweep away the old papers, and have a few little water-colours hung up, and put a vase of flowers on your desk. I wish I had the control of the office for a week.'

'I wish you had,' he said gallantly. 'I can't find time to think of those things. I am sure you are brightening it up already.'

The little blush on her cheek deepened. Compliment was unwonted with him; and, indeed, he spoke as he felt. The sight of her seated so strangely and unexpectedly in his own humdrum sanctum, the imaginary picture of her beautifying it and evolving harmony out of the chaos with artistic touches of her dainty hands, filled him with pleasant, tender thoughts such as he had scarce known before. The commonplace editorial chair seemed to have undergone consecration and poetic transformation. Surely the suns.h.i.+ne that streamed through the dusty window would for ever rest on it henceforwards. And yet the whole thing appeared fantastic and unreal.

'I hope you are speaking the truth,' replied Esther, with a little laugh. 'You need brightening, you old dry-as-dust philanthropist, sitting poring over stupid ma.n.u.scripts when you ought to be in the country enjoying the suns.h.i.+ne.' She spoke in airy accents, with an under-current of astonishment at her attack of high spirits on an occasion she had designed to be harrowing.

'Why, I haven't _looked_ at your ma.n.u.script yet,' he retorted gaily, but as he spoke there flashed upon him a delectable vision of blue sea and waving pines with one fair wood-nymph flitting through the trees, luring him on from this musty cell of never-ending work to unknown ecstasies of youth and joyousness. The leafy avenues were bathed in sacred sunlight, and a low magic music thrilled through the quiet air.

It was but the dream of a second--the dingy walls closed round him again; the great ugly steamer, that never went anywhere, sailed on.

But the wood-nymph did not vanish; the sunbeam was still on the editorial chair, lighting up the little face with a celestial halo.

And when she spoke again it was as if the music that thrilled the visionary glades was a reality, too.

'It's all very well, your treating reproof as a jest,' she said more gravely. 'Can't you see that it's false economy to risk a breakdown, even if you use yourself purely for others? You're looking far from well. You are over-taxing human strength. Come now, admit my sermon is just. Remember, I speak not as a Pharisee, but as one who made the mistake herself--a fellow-sinner.' She turned her dark eyes reproachfully upon him.