Part 22 (1/2)

”Great bore, old fellow,” said he; ”but I did it. The old lady is an old acquaintance, you know. I'm going there to-morrow again. Didn't see any thing to-day of the child-angel. But it's no end of a bore, you know.”

CHAPTER XI.

FALSE AND FORGETFUL.

The day when Lord Hawbury called on Lady Dalrymple was a very eventful one in his life, and had it not been for a slight peculiarity of his, the immediate result of that visit would have been of a highly important character. This slight peculiarity consisted in the fact that he was short-sighted, and, therefore, on a very critical occasion turned away from that which would have been his greatest joy, although it was full before his gaze.

It happened in this wise:

On the day when Hawbury called, Ethel happened to be sitting by the window, and saw him as he rode up. Now the last time that she had seen him he had a very different appearance--all his hair being burned off, from head and cheeks and chin; and the whiskers which he had when she first met him had been of a different cut from the present appendages.

In spite of this she recognized him almost in a moment; and her heart beat fast, and her color came and went, and her hands clutched the window ledge convulsively.

[Ill.u.s.tration: ”'IT'S HE!' SHE MURMURED.”]

”It's _he_!” she murmured.

Of course there was only one idea in her mind, and that was that he had heard of her presence in Naples, and had come to call on her.

She sat there without motion, with her head eagerly bent forward, and her eyes fixed upon him. He looked up carelessly as he came along, and with his chin in the air, in a fas.h.i.+on peculiar to him, which, by-the-way, gave a quite unintentional superciliousness to his expression. For an instant his eyes rested upon her, then they moved away, without the slightest recognition, and wandered elsewhere.

Ethel's heart seemed turned to stone. He had seen her. He had not noticed her. He had fixed his eyes on her and then looked away.

Bitter, indeed, was all this to her. To think that after so long a period of waiting--after such hope and watching as hers had been--that this should be the end. She turned away from the window, with a choking sensation in her throat. No one was in the room. She was alone with her thoughts and her tears.

Suddenly her mood changed. A thought came to her which dispelled her gloom. The glance that he had given was too hasty; perhaps he really had not fairly looked at her. No doubt he had come for her, and she would shortly be summoned down.

And now this prospect brought new hope. Light returned to her eyes, and joy to her heart. Yes, she would be summoned. She must prepare herself to encounter his eager gaze. Quickly she stepped to the mirror, hastily she arranged those little details in which consists the charm of a lady's dress, and severely she scrutinized the face and figure reflected there. The scrutiny was a satisfactory one. Face and figure were perfect; nor was there in the world any thing more graceful and more lovely than the image there, though the one who looked upon it was far too self-distrustful to entertain any such idea as that.

Then she seated herself and waited. The time moved slowly, indeed, as she waited there. After a few minutes she found it impossible to sit any longer. She walked to the door, held it open, and listened. She heard his voice below quite plainly. They had two suits of rooms in the house--the bedrooms up stairs and reception-rooms below. Here Lord Hawbury was, now, within hearing of Ethel. Well she knew that voice.

She listened and frowned. The tone was too flippant. He talked like a man without a care--like a b.u.t.terfly of society--and that was a cla.s.s which she scorned. Here he was, keeping her waiting. Here he was, keeping up a hateful clatter of small-talk, while her heart was aching with suspense.

Ethel stood there listening. Minute succeeded to minute. There was no request for her. How strong was the contrast between the cool indifference of the man below, and the feverish impatience of that listener above! A wild impulse came to her to go down, under the pretense of looking for something; then another to go down and out for a walk, so that he might see her. But in either case pride held her back. How could she? Had he not already seen her? Must he not know perfectly well that she was there? No; if he did not call for her she could not go. She could not make advances.

Minute succeeded to minute, and Ethel stood burning with impatience, racked with suspense, a prey to the bitterest feelings. Still no message. Why did he delay? Her heart ached now worse than ever, the choking feeling in her throat returned, and her eyes grew moist. She steadied herself by holding to the door. Her fingers grew white at the tightness of her grasp; eyes and ears were strained in their intent watchfulness over the room below.

Of course the caller below was in a perfect state of ignorance about all this. He had not the remotest idea of that one who now stood so near. He came as a martyr. He came to make a call. It was a thing he detested. It bored him. To a man like him the one thing to be avoided on earth was a bore. To be bored was to his mind the uttermost depth of misfortune. This he had voluntarily accepted. He was being bored, and bored to death.

Certainly no man ever accepted a calamity more gracefully than Hawbury. He was charming, affable, easy, chatty. Of course he was known to Lady Dalrymple. The Dowager could make herself as agreeable as any lady living, except young and beautiful ones. The conversation, therefore, was easy and flowing. Hawbury excelled in this.

Now there are several variations in the great art of expression, and each of these is a minor art by itself. Among these may be enumerated:

First, of course, the art of novel-writing.

Second, the art of writing editorials.

Third, the art of writing paragraphs.

After these come all the arts of oratory, letter-writing, essay-writing, and all that sort of thing, among which there is one to which I wish particularly to call attention, and this is:

The art of small-talk.