Part 2 (1/2)
Contact! he shrieks, and Contact! you reply. You snap on the switch, he spins the propeller, and the motor takes. Drawing forward out of line, you put on full power, race across the gra.s.s and take the air. The ground drops as the hood slants up before you and you seem to be going more and more slowly as you rise. At a great height you hardly realize you are moving. You glance at the clock to note the time of your departure, and at the oil gauge to see its throb. The altimeter registers 650 feet. You turn and look back at the field below and see others leaving.
Two Members of the American Escadrille.
In three minutes you are at about 4,000 feet. You have been making wide circles over the field and watching the other machines. At 4,500 feet you throttle down and wait on that level for your companions to catch up. Soon the escadrille is bunched and off for the lines. You begin climbing again, gulping to clear your ears in the changing pressure. Surveying the other machines, you recognize the pilot of each by the marks on its side--or by the way he flies. The distinguis.h.i.+ng marks of the Nieuports are various and sometimes amusing. Bert Hall, for instance, has BERT painted on the left side of his plane and the same word reversed (as if spelled backward with the left hand) on the right--so an aviator pa.s.sing him on that side at great speed will be able to read the name without difficulty, he says!
The country below has changed into a flat surface of varicoloured figures. Woods are irregular blocks of dark green, like daubs of ink spilled on a table; fields are geometrical designs of different shades of green and brown, forming in composite an ultra-cubist painting; roads are thin white lines, each with its distinctive windings and crossings--from which you determine your location. The higher you are the easier it is to read.
In about ten minutes you see the Meuse sparkling in the morning light, and on either side the long line of sausage-shaped observation balloons far below you. Red-roofed Verdun springs into view just beyond. There are spots in it where no red shows and you know what has happened there. In the green pasture land bordering the town, round flecks of brown indicate the sh.e.l.l holes. You cross the Meuse.
VERDUN, SEEN FROM THE SKY
Immediately east and north of Verdun there lies a broad, brown band. From the Woevre plain it runs westward to the ”S” bend in the Meuse, and on the left bank of that famous stream continues on into the Argonne Forest. Peaceful fields and farms and villages adorned that landscape a few months ago--when there was no Battle of Verdun. Now there is only that sinister brown belt, a strip of murdered Nature. It seems to belong to another world. Every sign of humanity has been swept away. The woods and roads have vanished like chalk wiped from a blackboard; of the villages nothing remains but gray smears where stone walls have tumbled together. The great forts of Douaumont and Vaux are outlined faintly, like the tracings of a finger in wet sand. One cannot distinguish any one sh.e.l.l crater, as one can on the pockmarked fields on either side. On the brown band the indentations are so closely interlocked that they blend into a confused ma.s.s of troubled earth. Of the trenches only broken, half-obliterated links are visible.
Columns of muddy smoke spurt up continually as high explosives tear deeper into this ulcered area. During heavy bombardment and attacks I have seen sh.e.l.ls falling like rain. The countless towers of smoke remind one of Gustave Dore's picture of the fiery tombs of the arch-heretics in Dante's ”h.e.l.l.” A smoky pall covers the sector under fire, rising so high that at a height of 1,000 feet one is enveloped in its mist-like fumes. Now and then monster projectiles hurtling through the air close by leave one's plane rocking violently in their wake. Airplanes have been cut in two by them.
THE ROAR OF BATTLE--UNHEARD
For us the battle pa.s.ses in silence, the noise of one's motor deadening all other sounds. In the green patches behind the brown belt myriads of tiny flashes tell where the guns are hidden; and those flashes, and the smoke of bursting sh.e.l.ls, are all we see of the fighting. It is a weird combination of stillness and havoc, the Verdun conflict viewed from the sky.
Far below us, the observation and range-finding planes circle over the trenches like gliding gulls. At a feeble alt.i.tude they follow the attacking infantrymen and flash back wireless reports of the engagement. Only through them can communication be maintained when, under the barrier fire, wires from the front lines are cut. Sometimes it falls to our lot to guard these machines from Germans eager to swoop down on their backs. Sailing about high above a busy flock of them makes one feel like an old mother hen protecting her chicks.
”NAVIGATING” IN A SEA OF CLOUDS
The pilot of an avion de cha.s.se must not concern himself with the ground, which to him is useful only for learning his whereabouts. The earth is all-important to the men in the observation, artillery-regulating, and bombardment machines, but the fighting aviator has an entirely different sphere. His domain is the blue heavens, the glistening rolls of clouds below the fleecy banks towering above, the vague aerial horizon, and he must watch it as carefully as a navigator watches the storm-tossed sea.
On days when the clouds form almost a solid flooring, one feels very much at sea, and wonders if one is in the navy instead of aviation. The diminutive Nieuports skirt the white expanse like torpedo boats in an arctic sea, and sometimes, far across the cloud-waves, one sights an enemy escadrille, moving as a fleet.
Princ.i.p.ally our work consists of keeping German airmen away from our lines, and in attacking them when opportunity offers. We traverse the brown band and enter enemy territory to the accompaniment of an antiaircraft cannonade. Most of the shots are wild, however, and we pay little attention to them. When the shrapnel comes uncomfortably close, one s.h.i.+fts position slightly to evade the range. One glances up to see if there is another machine higher than one's own. Low and far within the German lines are several enemy planes, a dull white in appearance, resembling sand flies against the mottled earth. High above them one glimpses the mosquito-like forms of two Fokkers. Away off to one side white shrapnel puffs are vaguely visible, perhaps directed against a German crossing the lines. We approach the enemy machines ahead, only to find them slanting at a rapid rate into their own country. High above them lurks a protection plane. The man doing the ”ceiling work,” as it is called, will look after him for us.
TACTICS OF AN AIR BATTLE
Getting started is the hardest part of an attack. Once you have begun diving you're all right. The pilot just ahead turns tail up like a trout dropping back to water, and swoops down in irregular curves and circles. You follow at an angle so steep your feet seem to be holding you back in your seat. Now the black Maltese crosses on the German's wings stand out clearly. You think of him as some sort of big bug. Then you hear the rapid tut-tut-tut of his machine gun. The man that dived ahead of you becomes mixed up with the topmost German. He is so close it looks as if he had hit the enemy machine. You hear the staccato barking of his mitrailleuse and see him pa.s.s from under the German's tail.
The rattle of the gun that is aimed at you leaves you undisturbed. Only when the bullets pierce the wings a few feet off do you become uncomfortable. You see the gunner crouched down behind his weapon, but you aim at where the pilot ought to be--there are two men aboard the German craft--and press on the release hard. Your mitrailleuse hammers out a stream of bullets as you pa.s.s over and dive, nose down, to get out of range. Then, hopefully, you re-dress and look back at the foe. He ought to be dropping earthward at several miles a minute. As a matter of fact, however, he is sailing serenely on. They have an annoying habit of doing that, these Boches.
Rockwell, who attacked so often that he has lost all count, and who shoves his machine gun fairly in the faces of the Germans, used to swear their planes were armoured. Lieutenant de Laage, whose list of combats is equally extensive, has brought down only one. Hall, with three machines to his credit, has had more luck. Lufbery, who evidently has evolved a secret formula, has dropped four, according to official statistics, since his arrival on the Verdun front. Four ”palms”--the record for the escadrille, glitter upon the ribbon of the Croix de Guerre accompanying his Medaille Militaire. [Footnote: This book was written in the fall of 1915. Since that time many additional machines have been credited to the American flyers.]
A pilot seldom has the satisfaction of beholding the result of his bull's-eye bullet. Rarely--so difficult it is to follow the turnings and twistings of the dropping plane--does he see his fallen foe strike the ground. Lufbery's last direct hit was an exception, for he followed all that took place from a balcony seat. I myself was in the ”n.i.g.g.e.r-heaven,” so I know. We had set out on a sortie together just before noon, one August day, and for the first time on such an occasion had lost each other over the lines. Seeing no Germans, I pa.s.sed my time hovering over the French observation machines. Lufbery found one, however, and promptly brought it down. Just then I chanced to make a southward turn, and caught sight of an airplane falling out of the sky into the German lines.
As it turned over, it showed its white belly for an instant, then seemed to straighten out, and planed downward in big zigzags. The pilot must have gripped his controls even in death, for his craft did not tumble as most do. It pa.s.sed between my line of vision and a wood, into which it disappeared. Just as I was going down to find out where it landed, I saw it again skimming across a field, and heading straight for the brown band beneath me. It was outlined against the sh.e.l.l-racked earth like a tiny insect, until just northwest of Fort Douaumont it crashed down upon the battlefield. A sheet of flame and smoke shot up from the tangled wreckage. For a moment or two I watched it burn; then I went back to the observation machines.
I thought Lufbery would show up and point to where the German had fallen. He failed to appear, and I began to be afraid it was he whom I had seen come down, instead of an enemy. I spent a worried hour before my return homeward. After getting back I learned that Lufbery was quite safe, having hurried in after the fight to report the destruction of his adversary before somebody else claimed him, which is only too frequently the case. Observation posts, however, confirmed Lufbery's story, and he was of course very much delighted. Nevertheless, at luncheon, I heard him murmuring, half to himself: ”Those poor fellows.”
The German machine gun operator, having probably escaped death in the air, must have had a hideous descent. Lufbery told us he had seen the whole thing, spiralling down after the German. He said he thought the German pilot must be a novice, judging from his manoeuvres. It occurred to me that he might have been making his first flight over the lines, doubtless full of enthusiasm about his career. Perhaps, dreaming of the Iron Cross and his Gretchen, he took a chance--and then swift death and a grave in the sh.e.l.l-strewn soil of Douaumont.