Part 10 (1/2)

Straight. Dick Francis 52850K 2022-07-22

Better than tranquillizers, I thought. Alcohol loosened the stress, calmed the mental pain. The world's first anaesthetic. I could have done with some myself.

'Where are your letters?' I asked.

She switched on a table light. The on-creeping dusk in the garden deepened abruptly towards night and I wished she would hurry up because I wanted to go home.

She looked at a bookcase which covered a good deal of one wall.

'In there, I think. In a book.'

'Do start looking, then. It could take all night.'

'You don't need to wait.'

'I think I will,' I said.

'Don't you trust me?' she demanded.

'No.'

She stared at me hard. 'Why not?'

I didn't say that because of the diamonds I didn't trust anyone. I didn't know who I could safely ask to look out for them, or who would search to steal them, if they knew they might be found.

'I don't know you,' I said neutrally.

'But I...' She stopped and shrugged. 'I suppose I don't know you either.' She went over to the bookshelves. '

Some of these books are hollow,' she said.

Oh Greville, I thought. How would I ever find anything he had hidden? I liked straight paths. He'd had a mind like a labyrinth.

She began pulling out books from the lower shelves and opening the front covers. Not methodically book by book along any row but always, it seemed to me, those with predominantly blue spines. After a while, on her knees, she found a hollow one which she laid open on the floor with careful sarcasm, so that I could see she wasn't concealing anything.

The interior of the book was in effect a blue velvet box with a close-fitting lid that could be pulled out by a tab. When she pulled the lid out, the shallow blue velvet-lined s.p.a.ce beneath was revealed as being entirely empty.

Shrugging, she replaced the lid and closed the book, which immediately looked like any other book, and returned it to the shelves: and a few seconds later found another hollow one, this time with red velvet interiors.

Inside this one lay an envelope.

She looked at it without touching it, and then at me.

'It's not my letters,' she said. 'Not my writing paper.'

I said, 'Greville made a will leaving everything he possessed to me.'

She didn't seem to find it extraordinary, although I did: he had done it that way for simplicity when he was in a hurry, and he would certainly have changed it, given time.

'You'd better see what's in here, then,' she said calmly, and she picked the envelope out and stretched across to hand it to me.

The envelope, which hadn't been stuck down, contained a single ornate key, about four inches long, the top flattened and pierced like metal lace, the business end narrow with small but intricate teeth. I laid it on my palm and showed it to her, asking her if she knew what it unlocked.

She shook her head. 'I haven't seen it before.' She paused. 'He was a man of secrets,' she said.

I listened to the wistfulness in her voice. She might be strongly controlled at that moment, but she hadn't been before Annette told her Greville was dead. There had been raw panicky emotion on the tape. Annette had simply confirmed her frightful fears and put what I imagined was a false calmness in place of escalating despair. A man of secrets... Greville had apparently not opened his mind to her much more than he had to me.

I put the key back in its envelope and handed it across.

'It had better stay in the book for now,' I said, 'until I find a keyhole it fits.'

She put the key in the book and returned it to the shelves, and shortly afterwards found her letters. They were fastened not with romantic ribbons but held together by a prosaic rubber band; not a great many of them by the look of things but carefully kept.

She stared at me from her knees. 'I don't want you to read them,' she said. 'Whatever Greville left you, they're mine, not yours.'

I wondered why she needed so urgently to remove all traces of herself from the house. Out of curiosity I'd have read the letters with interest if I'd found them myself, but I could hardly demand now to see her love letters . . . if they were love letters.

'Show me just a short page,' I said.

She looked bitter. 'You really don't trust me, do you?

I'd like to know why.'

'Someone broke into Greville's office over the weekend,'

I said, 'and I'm not quite sure what they were looking for.'

'Not my Letters,' she said positively.

'Show me just a page,' I said, 'so I know they're what you say.'

I thought she would refuse altogether, but after a moment's thought she slid the rubber band off the letters and fingered through them, finally, with all expression repressed, handing me one small sheet.

It said: . . . and until next Monday my life will be a desert.

What am I to do? After your touch I shrink from him. It's dreadful. I am running out of headaches.

I adore you.

C.

I handed the page back in silence, embarra.s.sed at having intruded.

'Take them,' I said.

She blinked a few times, snapped the rubber band back round the small collection, and put them into a plain black leather handbag which lay beside her on the carpet.

I felt down onto the floor, collected the crutches and stood up, concentrating on at least holding the hand support of the left one, even if not putting much weight on it. Clarissa Williams watched me go over towards Greville's chair with a touch of awkwardness.

'Look,' she said, 'I didn't realize. . . I mean, when I came in here and saw you stealing things I thought you were stealing things . . . I didn't notice the crutches.'

I supposed that was the truth. Bona fide burglars didn't go around peg-legged, and I'd laid the supports aside at the time she'd come storming in. She'd been too fired up to ask questions: propelled no doubt by grief, anxiety and fear of the intruder. None of which lessened my contrary feeling that she d.a.m.ned well ought to have asked questions before waging war.