Part 20 (1/2)
”You are right, boy; that is a better ma.s.s. Come, let us go paint it.”
While walking towards it, Gillie asked how such wild ma.s.ses came to be made.
”I am told by the Professor,” said Slingsby, ”that when the ice cracks across, and afterwards lengthwise, the square blocks thus formed get detached as they descend the valley, and a.s.sume these fantastic forms.”
”Ah! jis so. They descends the walley, does they?”
”So it is said.”
Gillie made no reply, though he said in his heart, ”you won't git me to swaller _that_, by no manner of means.” His unbelief was, however, rebuked by the leaning-tower of Pisa giving a terrible rend at that moment, and slowly bending forward. It was an alarming as well as grand sight, for they were pretty near to it. Some smaller blocks of ice that lay below prevented the tower from being broken in its fall. These were crushed to powder by it, and then, as if they formed a convenient carriage for it, the mighty ma.s.s slid slowly down the slope for a few feet. It was checked for a moment by another block, which, however, gave way before the great pressure, fell aside and let it pa.s.s. The slope was slight at the spot so that the obelisk moved slowly, and once or twice seemed on the point of stopping, but as if it had become endowed with life, it made a sudden thrust, squeezed two or three obstacles flat, turned others aside, and thus wound its way among its fellows with a low groaning sound like some sluggish monster of the antediluvian world. Reaching a steeper part of the glacier, on the ridge of which it hung for a moment, as if unwilling to exert itself, it seemed to awake to the reality of its position. Making a lively rush, that seemed tremendously inconsistent with its weight, it shot over the edge of a yawning creva.s.se, burst with a thunderclap on the opposite ice-cliff, and went roaring into the dark bowels of the glacier, whence the echoes of its tumbling ma.s.ses, subdued by distance, came up like the mutterings of evil spirits.
Gillie viewed this wondrous spectacle with an awe-stricken heart, and then vented his feelings in a prolonged yell of ecstasy.
”Ain't it splendid, sir?” he cried, turning his glowing eyes on Slingsby.
”Majestic!” exclaimed the artist, whose enthusiasm was equal to that of his companion, though not quite so demonstrative.
”Raither spoiled your drawin', though, ain't it, sir?”
”Yonder is something quite as good, if not better,” said Slingsby.
He pointed, as he spoke, to a part of the creva.s.se higher up on the glacier, where a projecting cave of snow overhung the abyss. From the under-surface of this a number of gigantic icicles hung, the lower points of the longer ones almost lost in the blue depths. A good position from which to sketch it, however, was not easily reached, and it was only by getting close to the edge of the creva.s.se that the persevering artist at length attained his object. Here he sat down on his top-coat, folded several times to guard him from the cold ice, spread out his colour-box and sketching-block, and otherwise made himself comfortable, while Gillie sat down beside him on his own cap, for want of a better protector.
Had these two enthusiasts known the nature of their position, they would have retired from it precipitately with horror, for, ignorant of almost everything connected with glaciers, they had walked right off the solid ice and seated themselves on a comparatively thin projecting ledge of snow which overhung the creva.s.se. Thus they remained for some time enjoying themselves, with death, as it were, waiting for them underneath! What rendered their position more critical was the great heat of the day, which, whatever might be the strength of the sustaining ledge, was reducing its bulk continually.
After having sketched for some time, the artist thought it advisable to see as far down into the creva.s.se as possible, in order to put in the point of the longest icicle. The better to do this, he unwound his rope from his waist and flung it on the ice by his side, while he lay down on his breast and looked over the edge. Still he did not perceive the danger of his position, and went on sketching diligently in this awkward att.i.tude.
Now it was a melancholy fact that Master Gillie's interest in art or science was short-lived, though keen. He soon tired of watching his companion, and began to look about him with a view to mischief. Not seeing anything specially suggestive, he thought of aiding the operations of nature by expediting the descent of some neighbouring boulders from their positions on ice-blocks. He intimated his intention to Slingsby, but the artist was too much engrossed to give heed to him.
Just as he was rising, Gillie's eye fell on the rope, and a happy thought struck him. To carry striking thoughts into immediate execution was a marked feature of the boy's character. He observed that one end of the rope was attached to Mr Slingsby's belt. Taking up the hook at the other end, he went with it towards a large boulder, drawing the rope after him with extreme care, for fear of arousing his companion by a tug. He found that, when fully stretched, it was just long enough to pa.s.s round the rock. Quickly fastening it, therefore, by means of the hook, he walked quietly away.
He did not exhibit much excitement while doing this. It was, after all, but a trifling jest in his esteem, as the only result to be hoped for would be the giving of a surprise by the little tug which might perhaps be experienced by the artist on rising.
Thereafter, Gillie sent innumerable ice-blocks to premature destruction, and enjoyed the work immensely for a time, but, having exploratory tendencies, he soon wandered about among obelisks and caverns until he found himself underneath the ice-cliff on which his friend was seated.
Then, as he looked up at the overhanging ledge from which gigantic icicles were hanging, a shock of alarm thrilled his little breast. This was increased by the falling of one of the icicles, which went like a blue javelin into the creva.s.se beside him. Gillie thought of shouting to warn Mr Slingsby of his danger, but before he could do so he was startled by an appalling yell. At the same moment part of the ice overhead gave way, and he beheld the artist descending. He was stopped with a sudden jerk, as the rope tightened, and remained suspended in the air, while his coat and colour-box accompanied icicles and snow-blocks into the abyss below. A second later and the struggling artist's head appeared to fall off, but it was only his hat.
Gillie had by this time recovered himself so far as to be able to add his piercing shrieks for help to the cries of the artist, and well was it that day for Mr Slingsby that Gillie had, since the years of infancy, practised his lungs to some purpose in terrifying cats and defying ”Bobbies” in the streets of London.
”Oh, sir! sir!--I say--hi!” he cried, panting and glaring up.
”Eh? what? Hah!” gasped Slingsby, panting and glaring down.
”Don't kick like that sir; pray don't,” cried Gillie in agonised tones, ”you'll start the boulder wot yer fast to, if you don't keep still.”
”Oh!” groaned the artist and instantly hung limp and motionless, in which condition he remained while Gillie ran towards the place where he had left the rest of the party, jumping and slipping and falling and yelling over the ice like a maniac in blue and b.u.t.tons!
”D'ee hear that?” exclaimed Captain Wopper with a startled look, as he and his companions busied themselves packing up their instruments.
Antoine Grennon heard it but made no reply. He was familiar with cries of alarm. Turning abruptly he dashed off at full speed in the direction whence the cries came. The Captain and Professor instantly followed; Lawrence overtook and pa.s.sed them. In a few minutes they met the terrified boy, who, instead of waiting for them and wasting time by telling what was wrong, turned sharp round, gave one wild wave of his hand, and ran straight back to the ledge from which poor Slingsby hung.