Part 10 (2/2)
The little children amused themselves playing bull-fight, and among the most-applauded feats was that of Don Tancredo. One tot would get down on all fours, and another, not very heavy, would mount him and fold his arms, thrust back his chest and place a three-cornered hat of paper upon his erect, haughty head.
He who was playing the bull would approach, roar loudly, sniff Don Tancredo and pa.s.s by without throwing him over; a couple of times he would repeat this, and then dash off. Whereupon Don Tancredo would dismount from his living pedestal to receive the plaudits of the public. There were wily, waggish bulls who took it into their heads to pull both statue and pedestal to the ground, and this would be received amidst shouts and huzzahs of the spectators.
In the meantime the girls would be playing in a ring, the women would shout from gallery to gallery and the men would chat in their s.h.i.+rtsleeves; some fellow, squatting on the floor, would sc.r.a.pe away monotonously at the strings of a guitar.
La Muerte, the old beggar, would also cheer the evening gatherings with her long discourse.
La Corrala was a seething, feverish world in little, as busy as an anthill. There people toiled, idled, guzzled, ate and died of hunger; there furniture was made, antiques were counterfeited, old embroideries were fas.h.i.+oned, buns cooked, broken porcelain mended, robberies planned and women's favours traded.
La Corrala was a microcosm; it was said that if all the denizens were placed in line they would reach from Embajadores lane to the Plaza del Progreso; it harboured men who were everything and yet nothing: half scholars, half smiths, half carpenters, half masons, half business men, half thieves.
In general, everybody who lived here was disoriented, dwelling in that unending abjection produced by everlasting, irremediable poverty; many sloughed their occupations as a reptile its skin; others had none; some carpenters' or masons' helpers, because of their lack of initiative, understanding and skill, could never graduate from their apprentices.h.i.+p. There were also gypsies, mule and dog clippers, nor was there a dearth of porters, itinerant barbers and mountebanks.
Almost all of them, if opportunity offered, stole what they could; they all presented the same pauperized, emaciated look. And all harboured a constant rage that vented itself in furious imprecations and blasphemies.
They lived as if sunk in the shades of a deep slumber, unable to form any clear notion of their lives, without aspirations, aims, projects or anything.
There were some whom a couple of gla.s.ses of wine made drunk for half a week; others seemed already besotted, without having had a sip, and their countenances constantly mirrored the most absolute debas.e.m.e.nt, whence they escaped only in a fleeting moment of anger or indignation.
Money was to them, more often than not, a misfortune. Possessing an instinctive understanding of their weakness and their frail wills, they would resort to the tavern in quest of courage; there they would cast off all restraint, shout, argue, forget the sorrows of the moment, feel generous, and when, after having bragged to the top of their bent they believed themselves ready for anything, they discovered that they hadn't a centimo and that the illusory strength imbibed with the alcohol was evaporating.
The women of the house, as a rule, worked harder than the men, and were almost always disputing. For thirty years past they had all shared the same character and represented almost the same type: foul, unkempt, termagacious, they--shrieked and grew desperate upon the slightest provocation.
From time to time, like a gentle sunbeam amidst the gloom, the souls of these stultified, b.e.s.t.i.a.l men,--of these women embittered by harsh lives that held neither solace nor illusion,--would be penetrated by a romantic, disinterested feeling of tenderness that made them live like human beings for a while; but when the gust of sentimentalism had blown over, they would return to their moral inertia, as resigned and pa.s.sive as ever. The permanent neighbours of La Corrala were situated in the floors surrounding the large courtyard. In the other courtyard the majority were transients, and spent, at most, a couple of weeks in the house. Then, as the saying was among them, they spread wing.
One day a mender would appear with his huge bag, his brace and his pliers, shouting through the streets in a husky voice: ”Jars and tubs to mend ... pans, dishes and plates!” After a short stay he would be off; the following week arrived a dealer in cloth bargains, crying at the top of his lungs his silk handkerchiefs at ten and fifteen centimos; another day came an itinerant hawker, his cases laden with pins, combs and brooches, or some purchaser of gold and silver braid.
Certain seasons of the year brought a contingent of special types; spring announced itself through the appearance of mule dealers, tinkers, gypsies and bohemians; in autumn swarmed bands of rustics with cheese from La Mancha and pots of honey, while winter brought the walnut and chestnut vendors.
Of the permanent tenants in the first courtyard, those who were intimate with Senor Ignacio included: a proof-corrector, nick-named El Corretor; a certain Rebolledo, both barber and inventor, and four blind men, who were known by the sobriquets El Calabazas, El Sapistas, El Erigido and El Cuco and dwelt in harmony with their respective wives playing the latest tangos, _tientos_ and _zarzuela_ ditties on the streets.
The proof-reader had a numerous family: his wife, his mother-in-law, a daughter of twenty and a litter of tots; the pay he earned correcting proof at a newspaper office was not enough for his needs and he used to suffer dire straits. He was in the habit of wearing a threadbare macfarland,--frayed at the edges,--a large, dirty handkerchief tied around his throat, and a soft, yellow, grimy slouch hat.
His daughter, Milagros by name, a slender la.s.s as sleek as a bird, had relations with Leandro, Manual's cousin.
The sweethearts had plenty of love quarrels, now because of her flirtations, now because of the evil life he led.
They could not get along, for Milagros was a bit haughty and a climber, considering herself a social superior fallen upon evil days, while Leandro, on the other hand, was abrupt and irascible.
The cobbler's other neighbour, Senor Zurro, a quaint, picturesque type, had nothing to do with Senor Ignacio and felt for the proof-reader a most cordial hatred. El Zurro went about forever concealed behind a pair of blue spectacles, wearing a fur cap and ample ca.s.sock.
”His name is Zurro (fox),” the proof-reader would say, ”but he's a fox in his actions as well; one of those country foxes that are masters of malice and trickery.”
According to popular rumour, El Zurro knew what he was about; he had a place at the lower end of the Rastro, a dark, pestilent hovel cluttered with odds and ends, second-hand coats, remnants of old cloth, tapestries, parts of chasubles, and in addition, empty bottles, flasks full of brandy and cognac, seltzer water siphons, shattered clocks, rusty muskets, keys, pistols, b.u.t.tons, medals and other frippery.
Despite the fact that surely no more than a couple of persons entered Senor Zurro's shop throughout the livelong day and spent no more than a couple of reales, the second-hand dealer thrived.
He lived with his daughter Encarna, a coa.r.s.e specimen of some twenty-five years, exceedingly vulgar and the personification of insolence, who went walking with her father on Sundays, bedecked with jewelry. Encarna's bosom was consumed with the fires of pa.s.sion for Leandro; but that ingrate, enamoured of Milagros, was unscathed by the soul-flames of the second-hand dealer's daughter.
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