Part 12 (2/2)
Slowly the pale illumination crept up the eastern wall, like a tide rising as the moon declined. Now it reached the mantel-shelf and overflowed the bronze heads of Homer and the Indian Bacchus and the Egyptian image of Isis with the infant Horus. Now it touched the frame of the picture and lapped over the edge. Now it rose to the shadowy house and the dim garden, in the midst of which I saw the white blot more distinctly than ever before.
It seemed now to have taken a new shape, like the slender form of a woman, robed in flowing white. And as I watched it through half-closed eyes, the figure appeared to move and tremble and wave to and fro, as if it were a ghost.
A haunted picture! Why should it not be so? A haunted ruin, a haunted forest, a haunted s.h.i.+p,--all these have been seen, or imagined, and reported, and there are learned societies for investigating such things.
Why should not a picture have a ghost in it?
My mind, in that curiously vivid state which lies between waking and sleeping, went through the form of careful reasoning over the question.
If there may be some subtle connection between a house and the spirits of the people who have once lived in it,--and wise men have believed this,--why should there be any impa.s.sable gulf between a picture and the vanished lives out of which it has grown? All the human thought and feeling which have pa.s.sed into it through the patient toil of art, remain forever embodied there. A picture is the most living and personal thing that a man can leave behind him. When we look at it we see what he saw, hour after hour, day after day, and we see it through his mood and impression, coloured by his emotion, tinged with his personality.
Surely, if the spirits of the dead are not extinguished, but only veiled and hidden, and if it were possible by any means that their presence could flash for a moment through the veil, it would be most natural that they should come back again to hover around the work into which their experience and pa.s.sion had been woven. Here, if anywhere, they would ”Revisit the pale glimpses of the moon.” Here, if anywhere, we might catch fleeting sight, as in a gla.s.s darkly, of the visions that pa.s.sed before them while they worked.
This much of my train of reasoning along the edge of the dark, I remember sharply. But after this, all was confused and misty. The sh.o.r.e of consciousness receded. I floated out again on the ocean of forgotten dreams. When I woke, it was with a quick start, as if my s.h.i.+p had been made fast, silently and suddenly, at the wharf of reality, and the bell rang for me to step ash.o.r.e.
But the vision of the white blot remained clear and distinct. And the question that it had brought to me, the chain of thoughts that had linked themselves to it, lingered through the morning, and made me feel sure that there was an untold secret in Falconer's life and that the clew to it must be sought in the history of his last picture.
But how to trace the connection? Every one who had known Falconer, however slightly, was out of town. There was no clew to follow. Even the name ”Larmone” gave me no help; for I could not find it on any map of Long Island. It was probably the fanciful t.i.tle of some old country-place, familiar only to the people who had lived there.
But the very remoteness of the problem, its lack of contact with the practical world, fascinated me. It was like something that had drifted away in the fog, on a sea of unknown and fluctuating currents. The only possible way to find it was to commit yourself to the same wandering tides and drift after it, trusting to a propitious fortune that you might be carried in the same direction; and after a long, blind, unhurrying chase, one day you might feel a faint touch, a jar, a thrill along the side of your boat, and, peering through the fog, lay your hand at last, without surprise, upon the very object of your quest.
III
As it happened, the means for such a quest were at my disposal. I was part owner of a boat which had been built for hunting and fis.h.i.+ng cruises on the shallow waters of the Great South Bay. It was a deliberate, but not inconvenient, craft, well named the Patience; and my turn for using it had come. Black Zekiel, the captain, crew, and cook, was the very man that I would have chosen for such an expedition. He combined the indolent good-humour of the negro with the taciturnity of the Indian, and knew every shoal and channel of the tortuous waters. He asked nothing better than to set out on a voyage without a port; sailing aimlessly eastward day after day, through the long chain of landlocked bays, with the sea plunging behind the sand-dunes on our right, and the sh.o.r.es of Long Island sleeping on our left; anchoring every evening in some little cove or estuary, where Zekiel could sit on the cabin roof, smoking his corn-cob pipe, and meditating on the vanity and comfort of life, while I pushed off through the mellow dusk to explore every creek and bend of the sh.o.r.e, in my light canoe.
There was nothing to hasten our voyage. The three weeks' vacation was all but gone, when the Patience groped her way through a narrow, crooked channel in a wide salt-meadow, and entered the last of the series of bays. A few houses straggled down a point of land; the village of Quantock lay a little farther back. Beyond that was a belt of woods reaching to the water; and from these the south-country road emerged to cross the upper end of the bay on a low causeway with a narrow bridge of planks at the central point. Here was our Ultima Thule. Not even the Patience could thread the eye of this needle, or float through the shallow marsh-ca.n.a.l farther to the east.
We anch.o.r.ed just in front of the bridge, and as I pushed the canoe beneath it, after supper, I felt the indefinable sensation of having pa.s.sed that way before. I knew beforehand what the little boat would drift into. The broad saffron light of evening fading over a still lagoon; two converging lines of pine trees running back into the sunset; a gra.s.sy point upon the right; and behind that a neglected garden, a tangled bower of honeysuckle, a straight path bordered with box, leading to a deserted house with a high, white-pillared porch--yes, it was Larmone.
In the morning I went up to the village to see if I could find trace of my artist's visit to the place. There was no difficulty in the search, for he had been there often. The people had plenty of recollections of him, but no real memory, for it seemed as if none of them had really known him.
”Queer kinder fellow,” said a wrinkled old bayman with whom I walked up the sandy road, ”I seen him a good deal round here, but 'twan't like havin' any 'quaintance with him. He allus kep' himself to himself, pooty much. Used ter stay round 'Squire Ladoo's place most o' the time--keepin' comp'ny with the gal I guess. Larmone? Yaas, that's what THEY called it, but we don't go much on fancy names down here. No, the painter didn' 'zactly live there, but it 'mounted to the same thing.
Las' summer they was all away, house shet up, painter hangin' round all the time, 's if he looked fur 'em to come back any minnit. Purfessed to be paintin', but I don' see's he did much. Lived up to Mort Halsey's; died there too; year ago this fall. Guess Mis' Halsey can tell ye most of any one 'bout him.”
At the boarding-house (with wide, low verandas, now forsaken by the summer boarders), which did duty for a village inn, I found Mrs.
Halsey; a notable housewife, with a strong taste for ancestry, and an uncultivated world of romance still brightening her soft brown eyes. She knew all the threads in the story that I was following; and the interest with which she spoke made it evident that she had often woven them together in the winter evenings on patterns of her own.
Judge Ledoux had come to Quantock from the South during the war, and built a house there like the one he used to live in. There were three things he hated: slavery and war and society. But he always loved the South more than the North, and lived like a foreigner, polite enough, but very retired. His wife died after a few years, and left him alone with a little girl. Claire grew up as pretty as a picture, but very shy and delicate. About two years ago Mr. Falconer had come down from the city; he stayed at Larmone first, and then he came to the boarding-house, but he was over at the Ledoux' house almost all the time. He was a Southerner too, and a relative of the family; a real gentleman, and very proud though he was poor. It seemed strange that he should not live with them, but perhaps he felt more free over here.
Every one thought he must be engaged to Claire, but he was not the kind of a man that you could ask questions about himself. A year ago last winter he had gone up to the city and taken all his things with him. He had never stayed away so long before. In the spring the Ledoux had gone to Europe; Claire seemed to be falling into a decline; her sight seemed to be failing, and her father said she must see a famous doctor and have a change of air.
”Mr. Falconer came back in May,” continued the good lady, ”as if he expected to find them. But the house was shut up and n.o.body knew just where they were. He seemed to be all taken aback; it was queer if he didn't know about it, intimate as he had been; but he never said anything, and made no inquiries; just seemed to be waiting, as if there was nothing else for him to do. We would have told him in a minute, if we had anything to tell. But all we could do was to guess there must have been some kind of a quarrel between him and the Judge, and if there was, he must know best about it himself.
”All summer long he kept going over to the house and wandering around in the garden. In the fall he began to paint a picture, but it was very slow painting; he would go over in the afternoon and come back long after dark, damp with the dew and fog. He kept growing paler and weaker and more silent. Some days he did not speak more than a dozen words, but always kind and pleasant. He was just dwindling away; and when the picture was almost done a fever took hold of him. The doctor said it was malaria, but it seemed to me more like a trouble in the throat, a kind of dumb misery. And one night, in the third quarter of the moon, just after the tide turned to run out, he raised up in the bed and tried to speak, but he was gone.
”We tried to find out his relations, but there didn't seem to be any, except the Ledoux, and they were out of reach. So we sent the picture up to our cousin in Brooklyn, and it sold for about enough to pay Mr.
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