Part 3 (2/2)
Thus Islam finally triumphed in the Sudan and the ancient culture combined with the new. In the Sudan to-day one may find evidences of the union of two cla.s.ses of people. The representatives of the older civilization dwell as peasants in small communities, carrying on industries and speaking a large number of different languages. With them or above them is the ruling Mohammedan caste, speaking four main languages: Mandingo, Hausa, Fula, and Arabic. These latter form the state builders. Negro blood predominates among both cla.s.ses, but naturally there is more Berber blood among the Mohammedan invaders.
Europe during the middle ages had some knowledge of these movements in the Sudan and Africa. Melle and Songhay appear on medieval maps. In literature we have many allusions: the mulatto king, Feirifis, was one of Wolfram von Eschenbach's heroes; Prester John furnished endless lore; Oth.e.l.lo, the warrior, and the black king represented by medieval art as among the three wise men, and the various black Virgin Marys' all show legendary knowledge of what African civilization was at that time doing.
It is a curious commentary on modern prejudice that most of this splendid history of civilization and uplift is unknown to-day, and men confidently a.s.sert that Negroes have no history.
FOOTNOTES:
[17] Frobenius: _Voice of Africa_, II, 359-360.
[18] Ibn Khaldun, quoted in Lugard, p. 128.
[19] Quoted in Lugard, p. 180.
[20] Es-Sa 'di, quoted by Lugard, p. 199.
[21] Lugard, p. 373.
[22] Mungo Park, quoted in Lugard, p. 374.
V GUINEA AND CONGO
One of the great cities of the Sudan was Jenne. The chronicle says ”that its markets are held every day of the week and its populations are very enormous. Its seven thousand villages are so near to one another that the chief of Jenne has no need of messengers. If he wishes to send a note to Lake Dibo, for instance, it is cried from the gate of the town and repeated from village to village, by which means it reaches its destination almost instantly.”[23]
From the name of this city we get the modern name Guinea, which is used to-day to designate the country contiguous to the great gulf of that name--a territory often referred to in general as West Africa. Here, reaching from the mouth of the Gambia to the mouth of the Niger, is a coast of six hundred miles, where a marvelous drama of world history has been enacted. The coast and its hinterland comprehends many well-known names. First comes ancient Guinea, then, modern Sierra Leone and Liberia; then follow the various ”coasts” of ancient traffic--the grain, ivory, gold, and slave coasts--with the adjoining territories of Ashanti, Dahomey, Lagos, and Benin, and farther back such tribal and territorial names as those of the Mandingoes, Yorubas, the Mossi, Nupe, Borgu, and others.
Recent investigation makes it certain that an ancient civilization existed on this coast which may have gone back as far as three thousand years before Christ. Frobenius, perhaps fancifully, identified this African coast with the Atlantis of the Greeks and as part of that great western movement in human culture, ”beyond the pillars of Hercules,” which thirteen centuries before Christ strove with Egypt and the East. It is, at any rate, clear that ancient commerce reached down the west coast. The Phoenicians, 600 B.C., and the Carthaginians, a century or more later, record voyages, and these may have been attempted revivals of still more ancient intercourse.
These coasts at some unknown prehistoric period were peopled from the Niger plateau toward the north and west by the black West African type of Negro, while along the west end of the desert these Negroes mingled with the Berbers, forming various Negroid races.
Movement and migration is evident along this coast in ancient and modern times. The Yoruba-Benin-Dahomey peoples were among the earliest arrivals, with their remarkable art and industry, which places them in some lines of technique abreast with the modern world. Behind them came the Mossi from the north, and many other peoples in recent days have filtered through, like the Limba and Temni of Sierra Leone and the Agni-Ashanti, who moved from Borgu some two thousand years ago to the Gold and Ivory coasts.
We have already noted in the main the history of black men along the wonderful Niger and seen how, pus.h.i.+ng up from the Gulf of Guinea, a powerful wedge of ancient culture held back Islam for a thousand years, now victorious, now stubbornly disputing every inch of retreat. The center of this culture lay probably, in oldest times, above the Bight of Benin, along the Slave Coast, and reached east, west, and north. We trace it to-day not only in the remarkable tradition of the natives, but in stone monuments, architecture, industrial and social organization, and works of art in bronze, gla.s.s, and terra cotta.
Benin art has been practiced without interruption for centuries, and Von Luschan says that it is ”of extraordinary significance that by the sixteenth and seventeenth centuries a local and monumental art had been learned in Benin which in many respects equaled European art and developed a technique of the very highest accomplishment.”[24]
Summing up Yoruban civilization, Frobenius concluded that ”the technical summit of that civilization was reached in the terra-cotta industry, and that the most important achievements in art were not expressed in stone, but in fine clay baked in the furnace; that hollow casting was thoroughly known, too, and practiced by these people; that iron was mainly used for decoration; that, whatever their purpose, they kept their gla.s.s beads in stoneware urns within their own locality, and that they manufactured both earthen and gla.s.s ware; that the art of weaving was highly developed among them; that the stone monuments, it is true, show some dexterity in handling and are so far instructive, but in other respects evidence a cultural condition insufficiently matured to grasp the utility of stone monumental material; and, above all, that the then great and significant idea of the universe as imaged in the Templum was current in those days.”[25]
Effort has naturally been made to ascribe this civilization to white people. First it was ascribed to Portuguese influence, but much of it is evidently older than the Portuguese discovery. Egypt and India have been evoked and Greece and Carthage. But all these explanations are far-fetched. If ever a people exhibited unanswerable evidence of indigenous civilization, it is the west-coast Africans. Undoubtedly they adapted much that came to them, utilized new ideas, and grew from contact.
But their art and culture is Negro through and through.
Yoruba forms one of the three city groups of West Africa; another is around Timbuktu, and a third in the Hausa states. The Timbuktu cities have from five to fifteen hundred towns, while the Yoruba cities have one hundred and fifty thousand inhabitants and more. The Hausa cities are many of them important, but few are as large as the Yoruba cities and they lie farther apart. AH three centers, however, are connected with the Niger, and the group nearest the coast--that is, the Yoruba cities--has the greatest numbers of towns, the most developed architectural styles, and the oldest inst.i.tutions.
The Yoruba cities are not only different from the Sudanese in population, but in their social relations. The Sudanese cities were influenced from the desert and the Mediterranean, and form nuclei of larger surrounding monarchial states. The Yoruba cities, on the other hand, remained comparatively autonomous organizations down to modern times, and their relative importance changed from time to time without developing an imperialistic idea or subordinating the group to one overpowering city.
This social and industrial state of the Yorubas formerly spread and wielded great influence. We find Yoruba reaching out and subduing states like Nupe toward the northward. But the industrial democracy and city autonomy of Yoruba lent itself indifferently to conquest, and the state fell eventually a victim to the fanatical Fula Mohammedans and was made a part of the modern sultanate of Gando.
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