Volume I Part 37 (1/2)
But this decision was by no means quietly received. The monks rose in an uproar; some raised a clamour in their caves, some from the tops of their pillars; one, in the church of St. Mammas, insulted the emperor to his face, denouncing him as a second apostate Julian. Nor could he deliver himself from them by the scourging, strangling, and drowning of individuals. In his wrath, Cop.r.o.nymus, plainly discerning that it was the monks on one side and the government on the other, determined to strike at the root of the evil, and to destroy monasticism itself. He drove the holy men out of their cells and cloisters; made the consecrated virgins marry; gave up the buildings for civil uses; burnt pictures, idols, and all kinds of relics; degraded the patriarch from his office, scourged him, shaved off his eyebrows, set him for public derision in the circus in a sleeveless s.h.i.+rt, and then beheaded him.
Already he had consecrated a eunuch in his stead. Doubtless these atrocities strengthened the bishops of Rome in their resolve to seek a protector from such a master among the barbarian kings of the West.
[Sidenote: Re-establishment of image-wors.h.i.+p by Irene the murderess.]
Constantine Cop.r.o.nymus was succeeded by his son, Leo the Chazar, who, during a short reign of five years, continued the iconoclastic policy.
On his death his wife Irene seized the government, ostensibly in behalf of her son. This woman, pre-eminently wicked and superst.i.tious beyond her times, undertook the restoration of images. She caused the patriarch to retire from his dignity, appointed one of her creatures, Tarasius, in his stead, and summoned another council. In this second Council of Nicea that of Constantinople was denounced as a synod of fools and atheists, the wors.h.i.+p of images was p.r.o.nounced agreeable to Scripture and reason, and in conformity to the usages and traditions of the Church.
Irene, saluted as the second Helena, and set forth by the monks as an exemplar of piety, thus accomplished the restoration of image-wors.h.i.+p.
In a few years this ambitious woman, refusing to surrender his rightful dignity to her son, caused him to be seized, and, in the porphyry chamber in which she had borne him, put out his eyes. Constantinople, long familiar with horrible crimes, was appalled at such an unnatural deed.
[Sidenote: Resumption of Iconoclasm by the succeeding emperors.]
[Sidenote: Their Saracenic tastes.]
During the succeeding reigns to that of Leo the Armenian, matters remained without change; but that emperor resumed the policy of Leo the Isaurian. By an edict he prohibited image-wors.h.i.+p, and banished the Patriarch of Constantinople, who had admonished him that the apostles had made images of the Saviour and the Virgin, and that there was at Rome a picture of the Transfiguration, painted by order of St. Peter.
After the murder of Leo, his successor, Michael the Stammerer, showed no encouragement to either party. It was affirmed that he was given to profane jesting, was incredulous as to the resurrection of the dead, disbelieved the existence of the devil, was indifferent whether images were wors.h.i.+pped or not, and recommended the patriarch to bury the decrees of Constantinople and Nicea equally in oblivion. His successor and son, however, observed no such impartiality. To Saracenic tastes, shown by his building a palace like that of the khalif; to a devotion for poetry, exemplified by branding some of his own stanzas on his image-wors.h.i.+pping enemies; to the composition of music and its singing by himself as an amateur in the choir; to mechanical knowledge, displayed by hydraulic contrivances, musical instruments, organs, automatic singing-birds sitting in golden trees, he added an abomination of monks and a determined iconoclasm. Instead of merely whitewas.h.i.+ng the walls of the churches, he adorned them with pictures of beasts and birds. Iconoclasm had now become a struggle between the emperors and the monks.
[Sidenote: Final restoration of image-wors.h.i.+p by the Empress Theodora.]
Again, on the death of Theophilus, image-wors.h.i.+p triumphed, and triumphed in the same manner as before. His widow, Theodora, alarmed by the monks for the safety of the soul of her husband, purchased absolution for him at the price of the restoration of images.
Such was the issue of Iconoclasm in the East. The monks proved stronger than the emperors, and, after a struggle of 120 years, the images were finally restored. In the West far more important consequences followed.
[Sidenote: Image-wors.h.i.+p in the West.]
[Sidenote: It is sustained by the pope,]
To image-wors.h.i.+p Italy was devoutly attached. When the first edict of Leo was made known by the exarch, it produced a rebellion, of which Pope Gregory II. took advantage to suspend the tribute paid by Italy. In letters that he wrote to the emperor he defended the popular delusion, declaring that the first Christians had caused pictures to be made of our Lord, of his brother James, of Stephen, and all the martyrs, and had sent them throughout the world; the reason that G.o.d the Father had not been painted was that his countenance was not known. These letters display a most audacious presumption of the ignorance of the emperor respecting common Scripture incidents, and, as some have remarked, suggest a doubt of the pope's familiarity with the sacred volume. He points out the difference between the statues of antiquity, which are only the representations of phantoms, and the images of the Church, which have approved themselves, by numberless miracles, to be the genuine forms of the Saviour, his mother, and his saints. Referring to the statue of St. Peter, which the emperor had ordered to be broken to pieces, he declares that the Western nations regard that apostle as a G.o.d upon earth, and ominously threatens the vengeance of the pious barbarians if it should be destroyed. In this defence of images Gregory found an active coadjutor in a Syrian, John of Damascus, who had witnessed the rage of the khalifs against the images of his own country, and whose hand, having been cut off by those tyrants, had been miraculously rejoined to his body by an idol of the Virgin to which he prayed.
[Sidenote: and by the Lombard king.]
But Gregory was not alone in his policy, nor John of Damascus in his controversies. The King of the Lombards, Luitprand, also perceived the advantage of putting himself forth as the protector of images, and of appealing to the Italians, for their sake, to expel the Greeks from the country. The pope acted on the principle that heresy in a sovereign justifies withdrawal of allegiance, the Lombard that it excuses the seizure of possessions. Luitprand accordingly ventured on the capture of Ravenna. An immense booty, the acc.u.mulation of the emperors, the Gothic kings, and the exarchs, which was taken at the storming of the town, at once rewarded his piety, stimulated him to new enterprises of a like nature, and drew upon him the attention of his enemy the emperor, whom he had plundered, and of his confederate the pope, whom he had overreached.
[Sidenote: Position of affairs at this time.]
[Sidenote: The Saracens dominate in the Mediterranean.]
[Sidenote: Causes of the alliance of the popes and the Franks.]
This was the position of affairs. If the Lombards, who were Arians, and therefore heretics, should succeed in extending their sway all over Italy, the influence and prosperity of the papacy must come to an end; their action on the question of the images was altogether of an ephemeral and delusive kind, for all the northern nations preferred a simple wors.h.i.+p like that of primitive times, and had never shown any attachment to the adoration of graven forms. If, on the other hand, the pope should continue his allegiance to Constantinople, he must be liable to the atrocious persecutions so often and so recently inflicted on the patriarchs of that city by their tyrannical master; and the breaking of that connexion in reality involved no surrender of any solid advantages, for the emperor was too weak to give protection from the Lombards.
Already had been experienced a portentous difficulty in sending relief from Constantinople, on account of the naval superiority of the Saracens in the Mediterranean. For the taxes paid to the sovereign no real equivalent was received; but Rome, in ignominy, was obliged to submit, like an obscure provincial town, to the mandates of the Eastern court.
Moreover, in her eyes, the emperor, by reason of his iconoclasm, was a heretic. But if alliance with the Lombards and allegiance to the Greeks were equally inexpedient, a third course was possible. A mayor of the palace of the Frankish kings had successfully led his armies against the Arabs from Spain, and had gained the great victory of Tours. If the Franks, under the influence of their climate or the genius of their race, had thus far shown no encouragement to images, in all other respects they were orthodox, for they had been converted by Catholic missionaries; their kings, it was true, were mere phantoms, but Charles Martel had proved himself a great soldier; he was, therefore, an ambitious man. There was Scripture authority for raising a subordinate to sovereign power; the prophets of Israel had thus, of old, with oil anointed kings. And if the sword of France was gently removed from the kingly hand that was too weak to hold it, and given to the hero who had already shown that he could smite terribly with it--if this were done by the authority of the pope, acting as the representative of G.o.d, how great the gain to the papacy! A thousand years might not be enough to separate the monarchy of France from the theocracy of Italy.
[Sidenote: Revolt of the pope from the emperor.]
[Sidenote: Alliance of the pope and the Franks.]
The resistance which had sprung up to the imperial edict for the destruction of images determined the course of events. The pope rebelled, and attempts were made by the emperor to seize or a.s.sa.s.sinate him. A fear that the pontiff might be carried to Constantinople, and the preparations making to destroy the images in the churches, united all Italy. A council was held at Rome, which anathematized the Iconoclasts.