Part 3 (1/2)

Another wants a sweet and holy saint whose patient humility springs from principle rather than from fear; another likes a blithe-tempered, healthy girl with no nonsense about her, full of fun and ready for everything, and is not particular as to the strict order or economy of the housekeeping, provided only she is at all times willing to be his pleasant playmate and companion. Another delights in something very quiet, very silent, very home-staying. One must have first-rate music in his ideal woman; another unimpeachable taste; a third, strict orders; a fourth, liberal breadth of nature; and each has his own ideal, not only of nature but of person--to the exact shade of the hair, the color of the eyes, and the oval of the face. But all agree in the great fundamental requirements of truth, and modesty, and love, and unselfishness; for though it is impossible to write of one womanly ideal as an absolute, it is very possible to detail the virtues which ought to belong to all alike.

If this diversity of ideals is true of individuals, it is especially true of nations, each of which has its own ideal of woman varying according to what is called the genius of the country. To the Frenchman, if we are to believe Michelet and the novelists, it is a feverish little creature, full of nervous energy, but without muscular force; of frail health and feeble organization; a prey to morbid fancies which she has no strength to control or to resist; now weeping away her life in the pain of finding that her husband, a man gross and material because husband, does not understand her; now sighing over her delicious sins in the arms of the lover who does; without reasoning faculties, but with divine intuitions that are as good as revelations; without cool judgment, but with the light of burning pa.s.sions that guide her just as well; thinking by her heart, yet carrying the most refined metaphysics into her love; subtle; incomprehensible by the coa.r.s.er brain of man; a creature born to bewilder and to be misled, to love and to be adored, to madden men and to be destroyed by them.

It does not much signify that the reality is a shrewd, calculating, unromantic woman, with a hard face and keen eyes, who for the most part makes a good practical wife to her common-sense middle-aged husband, who thinks more of her social position than of her feelings, more of her children than of her lovers, more of her purse than of her heart, and whose great object of life is a daily struggle for centimes. It pleases the French to idealize their eminently practical and worldly-wise women into this queer compound of hysterics and adultery; and if it pleases them it need not displease us.

To the German his ideal is of two kinds--one, his Martha, the domestic broad-faced _Haus.m.u.tter_, who cooks good dinners at small cost, and mends the family linen as religiously as if this were the Eleventh Commandment especially appointed for feminine fingers to keep, the poetic culmination of whom is Charlotte cutting bread and b.u.t.ter; the other, his Mary, his Bettina, full of mind and aesthetics, and heart-uplifting love, yearning after the infinite with holes in her stockings and her shoes down at heel. For what are coa.r.s.e material mendings to the aesthetic soul yearning after the infinite, and wors.h.i.+pping at the feet of the prophet?

In Italy the ideal woman of modern times is the ardent patriot, full of active energy, or physical force, and dauntless courage.

In Poland it is the patriot too, but of a more refined and etherealized type, pa.s.sively resenting Tartar tyranny by the subtlest feminine scorn, and living in perpetual music and mourning.

In Spain it is a woman beautiful and impa.s.sioned, with the slight drawback of needing a world of looking after, of which the men are undeniably capable.

In Mohammedan countries generally it is a comely smooth-skinned Dudu, patient and submissive, always in good humor with her master, economical in house-living to suit the meanness, and gorgeous in occasional attire to suit the ostentation, of the genuine Oriental; but by no means Dudu ever asleep and unoccupied; for, if not allowed to take part in active outside life, the Eastern's wife or wives have their home duties and their maternal cares like all other women, and find to their cost that, if they neglect them unduly, they will have a bad time of it with Ali Ben Ha.s.san when the question comes of piastres and sequins, and the dogs of Jews who demand payment, and the pigs of Christians who follow suit.

The American ideal is of two kinds, like the German--the one, the clever manager, the woman with good executive faculty in the matters of buckwheat cakes and oyster gumbo, as is needed in a country so poorly provided with ”helps;” the other, the aspiring soul who puts her aspirations into deeds, and goes out into the world to do battle with the sins of society as editress, preacher, stump orator, and the like.

It must be rather embarra.s.sing to some men that this special manifestation of the ideal woman at times advocates miscegenation and free love; but perhaps we of the narrow old conventional type are not up to the right mark yet, and have to wait until our own women are thoroughly emanc.i.p.ated before we can rightly appreciate these questions.

At all events, if this kind of thing pleases the Americans, it is no more our business to interfere with them than with the French compound; and if miscegenation and free love seem to them the right manner of life, let them follow it.

In all countries, then, the ideal woman changes, chameleon-like, to suit the taste of man; and the great doctrine that her happiness does somewhat depend on his liking is part of the very foundation of her existence. According to his will she is bond or free, educated or ignorant, lax or strict, house-keeping or roving; and though we advocate neither the bondage nor the ignorance, yet we do hold to the principle that, by the laws which regulate all human communities everywhere, she is bound to study the wishes of man, and to mould her life in harmony with his liking. No society can get on in which there is total independence of sections and members, for society is built up on the mutual dependence of all its sections and all its members. Hence the defiant att.i.tudes which women have lately a.s.sumed, and their indifference to the wishes and remonstrances of men, cannot lead to any good results whatever. It is not the revolt of slaves against their tyrants--in that we could sympathize--which they have begun, but a revolt against their duties. And this it is which makes the present state of things so deplorable. It is the vague restlessness, the fierce extravagance, the neglect of home, the indolent fine-ladyism, the pa.s.sionate love of pleasure which characterise the modern woman, that saddens men, and destroys in them that respect which their very pride prompts them to feel. And it is the painful conviction that the ideal woman of truth and modesty and simple love and homely living has somehow faded away under the paint and tinsel of this modern reality which makes us speak out as we have done, in the hope, perhaps a forlorn one, that if she could be made to thoroughly understand what men think of her, she would, by the very force of natural instinct and social necessity, order herself in some accordance with the lost ideal, and become again what we once loved and what we all regret.

WOMAN AND THE WORLD.

This, we are told in a tone of pathetic resignation, is a day of hard sayings for women. It is, we will venture to add, a day when women have to meet hard sayings with replies a little less superficial than the conventional stare of outraged womanhood or the trivial retort on the follies of men. Grant that woman's censors are as cynical and hollow-hearted as you will, there can be no doubt that their criticisms are simply the expression of a general uneasiness, and that that uneasiness has some ground to go upon. It is possible that observers across the water may be cynical in denouncing the ”magnificent indecency” of the heroines of New York. It is possible that the schoolmasters of Berlin may be cynical in calling public opinion to their aid against the degrading exhibitions of the Prussian capital. It is possible that the thunders of the Vatican are merely an instance of Papal cynicism. It is possible that the protest of the Bishop of Orleans is as hollow-hearted as the protests of censors nearer home. But such a world-wide outbreak of cynicism without a cause is a somewhat improbable event, and the improbability is increased when we remark the silent acquiescence of the women of America and the Continent in the justice of these censures.

It is only the British mother who ventures to protest. Now, we Englishmen have always felt a sort of national pride in the British mother. It has been a part of our patriotic self-satisfaction to pique ourselves on her icy decorum, on the merciless severity of her virtue.

Colorless, uninteresting, limited as Continental critics p.r.o.nounced her to be, we cherished her the more as something specially our own, and regarded the Channel as a barrier providentially invented for the isolation of her spotless prudery. It was peculiarly gratifying to suppose that on the other side of it there were no British homes, no British maidens, no British mothers. And it must be owned that the British mother took her cue admirably. She owned, with a sigh of complacency, that she was not as other women. She shuddered at foreign morals, and tabooed French novels. She shook all life and individuality out of her girls as un-English and Continental. She denounced all aspirations after higher and larger spheres of effort as unfeminine.

Such a type of woman was naturally dull enough, but it fairly came up to its own standard; and if its respectability was prudery, it still earned, and had a right to claim, man's respect. The amusing thing is the persistence in the claim when the type has pa.s.sed away.

The British spouse has bloomed into the semi-detached wife, with a husband always conveniently in the distance, and a cicisbeo as conveniently in the corner. The British mother has died into the faded matrimonial schemer, contemptuous of younger sons. The innocent simper of the British maiden has developed into the loud laugh and the horsey slang of the girl of the season. But maiden and matron are still on one point faithful to the traditions of their grandmothers, and front all censorious comers with a shrug of their shoulder-straps and a flutter of indignant womanhood. And maiden and matron still claim their insular exemption from the foibles of their s.e.x. The Pope may do what he will with the women of Italy, and Monseigneur of Orleans may deal stern justice out to the women of France; Continental immorality is in the nature of things; but there is something else that is in the nature of things too, and before the impeccable majesty of British womanhood every critic must stand abashed.

Unfortunately, we are no sooner awed with the marble silence of our Hermione than Hermione descends from her pedestal and falls a-talking like other people. Woman, in a word, protests; and protests are often very dangerous things to the protesters. Nothing, for instance, can seem more simple or more effective than the _tu quoque_ retort, and as it is familiar to feminine disputants, we are favored with it in every possible form. If the girl of the period is fast and frivolous, is the young man of the period any better? No sketch can be more telling than the picture which she is ready to draw of his lounging ways, his epicurean indolence, his boredom at home, his foppery abroad, the vacancy of his stare, the inanity of his talk, his incredible conceit, his life vibrating between the Club and the stable. She hits off with a charming vivacity the list of his accomplishments--his skill at flirtation, his matchless ability at croquet, his a.s.siduity over _Bell's Life_, the cleverness of his book on the Derby. No sensible or well-informed girl, she tells us, can talk for ten minutes to this creature without weariness and disgust at his ignorance, his narrowness, his triviality; no modestly-dressed or decently-mannered girl can win the slightest share of his attentions. Married, he is as frivolous as before marriage; he selects the toilette of the _demi-monde_ as an agreeable topic of domestic conversation, he resents affection and proclaims home a bore, he grudges the birth of children as an additional expense, he stunts and degrades the education of his girls, he is the despot of his household and the dread of his family.

The sketch is powerful enough in its way, but the conclusion which the fair artist draws is at least an odd one. We prepare ourselves to hear that woman has resolved to extirpate such a monster as this, or that she will remain an obstinate vestal till a n.o.bler breed of wooers arises.

What woman owns that she really does is to mould herself as much on the monster's model as she can. According to her own account, she puts nature's picture of herself into the hands of this imbecile, invites him to blur it as he will, and lets him write under the daub ”_Ego feci._”

As he cannot talk sense, she stoops to bandy chaff and slang. As he refuses to be attracted by modesty of dress and manner, she apes the dress and manner of the _demi-monde_. His indolence, his triviality, his worldliness become her own. As he finds home a bore, she too plunges into her round of dissipation; as he objects to children, she declines to be a mother; as he wishes to get the girls off his hands, she flings them at the head of the first comer.

Now, if such a defence as this at all adequately represents the facts of the case, we can only say that the girl of the period must be a far lower creature than we have ever a.s.serted her to be. A sensible girl stooping to slang, a modest girl flinging aside modesty, simply to conquer a fool and a fop, is a satire upon woman which none but a woman could have invented, and which we must confess to be utterly incredible to men. But the a.s.sumption upon which the whole of this mimetic theory is based is one well worthy of a little graver consideration.

”Tell me how to improve the youth of France,” said Napoleon one day to Madame de Campan. ”Give them good mothers,” was the reply. There are some things which even a Napoleon may be pardoned for feeling a little puzzled in undertaking, and Madame de Campan would no doubt have added much to the weight of her reply by a few practical words as to the machinery requisite for the supply of the article she recommended. But her request is now the cry of the world. The general uneasiness of which we have spoken before arises simply from the conviction that woman is becoming more and more indifferent to her actual post in the social economy of the world, and the criticisms in which it takes form, whether grave or gay, could all be summed up in Madame de Campan's request, ”Give us good mothers.”

After all protests against limiting the sphere of the s.e.x to a single function of their existence, public opinion still regards woman primarily in her relation to the generation to come. If it censures the sensible girl who stoops to slang, or the modest girl who stoops to indecency, it is because the sense and the modesty which they abandon is not theirs to hold or to fling away, but the heritage of the human race.

But this seems to be less and less the feeling of woman herself. For good or for evil, or, perhaps more truly, for both good and evil, woman is becoming conscious every day of new powers, and longing for an independent sphere in which she can exert them. Marriage is aimed at with a pa.s.sionate ardor unknown before, not as a means of gratifying affection, but as a means of securing independence.