Volume I Part 12 (2/2)
At times, during his stay with the railway company, Branwell would drive over from Luddenden Foot to visit his family at the Haworth parsonage, having hired a gig for the purpose. Mr. Grundy sometimes accompanied him, and they would escape to the moors together, or pay curious visits to the old fortune-teller, with the curates. Then, says his friend, he was 'at his best, and would be eloquent and amusing, though, on returning sometimes, he would burst into tears, and swear he meant to mend.' This last statement is favourable to Branwell's calm judgment upon himself. Few--and Branwell was one of the last--drift deliberately into wrong-doing. He was, like most other men, often placed under influences which a habit of attention and self-control would have enabled him to resist. He knew, perhaps, in a desultory way, what he ought to do, and what he ought not; but, owing to his inattention to consequences, he might, now and then, go wrong, sometimes yielding to whatever illusion was paramount within, acting in concert with whatever was most alluring without; yet he could draw his mental forces together, and review his past actions with keen and painful accuracy. Hence he was not dest.i.tute of the faculty of a.n.a.lyzing his acts in the light of their moral quality, and, when his sober judgment enabled him to see them in their true bearing, he exhibited a due contrition.
On Branwell's visits home, he learned much of the exertions, the projects, and the resolves of his sisters. He was aware of their aims, and how important were the steps being taken to qualify them the better for teaching others, more especially in perfecting their knowledge of the French language and of music. He also knew of the ultimate hope of his sisters--that, were the future secure, they would have leisure to realize their early dream of one day becoming authors, never relinquished, even when distance divided, and when absorbing tasks occupied them. He had the highest appreciation of their genius; and, although he had his times of hilarity, indulgence, and enjoyment, he was certainly never forgetful of his own hopes and aspirations in the same direction.
CHAPTER XVIII.
BRANWELL'S POETRY, 1842.
Situation of Luddenden Foot--Branwell visits Manchester--The Sultry Summer--He visits the Picturesque Places adjacent--His impromptu Verses to Mr. Grundy--He leaves the Railway Company--Miss Robinson's unjust Comments--His three Sonnets--His poem 'The Afghan War'-- Branwell's letter to Mr. Grundy--His Self-depreciation.
Luddenden Foot--the second place of Branwell Bronte's appointment as clerk in charge on the Leeds and Manchester Railway--was a village about equi-distant between Sowerby Bridge and Mytholmroyd, situated in a fertile and moderately-wooded valley, on the left bank of the Calder as it descends from its source in Cliviger Dean. The cultivated hills rise to a considerable height on both sides of the river, and are very romantic in character. Among the manufacturers and gentry of the neighbourhood, Branwell found few to welcome him, and from these he turned to the artists and literary men he had previously known at Halifax.
But Branwell, in addition, made excursions up the valley (Mr. W----, his fellow-a.s.sistant, acting for him in his absence) in the direction of Hebden Bridge, Heptonstall, the Ridge, Todmorden, and the heights of Wadsworth. There were, indeed, many places of marvellous beauty and interest near, that have long been the theme of artists and poets, with which he did not fail to make himself acquainted.
The huge, rounded hills, which border this valley, are intersected in places by lovely cloughs and glens, whose peat-stained streams rush over their rocky beds, from the elevated grouse-moors around, to pour their waters into the Calder. From Luddenden Dean, between the towns.h.i.+ps of Warley and Midgley, a brook makes its way to Luddenden Foot, through a glen on whose verdant slopes stand several ancient houses of architectural and historic interest. Among these are Ewood Hall, where Bishop Farrer was born, and Kershaw House, a beautiful Jacobean mansion. Crag Valley, which descends to the Calder on the opposite bank, a mile or more from Luddenden Foot, is deeper and more thickly wooded. On one hand lies Sowerby--with Haugh End, the birthplace of Archbishop Tillotson--and, on the other, Erringden, which was a royal deer-park in the days of the Plantagenets. But the loveliest of the valleys through which the confluent streams of the Calder run, is that of Hebden, a romantic glen, winding between the wooded and precipitous slopes of Heptonstall--crowned with the ancient and now ruined church of St. Thomas a Becket--and of Wadsworth, with its narrow dell of Crimsworth, which gave Charlotte Bronte a name for the hero of the earliest of her novels. Between these solemn heights the stream flows beneath the huge crags of Hardcastle, and roars over many a rocky obstruction in its channel before it reaches the Calder at Hebden Bridge. This was a district to which picnic-parties from Haworth often came, there being a direct road over the hills.
Branwell also visited Manchester on one occasion; and, on his return, he gave an account to a young clergyman, then living in the neighbourhood of Mytholmroyd, who sometimes went to his wooden shanty at Luddenden Foot to hear his conversation, of how he had been impressed with the architecture of the parish church at Manchester, as he stood under the arched portal, and beheld the long lines of pillars and arches, and the fretted roof, the lightsome details of which had charmed him. He went forward on that occasion to the choir of the church, and saw the Lady Chapel--which still retained its beautiful screen, with its Perpendicular tracery and shafts of that period--occupied by the gravedigger's implements, which reminded him of the 'Wors.h.i.+pful Master of the Lodge of the Three Graces,'
consisting of crowbar, mattock, spade, barrow, planks and ropes; for the Lady Chapel had been made a convenient receptacle for these dismal chattels.
The summer of 1841 was a somewhat monotonous time for Branwell and his friend at the quiet station. Here, in the intervals of the trains, scarcely anything was heard except the occasional hum of a bee or a wasp, or the drone of a blue-bottle, while the almost vertical rays of a summer sun darted down on the roof of the wooden hut, and made the place unendurable. It was in moments of weary la.s.situde, or in hours of drowsy leisure, that Branwell whiled away the time by sketching carelessly on the margins of the books--for the amus.e.m.e.nt of himself and his friend--free-hand portraits of characters of the neighbourhood, and of the celebrated pugilists of the day.
But about Hebden Bridge there were people known to Branwell, and he did not fail to visit them. His sister, Charlotte, in after-years, sometimes came to Hanging Royd, Hebden Bridge, the house of my late friend, the Rev. Sutcliffe Sowden, then inc.u.mbent of Mytholm--the gentleman who afterwards performed the marriage ceremony between the gifted lady and Mr. Nicholls. The friends.h.i.+p of the latter and Mr.
Sowden dated from earlier years, and to them Branwell was known when he was at Luddenden Foot. He had, indeed, sometimes clerical visitors at his 'wooden shanty' to hear his conversation. Mr. Sowden was an enthusiastic lover of scenery, and the sphere of his duties abounded in moors, wilds, crags, rivers, brooks, and dells, which he often visited. Branwell's tastes accorded with his, but these attractions clearly drew Branwell's attention, too often and too far, from the imperative duties of his situation, comparatively light though they were. As might be expected, therefore, the work of this talented but changeful young man was found unsatisfactory, and explanations were demanded. About the time of the close of his twelve months' official duties at Luddenden Foot, an examination of his books was made, and they were found to be confused and incomplete. The irregularity and the defects of his returns had also been remarked, and an inquiry was set on foot respecting them. The officials, in looking over the books, discovered the pen-and-ink sketches on the margins of the pages, which I have already mentioned; and these were taken as conclusive evidence of carelessness and indifference on the part of the unfortunate Branwell in the performance of his duties and the keeping of his accounts.
He had been made aware, by unwelcome inquiries and remonstrances, that his position with the railway company was precarious, and he was filled with apprehension as to the ultimate consequences. He was requested finally to appear at the audit of the company, and his friend W---- accompanied him.
It was at the Christmas of 1841, that the Brontes expected to meet at home together, in antic.i.p.ation of Charlotte and Emily's journey to Brussels; but Charlotte had not found her brother there in the January of 1842, for she writes on the 20th of that month and year: 'I have been every week, since I came home, expecting to see Branwell, and he has never been able to get over yet. We fully expect him, however, next Sat.u.r.day.'[36] Branwell certainly returned home, but only when it had been intimated to him that his services were no longer required by the railway company. How far he had felt the duties of his post irksome, and the power of perseverance required inconsistent with his tastes and pursuits, does not appear, though the inference that they were so will scarcely be doubted. But the humiliation and sorrow he felt on the loss of his employment plunged him, for a time, into despair; and the natural gloom of his disposition, caused him to magnify the common pleasures and enjoyments of his leisure hours into crimes and omissions of duty of no ordinary magnitude. But the erroneous recollections of Mr. Grundy, respecting the situation of the station at Luddenden Foot, and its supposed deleterious influence on Branwell's manners and obligations, may justify a doubt as to the particular accuracy of many of his reminiscences of his friend.
[36] 'Life of Charlotte Bronte,' chap. x.
The following incident of Branwell's stay at that place, which Mr.
Grundy gives, may be regarded as affording a valuable contribution to his writings; for, although impromptu, the verses show that he could, even on unexpected occasions, bring into play his innate faculty of verse with no mean grasp of his subject, and a certain harmony of rhythmical expression.
Mr. Grundy says, 'On one occasion he (Branwell) thought I was disposed to treat him distantly at a party, and he retired in great dudgeon. When I arrived at my lodgings the same evening, I found the following, necessarily an impromptu:--
'”The man who will not know another, Whose heart can never sympathize, Who loves not comrade, friend, or brother, Unhonoured lives--unnoticed dies: His frozen eye, his bloodless heart, Nature, repugnant, bids depart.
'”O, Grundy! born for n.o.bler aim, Be thine the task to shun such shame; And henceforth never think that he Who gives his hand in courtesy To one who kindly feels to him, His gentle birth or name can dim.
'”However mean a man may be, Know man _is_ man as well as thee; However high thy gentle line, Know he who writes can rank with thine; And though his frame be worn and dead, Some light still glitters round his head.
'”Yes! though his tottering limbs seem old, His heart and blood are not yet cold.
Ah, Grundy! shun his evil ways, His restless nights, his troubled days; But never slight his mind, which flies, Instinct with n.o.ble sympathies, Afar from spleen and treachery, To thought, to kindness, and to thee.
'”P. B. BRONTe.”'[37]
[37] 'Pictures of the Past,' pp. 78-79.
Branwell's extreme sensibility caused him, indeed, to exaggerate both the lights and the shadows of his existence. He was gleeful, as I found, full of fun, jest, and anecdote, in social circles, or where literature and art were the theme; and then, almost involuntarily, would rise to his feet, and, with a beaming countenance, treat the subject with a vivid flow of imagination, displaying the rich stores of his information with wondrous and enthralling eloquence. But, under disappointment or misfortune, he fell a prey to gloomy thoughts, and reached a state often near akin to despair. It was at such moments that he usually took up his pen to express, in poetry, the fulness of his feelings and the depth of his sorrow; and it is to this fact that the pathetic sadness of most of his writings is due. I have had occasion already to speak of the melancholy tone which characterized also the minds of his sisters.
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