Part 19 (2/2)

f.a.n.n.y made her entrance backwards, pulling a heavy case into the room. She turned round and looked seriously at us all.

'I'm a traveller,' she said. She came to a halt at my knees, and considered me for a moment with Caspar's grey eyes. 'Who are you?'

Caspar made no move to intervene, just waited for me to reply.

'Jane.'

'Tell me all the words you can think of that rhyme with Jane. Ready-steady-go.'

'Lane, mane, deign, feign, cane, pain, rain, same, vain, grain, chain, arcane...'

'Now with f.a.n.n.y. Go!'

'Danny, Annie, Mannie...'

'Those are all other names. I want real words.'

'Canny, granny...'

'What does canny mean?'

'Knowing, I suppose. Like you.'

'At school, people say that f.a.n.n.y means v.a.g.i.n.a. They chant, ”f.a.n.n.y has a f.a.n.n.y”. Do you think that's what it means?'

'Lots of words have different meanings. For some people f.a.n.n.y does mean v.a.g.i.n.a; for me, f.a.n.n.y now means a five-year-old girl who's a traveller. When I was at school, people used to chant ”Plain Jane Crane”.'

Caspar stood up and said to f.a.n.n.y, 'Come on, then. Bedtime for you. We'll read a chapter of Pippi Pippi and leave our guests on their own for a few minutes, shall we? You know where the wine.' and leave our guests on their own for a few minutes, shall we? You know where the wine.'

She held up her arms, starkly vertical, and he hoisted her onto his shoulders.

'More wine, Jane?'

'Half a gla.s.s.'

I put up a hand to signal it was enough and our fingers met. I could not breathe. My stomach turned to water and my heart flipped like a fish.

'So how did you meet Caspar?' the man next to me asked: Leonard, who worked in the Hospital for Tropical Diseases and had just come back from Angola.

'I sat next to her at a public meeting and she shouted at me,' interrupted Caspar.

'And then he came to a residents' a.s.sociation meeting I was involved in, and he got punched in the eye.'

'For such a pacifist,' said Carrie from across the table, 'you get in an awful lot of fights. Weren't you hit by a down-and-out for trying to give him money?'

'It was a misunderstanding.'

'Obviously,' said Eric with the red hair and bitten nails, 'and that old lady in the supermarket when you walked off with her shopping trolley. You can still see the scar in the right light.'

It had been a lovely evening, full of frivolous talk. Caspar's friends had smiled at me as if they'd heard about me in advance. Occasionally, when I looked at him, I caught him watching me. With everything I said or did, I was aware of him across the room. Happiness rose up, whoomph, in my throat, taking all my breath away. I jumped up.

'I'm sorry, I didn't realise the time. I've got to get home.' I aimed a smile around the room. 'It was a lovely evening, thanks.'

Caspar held out my coat and I shrugged my arms into it, careful not to touch him. He opened the door, and I stepped out into air that held the promise of snow.

'Thank you, Caspar, I had a lovely time.'

'Good-night, Jane.'

We stood quite still. For a moment I thought that he would kiss me. If he kissed me I would kiss him back, wrap myself up in his long body. But then a laugh wafted out through the front door, upstairs a child coughed. I went home.

'Sorry, Jane Martello isn't here, but please leave a message after the bleep.'

'h.e.l.lo, this is Paul, on Thursday evening at, ur, 10.30. I'm calling to say that my programme is being broadcast on the twenty-first of February. I'd be really pleased if you could come round to our house to celebrate it. And watch it, of course. Let me know as soon as possible.'

How could the programme possibly be ready? I mean, I'd seen Paul wandering around taking notes and things, and there was that disastrous Christmas, of course, but I'd thought it was all still in embryo. In fact, I'd secretly a.s.sumed it would never actually be broadcast at all.

'Hi, Jane, it's Kim, just wanted to know that you're all right.'

'It's me, Alan.' He sounded p.i.s.sed. 'Please ring.'

I was right: Alan was drunk. When he talked about Martha he cried down the phone. 'Oh Jane, Jane,' he wailed and I shuddered at his clumsy, childish need and my sophisticated and furtive betrayal.

'She thinks of you as her daughter.' Not quite, but I knew what he meant. I, too, thought of her as my not-quite mother.

'Is there no hope for you and Claud? It would make her so happy.' No, no hope, no hope at all. Martha knew it was over and done.

'I'll never write again, never. I'm an old man and done for, Jane.'

I pulled out my packet of cigarettes.

'Don't desert us, Jane.'

He was gabbling about Natalie such a gorgeous child so loving why did she get so hostile in the last years? they'd tried to be good parents, hadn't they? what had they done so wrong? he knew he'd been weak with women, but surely that couldn't explain once she'd spat at him memories are a terrible thing, a terrible thing, a terrible thing.

Twenty-Five.

I rang Caspar. I thought about him all day and then in the evening I rang him.

'It's Jane. Will you meet me at Highgate Cemetery on Sunday?'

'Yes. What time?'

'Three o'clock, by George Eliot's grave.'

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