Part 10 (2/2)

Leading question. Can Mrs Edgington see to find room for Sergeant Betty Cranky for a day or so? Yes, there's Doug's bedroom going spare. I tell her, good, because I'm going spare. I phone Betty: h.e.l.lo Betty, knickers and b.o.o.bs, can she get up with knickers and b.o.o.bs this week knickers and b.o.o.bs? Yes, she can, knickers and b.o.o.bs.

”Mrs Edgington, can I have egg and chips for tea?” I light the coal fire. Mrs Edgington has lent me Doug's 'wireless', a little Bakelite Echo set. These were the days of quiet broadcasting - Christopher Stone playing gramophone records in steady measured tones, unlike the plastic a.r.s.e-screaming hyped-up disc jockeys with c.r.a.ppy jokes, who get housewives so hyped up with fast mindless chatter and ghetto-blasting records that they are all on Valium. I spent the afternoon reading the papers and listening to long-forgotten programmes. Sid Dean and his band are broadcasting live from a tea dance in Brighton. How very very nice. The News! Alvar Liddell, ace broadcaster and Master of Wireless is telling us in profound adenoidal tones that Mr Attlee, the Prime Monster, with all the impact of sponge on marble, is meeting with the Soviet Amba.s.sador, where they are promising each other there will never be another war, and babies are found under bushes. Churchill is at home in Chartwell doing the kitchen. Henry Hall has been in a car crash in the key of E flat. Woman's Hour: how to knit socks under water, and hints on how to make the best of rationed food (eat it).

I am staring into the glowing coals, sometimes I stare into the glowing wallpaper or the glowing lino. I decide to take my legs for a walk before supper. Do I want the door key? It's where no burglar can find it, on a string in the letterbox. I'm wearing my red and blue Artillery forage cap. In the London gloom it looks like my head's on fire. I stroll to the Archway and its grumbling grey traffic. The evening is lit with those ghastly green sodium lights that make the English look like a race of seasick Draculas. Down Holloway Road, remembering that it was down here Edward Lear was born. I stop to see what the shops have to offer. Displays of c.r.a.ppy furniture, boasting that you can see the 'natural grain of the cardboard'. I go down to the Seven Sisters Road. None of the sisters show up, so I come back. I pa.s.s Hercules Street, with not a person in it weighing more than ten stone. Manor Garden, Alexander Road, Landseer Road; the last two would turn in their graves to see what the names had been used for. Giesbach Road? Who chooses them? What grey, dull, mindless idiots sit and debate these improbable street names, streets that should be called Grotty Road, Dog s.h.i.+t Street, c.r.a.ppy Avenue, Terrible Building Road, Who-in-their-right-mind-built-these-Mansions. Mind you, it's got worse since. Ah! this is better. The fish and chip shop. A cheery fat sweating man with six hairs serves me. ”Three pieces of rock salmon and a penn'orth o'chips.” He sees my medal ribbons.

”'ello son, you bin in trouble?”

Yes, I said, and her father's after me.

Back at number thirty, I pull the string on the key.

”Is that you Spike?” Mrs Edgington in her nightie, calls from the top of the stairs.

”Yes, would you like some fish and chips?” No, they've had their supper. Remember to bolt the door, but not the food. I say OK.

”If you want a cup of tea it's all there.” Ta. It's 8 o'clock. They go to bed early to save electricity and heating. It's not been an easy war for the working cla.s.ses. I lie in bed eating fish and chips and sipping tea. The fire glows on to the walls. Geraldo and his band are sparkling on the radio, and Dorothy Carless is Thanking her dear for that lovely weekend, reminding me I myself have a very weak end.

Hitler is dead, and I am alive. I cannot understand it. He had so much going for him. Like the Red Army. I fall asleep to the glow of the dying fire, or am I dying to fire by the glow of sleep? It all depends on the size.

Leave: Day 1 I awake to the sound of buses. I can tell by the tyres on wet streets. It's raining. I am wearing my new pyjamas, made from sheets by a Maddaloni tailor and dyed by the local laundry. I thought they would match my eyes. awake to the sound of buses. I can tell by the tyres on wet streets. It's raining. I am wearing my new pyjamas, made from sheets by a Maddaloni tailor and dyed by the local laundry. I thought they would match my eyes.

”You awake, Spike?” Mrs Edgington at the door. ”Cup of tea.” She screams! ”What's the matter with your face, Spike?”

I say ”Everything. Why?”

”You've got blue all over it.” Does it match my eyes? Yes. It's off my b.l.o.o.d.y pyjamas. It's all over my body, now my body matches my eyes, and my eyes match the sheets. I spend the morning was.h.i.+ng Mrs E's sheets, and finally get it off my body with a loofah. I boil the pyjamas in the copper and now they look like an old Variety backdrop for G. H. Elliot's act.

Porridge? Yes, Mrs Edgington.

”Harry loves porridge. I always gave it to the boys before they went to work. It's very good for you, gives you a good lining to your stomach.”

Mr Edgington had had his breakfast earlier. ”I'm an early riser, as soon as my eyes are open I have to get up.” He's so right, it's silly to get up with your eyes closed.

Down in the bas.e.m.e.nt I tidy up, and something that is never done, I tidy down and sideways - it's silly to miss those areas. I polish my boots and my appalling brown bulging civvy shoes that weigh eighteen pounds each.

The doorbell. ”It's Betty,” said Mrs E.

”No it isn't, it's the door bell.”

There she is in her smart WAAF uniform, bright bra.s.s b.u.t.tons, her WAAF mascara and WAAF lipstick. Has she brought her knickers and b.o.o.bs? From the right, number one! two! We all sit round the Edgingtons' kitchen table and have 'a nice cup of tea'. Mrs E tells of the bombin', the doodle bugs, the incendries, and that married woman over the road. I'll take Betty up to the West End. There's Variety at the Met Edgware Road. Max Miller and the wonderful Wilson, Keppel and Betty. No words can describe the atmosphere of that bygone age that started in 1850 and died in the 1950s. Betty and I are in the front row. Max spots me. ”'Ello son, we got a soldier 'ere back from the war? That the wife? On leave are you? Wot are you doin' 'ere then?” It's Lyons Corner House beans on toast.

Back home. ”That you Spike?” Yes. ”Don't forget to bolt the door.” Betty and I go down to the bas.e.m.e.nt. Max Miller was right...what were we doing there?

I awake at Mrs Edgington bringing me in tea. ”Bet is in the kitchen. Did you have a nice time in London?” Yes.

Betty has to return to duty; her knickers and knockers are leaving at midday. I see her to the tube, we'll meet for further things later. She is swallowed up by the descending stairs.

The Great Amnesia I have a diary. It says: Stayed Edgingtons. Stayed Beryl. Stayed Folks. But I can't remember - so I searched for Beryl - Success - I found Beryl - she remembered, but won't charge me. have a diary. It says: Stayed Edgingtons. Stayed Beryl. Stayed Folks. But I can't remember - so I searched for Beryl - Success - I found Beryl - she remembered, but won't charge me.

Gunner Milligan Traces Beryl Southby Now Mrs Smith!

Yes! 40 years on! I managed to get her on the phone. Did she remember me? Yes, I'd never stopped molesting her.

ME:.

Beryl, did I see you when I came on leave? Beryl, did I see you when I came on leave?

BERYL:Yes. Yes.

ME:.

Did I come and stay at your place? Did I come and stay at your place?

BERYL:.

Yes. Yes.

ME:.

Oh. Er, what did we do? Oh. Er, what did we do?

BERYL:.

You came and stayed with me and my mum and dad at Anerley. You came and stayed with me and my mum and dad at Anerley.

ME:.

What did we do? What did we do?

BERYL:.

( (laughing) Don't you remember?

ME:.

No my mind's a blank. No my mind's a blank.

BERYL:.

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