Part 10 (2/2)

STRANGER: Again, let us take some process of wool-working which is also a portion of the art of composition, and, dismissing the elements of division which we found there, make two halves, one on the principle of composition, and the other on the principle of division.

YOUNG SOCRATES: Let that be done.

STRANGER: And once more, Socrates, we must divide the part which belongs at once both to wool-working and composition, if we are ever to discover satisfactorily the aforesaid art of weaving.

YOUNG SOCRATES: We must.

STRANGER: Yes, certainly, and let us call one part of the art the art of twisting threads, the other the art of combining them.

YOUNG SOCRATES: Do I understand you, in speaking of twisting, to be referring to manufacture of the warp?

STRANGER: Yes, and of the woof too; how, if not by twisting, is the woof made?

YOUNG SOCRATES: There is no other way.

STRANGER: Then suppose that you define the warp and the woof, for I think that the definition will be of use to you.

YOUNG SOCRATES: How shall I define them?

STRANGER: As thus: A piece of carded wool which is drawn out lengthwise and breadthwise is said to be pulled out.

YOUNG SOCRATES: Yes.

STRANGER: And the wool thus prepared, when twisted by the spindle, and made into a firm thread, is called the warp, and the art which regulates these operations the art of spinning the warp.

YOUNG SOCRATES: True.

STRANGER: And the threads which are more loosely spun, having a softness proportioned to the intertexture of the warp and to the degree of force used in dressing the cloth,--the threads which are thus spun are called the woof, and the art which is set over them may be called the art of spinning the woof.

YOUNG SOCRATES: Very true.

STRANGER: And, now, there can be no mistake about the nature of the part of weaving which we have undertaken to define. For when that part of the art of composition which is employed in the working of wool forms a web by the regular intertexture of warp and woof, the entire woven substance is called by us a woollen garment, and the art which presides over this is the art of weaving.

YOUNG SOCRATES: Very true.

STRANGER: But why did we not say at once that weaving is the art of entwining warp and woof, instead of making a long and useless circuit?

YOUNG SOCRATES: I thought, Stranger, that there was nothing useless in what was said.

STRANGER: Very likely, but you may not always think so, my sweet friend; and in case any feeling of dissatisfaction should hereafter arise in your mind, as it very well may, let me lay down a principle which will apply to arguments in general.

YOUNG SOCRATES: Proceed.

STRANGER: Let us begin by considering the whole nature of excess and defect, and then we shall have a rational ground on which we may praise or blame too much length or too much shortness in discussions of this kind.

YOUNG SOCRATES: Let us do so.

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