Part 13 (1/2)

”Why do I have to go?” I said. I was afraid of going, afraid of what might happen.

”I want you to copy Jewell. She is a kind person, a good person. You can learn a great deal from her.”

”Why can't she come here? Kovich did.”

”She runs an abbey on Paylay. There are not more than two dozen tappers and girls on the whole star. It is perfectly safe.”

”What if there's somebody evil there? What if I copy him instead and kill somebody like happened on Solfatara? What if something bad happens?”

”Jewell runs a clean abbey. No sots, no pervs, and the girls are well-behaved. It's nothing like the happy houses. As for Paylay itself, you shouldn't worry about it being a star. It's in the last stages of burning out. It has a crust almost two thousand feet thick, which means there's hardly any radiation. People can walk on the surface without any protective clothing at all. There's some radiation from the hydrogen taps, of course, but you won't go anywhere near them.”

He had rea.s.sured me about everything except what was important. Now, trudging along after Jewell through the sooty carbon of Paylay, I knew all about all the dangers except the worst ones myself.

I could not see anything that looked like a tap. ”Where are they?” I asked, and Jewell pointed back the way we had come.

”As far away as we kin git thim from St. Pierre and each it her so simm tripletapping fool kin't kill ivverybody when he blows himsilf up. The first sidon's off thit way, ten kilometers or so.”

”Sidon,” I said, frightened. My uncle had told me the tappers had killed the sidon and made it into a rug after it nearly killed Jewell.

She laughed. ”Thits what they call the taps. Because they blow up on you and you don't even know what hit. They make thim as safe as they can, but the comprission equipmints metal and metal means sparks. Ivvery once in a while that whole sky over there lights up like Chrissmiss. We built St. Pierre as faraway as we kidd, and there in't a sc.r.a.p of metal in the whole place, but the hydrogen leaks are ivverywhere. And helium. Din't we sound like apairiv vools squeaking at each other?” She laughed again, and I noticed that as we had stood there looking at the black horizon, my feet had begun to feel uncomfortably hot.

It was a long walk through the darkness to the string of lights, and the whole way I watched Jewell and wondered if I had already begun to copy her. I would not know it, of course. I had not known I was copying my uncle either. One day he had asked me to playa song, and I had sat down at the pian.o.board and played it. When I was finished, he said, ”How long have you been able to do that?” and I did not know. Only after I had done the copying would I know it, and then only if someone told me. I trudged after Jewell in darkness and tried, tried to copy her.

It took us nearly an hour to get to the town, and when we got there I could see it wasn't a town at all. What Jewell had called St. Pierre was only two tall metalpaper-covered buildings perched on plastic frameworks nearly two meters high and a huddle of stilt-tents. Neither building had a sign over the door, just strings of multicolored chemiloom lights strung along the eaves. They were fairly bright, and they reflected off the metalpaper into even more light, but Jewell took off the lantern she had had strapped to her head and held it close to the wooden openwork steps, as if I couldn't see to climb up to the front door high above us without it.

”Why are you walking like thit?” she said when we got to the top of the steps, and for the first time I could see her scar. It looked almost black in the colored light of the lantern and the looms, and it was much wider than I had thought it would be, a fissure of dark puckered skin down one whole side of her face.

”Walking like what?” I said, and looked down at my feet.

”Like you kin't bear to hivv your feet touch the ground. I got my feet too hot out at the down. You didn't. So din't walk like thit.”

”I'm sorry,” I said. ”I won't do it anymore.”

She smiled at me, and the scar faded a little. ”Now you just kimm on in and meet the girls. Din't mind it if they say simmthing about the way you look. They've nivver seen a Mirror before, but they're good girls.” She opened the thick door. It was metalpaper backed with a thick pad of insulation. ”We take our shoes off out here and wear shuffles inside the abbey”

It was much cooler inside. There was a plastic heat-trigger fan set in the ceiling and surrounded by rose-colored chemilooms. We were in an anteroom with a rack for the high shoes and the lanterns. They dangled by their straps.

Jewell sat down on a chair and began unbuckling her bulky shoes. ”Din't ivver go out without shoes and a lantern,” she said. She gestured toward the rack. ”The little ones with the twillpaper hiddbands are for town. They only list about an hour. If you're going out to the taps or the spiraldown, take one iv the big ones with you.”

She looked different in the rosy light. Her scar hardly showed at all. Her voice was different, too, deeper. She sounded older than she had at the down. I looked up and around at the air.

”We blow nitrogen and oxygen in from a tap behind the house,” she said. ”The tappers din't like having squeaky little helium voices when they're with the girls. You can't git rid of the helium, or the hydrogen either. They leak in ivverywhere. The bist you can do is dilute it. You s.h.i.+d be glad you weren't here at the beginning, before they tapped an atmosphere. You had to wear vacuum suits thin.” She pried off her shoe. The bottom of her foot was a ma.s.s of blisters. She started to stand up and then sat down again.

”Yill for Carnie,” she said. ”Till her to bring some bandages.”

I hung my outside shoes on the rack and opened the inner door. It fit tightly, though it opened with just a touch. It was made of the same insulation as the outer door. It opened onto a fancy room, all curtains and fur rugs and hanging looms that cast little pools of colored light, green and rose and gold. The pian.o.board stood over against one wall on a carved plastic table. I could not see anyone in the room, and I could not hear voices for the sound of the blowers. I started across a blood-red fur rug to another door hung with curtains.

”Jewell?” a woman's voice said. The blowers kicked off, and she said, ”Jewell?” again, and I saw that I had nearly walked past her. She was sitting in a white velvet chair in a little bay that would have been a window if this were not Paylay. She was wearing a white satinpaper dress with a long skirt. Her hair was piled on top of her head, and there was a string of pearls around her long neck. She was sitting so quietly, with her hands in her lap and her head turned slightly away from me, that I had not even seen her.

”Are you Carnie?” I said.

”No,” she said, and she didn't look up at me. ”What is it?”

”Jewell got her feet burned,” I said. ”She needs bandages. I'm the new pian.o.board player.”

”I know,” the girl said. She lifted her head a little in the direction of the stairs and called, ”Carnie. Get the remedy case.”

A girl came running down the stairs in an orange-red robe and no shoes. ”Is it Jewell?” she said to the girl in the white dress, and when she nodded, Carnie ran past us into the other room. I could hear the hollow sound of an insulated door opening. The girl had made no move to come and see Jewell. She sat perfectly still in the white chair, her hands lying quietly in her lap.

”Jewell's feet are pretty bad,” I said. ”Can't you at least come see them?”

”No,” she said, and looked up at me. ”My name is Pearl,” she said. ”I had a friend once who played the pian.o.board.”

Even then I wouldn't have known she was blind except that my uncle had told me. ”Most of the girls are newcomers Jewell hired for Paylay right off the s.h.i.+ps, before the happy houses could ruin them,” my uncle had said. ”She only brought a couple of the girls with her from Solfatara, girls who worked with her in the happy house she came out of. Carnie, and I think Sapphire, and Pearl, the blind one.”

”Blind?” I had said. Solfatara is a long way out, but anyplace has doctors.

”He cut the optic nerve was severed. They did orb implants and reattached all the muscles, but it was only cosmetic repair. She can't see anything.”

Even after all the horrible stories I had heard about Solfatara, it had shocked me to think that someone could do something like that. I remember thinking that the man must have been incredibly cruel to have done such a thing, that it would have been kinder to kill her outright than to have left her helpless and injured like that in a place like Solfatara.

”Who did it to her?” I said.

”A tapper,” he said, and for a minute he looked very much like Kovich, so much that I asked, ”Was it the same man who broke Kovich's hands?”

”Yes,” my uncle said.

”Did they kill him?” I said, and that was not the question I had intended to ask. I had meant did Kovich kill him, but I had said ”they.”

And my uncle, not looking like Kovich at all, had said, ”Yes, they killed him,” as if that were the right question after all.

The orb implants, the muscle reattachments had been very good. Her eyes were a beautiful pale gray; and someone had taught her to follow voices with them. There was nothing at all in the angle of her head or her eyes or her quiet hands to tell me she was blind or make me pity her, and standing there looking down at her, I was glad, glad that they had killed him. I hoped that they had cut his eyes out first.

Carnie darted past us with the remedy case, and I said, still looking down at Pearl, ”I'll go and see if I can help her.” I went back out into the anteroom and watched while Carnie put some kind of oil on Jewell's feet and then a meshlike pad, and wrapped her feet in bandages.

”This is Carnelian,” Jewell said. ”Carnie, this is our new pian.o.board player.”

She smiled at me. She looked very young. She must have been only a child when she worked in the happy house on Solfatara with Jewell.

”I bit you can do real fancy stuff with those hands,” she said, and giggled.

”Don't tease him,” Jewell said. ”He's here to play the pian.o.board.”

”I meant meant on the pian.o.board. You din't look like a real Mirror. You know, s.h.i.+ny and ivverything? Who are you going to copy?” on the pian.o.board. You din't look like a real Mirror. You know, s.h.i.+ny and ivverything? Who are you going to copy?”

”He's not going to copy innybody,” Jewell said sharply ”He's going to play the pian.o.board, and that's all. Is supper riddy?”

”No. I was jist in the kitchen and Sapphire wasn't even there yit.” She looked back up at me. ”When you copy somebody, do you look like them?”

”No,” I said. ”You're thinking of a Chameleon.”