Part 16 (2/2)

Himself is point of departure on this long journey. This oration is an apology, a plea of a great soul, pleading for what is above life. The words have pathos, but they lift to sublime heights. Job sweeps on like a rising tide. His false comforters sit silent, perplexed, but silenced. His argument rises as a wind, which first blows lightly as a child's breath on the cheek, then lifts and sways the branches of the trees, then trumpets like a battle troop, then roars like storm-waves beating on the rocks, until we hear naught but Job. What begins an apology, ends a paean. At first, he spoke as, ”By your leave, sirs.”

Later, he seizes the occasion; ma.s.ses his lifetime of experience and thought and faith and attempted service; deploys his argument to show how G.o.d's wisdom fills the soul's sky, as if all stars had coalesced to frame a regal sun; makes his argument certify his conscious integrity in motive and conduct, until he thunders like a tempest: ”My desire is that the Almighty would answer me. I would declare unto him the number of my steps; as a prince would I go near unto him,”--and on a sudden his trumpet tones sink into softness, and his dilated frame stoops like a broken wall, and he murmurs, ”The words of Job--are ended.” Yet so potent his self-defense, that his three comforters sit silent as the hushed night. Their argument is broken and their lips are dry. The words of the comforters, like the words of Job, are ended.

Elihu, a youth, has been listening. Age has had its hour and argument, and age is silenced, when, like the rush of a steed whose master is smitten from the saddle, this impetuous youth speaks. At this point, genius is evidenced by this unknown dramatist. A young man speaks, but his are a young man's words, hurried, fitful, tinctured with impertinence, headlong in statement and method; for he is youth, not experienced, not deliberate, and easily influenced by the aged argument, and taking strong ground, and is infallible in his own eyes; and in him are visible the swagger and audacity of a boy. He makes no contribution to the argument. His is a repet.i.tional statement, though himself does not know it. He thinks he is original. How delightful the audacity of his opening: ”If thou canst answer me, set thy words in order before me. Stand up. Behold, I am according to thy wish in G.o.d's stead.” Clearly this is a young man speaking. A novice he, yet with all the a.s.surance of a man whose years have run more than fourscore. He is bursting with speech and impudence, not perceiving that to answer where old men have failed is a valorous task, to say the least; and to attempt answer to Job, who has unhorsed every opponent in the lists, is a strong man's work; but beyond this, Elihu undertakes to answer for G.o.d. He will be in G.o.d's stead. See in this a young man's lack of reverence. What the old men hesitated to attempt, knowing the work lay beyond their united powers, this youth flings into as he would into a swelling stream, swollen by sudden rains among the uplands. His ears have been keen. Nothing has escaped him. All the words of everybody he has in mind, his memory being perfect, since he is young and no faculty impaired, and as the debate has proceeded and he has seen old men overborne by the old man Job, his impetuous youth has seen how he could answer. This is natural, as any one conversant with himself (not to go further in investigation) must know. We itch to reply, thinking we see the vulnerable joint in the harness. Job has spoken last, and silenced his adversaries, and Elihu recalls practically but one thought of Job's reply; namely, that he was not unrighteous in intent, and gets, as most of us do, but a part of the afflicted man's meaning, and concludes that Job is glaringly self-righteous, missing the true flavor of Job's answer; for what Job was, was self-respecting. And so Elihu gives Job a piece of his mind; takes up the thread of argument where the old men had broken it, and drives on, with many words and few ideas, to prove Job is wrong and bad, and that G.o.d has simply meted out justice, no more. Elihu's words fairly trample on each other's heels, and though only giving a weakened statement of what had been said before, like a strong voice weakened by age, he thinks his is a sledgehammer argument, illuminative, convincing, unanswerable; yet because he thinks he speaks in G.o.d's behalf and in G.o.d's stead, he rises into eloquence withal, though his words are pitiless; for himself knows not suffering, nor can he compa.s.s Job's calamity. Elihu mistakes the sight of his eyes for the truths of G.o.d, a blunder of not infrequent recurrence. He is not all wrong, nor is he all wrong in his desire to help to the truth, but is as a lad trying to lift a mountain, which, planted by G.o.d, requires G.o.d to uproot it.

So the drama sweeps on. Jobs sits silent, but not silenced. He makes no reply to Elihu's invective. Here is a dignified silence more impressive than any speech. He has been shot at by all the volleys of the earth and sky; and, wounded in every part, he retains his faith in G.o.d; nay, his faith is burning brightly, like a newly-trimmed lamp: ”Though He slay me, yet will I trust Him. I am misconceived by man, but not by G.o.d;” and his face has a strange light, as if he had been with Moses on the mount; and when, in a whirlwind's sweep, and above it, G.o.d's voice is heard; and it is Job G.o.d answers, as if to say, ”Yours is the argument.” G.o.d has no controversy with Elihu, nor yet with the aged counselors. Them he ignores; them, by and by, he rebukes. Job, and not they, had been right. G.o.d is come as vindicator. If his voice thunders like tempestuous skies, there is to appear an unspeakable tenderness in it at the last. He is not come to ride Job down, like a charge of Bedouin cavalry. He is come to clear his sky. He is come to give him vision and to show him wisdom, of which, though Job has spoken, he has had none too much. In the drama, G.o.d speaks in discussion to two persons. In conversational tones, in the prologue to the drama, he talks with Satan when he leads Job to trial. Job's calamities, instead of being a proof of his turpitude, are proof of the confidence G.o.d reposes in him.

What a revelation in character that is! If for a time G.o.d had, as object-lesson to the Jew and through him to the world, granted visible rewards and visible punishments, that was not the permanent scheme.

G.o.d's administration is hid from vulgar eyes truly, but also from the eyes ”of the wise and prudent.” Man's wisdom may not vaunt itself.

G.o.d's moral system is no well-lit room in which all furnis.h.i.+ngs are visible; rather a twilight gloom, where men and women grope. We know enough. Virtue is made very evident, and vice very despicable, and G.o.d very apparent--and these be the sufficient data for the monograph of life. ”All things work together for good to them that love G.o.d,” is the far-away response to Job's troubled cry. G.o.d converses with Satan long enough to deny the allegation that Job serves G.o.d as a matter of dollars and cents, that it is convenient--so runs the devil's sneer--convenient for Job to be good; for he finds it profitable. But if G.o.d will lower his rate of profit in goodness, and if G.o.d will s.h.i.+pwreck all Job's prosperity, and sting him with the serpent-touch of dire disease, then will Job become as others. Profit in goodness gone, his goodness will ”fade as doth a leaf.” This is evil's pessimistic philosophy, and Job, on whom calamitous circ.u.mstances pile as Dagon's temple on Samson's head; Job, trusting where he can not see, and making his appeal to G.o.d, whose ways are hid,--is the lie given to Satan's prophecies, and the vindication of G.o.d's confidence in Job. Job has been as one sold into servitude for a month. Satan hath been a hard master, has thrust him exceeding sore, has given no intermission of peril or anguish, has crowded sorrow on sorrow, has s.n.a.t.c.hed away every flower from the field of this good man's life, and watches, leering, to hear him say, ”I will curse G.o.d and die;” but when, after arguments compounded of pain and tears and hope, Job returns to his silence, saying, ”The words of Job are ended,” Satan has witnessed the triumph of a good man, and disproof of his own sorry accusations, and the vindication of G.o.d's estimate; and, as is fitting, he stays not to acknowledge defeat, but slips away as the whirlwind chariot of Jehovah dashes into sight. Satan, not Job, has been defeated.

And in the long years of a prosperous life, no confidence has been reposed in Job so worthy as this reposed in him of G.o.d, to put to silence the slanders of wickedness that goodness was a species of selfishness; so that what Job did not understand, and what his friends interpreted as the certain disfavor of G.o.d, was sign of the trust G.o.d reposed in him. Satan had done his worst on a good man, and had failed! What an apocalypse this was! The second person with whom G.o.d holds conversation is Job. Satan he talked with in conversational tones, with no state nor eloquence. Job he honors, coming in regal splendor, by thundering with his voice, by treating Job as if he were amba.s.sador for some potentate whom G.o.d held in high regard. G.o.d's argument is the climax of sublimity reached in literature; is mountain summit of sublime thought and utterance. What effect is wanting to make this scene bewildering in sublimity? One? No. The auditor is Job, sitting in the ruin of home and love, and friends.h.i.+ps and consequence among men, and good repute, and if, bending low, you will hear him, you shall know he is sobbing for children that are not. One lonely, distraught, mystified, sorely-beleagured, and still surely-trusting man,--this is the audience. The scene is a tawny desert, once sown to oases of flowers, and billowing grain, and stately palm-tree, and olive-groves, now harvestless, flowerless, palmless.

Once a stately palace rose beside a fountain here, and from its open doors ran genial hospitality, to greet the coming guest and the wayfarer overtaken by the night and weariness; and from the windows singing and laughter rose, like a chorus of youthful voices; and now--where these things were are only ruins, havoc, disaster; and Job sits amidst the desolation that once was home as if he were crowned king of the realm of Calamity; and the desert, tawny as a tiger's skin, stretches away to the horizon, barren as the sea, than which is nothing more solitary or pregnant with melancholy and thought.

The sky is ample and open. Not a cloud flecks it with its foam. From desert line to the blue zenith is only bewildering blue; when, black as a stormy midnight, driving as if lightnings were its chariot steeds, comes the whirlwind whereon the Almighty rides, and halts; and G.o.d pitches his midnight pavilion in front of silent Job on the silent desert, and from this tent, whose curtains are not drawn, there trumpets a voice. G.o.d is come! And G.o.d speaks! ”The Lord answered Job out of the whirlwind.” Eloquence like this on forum like this, literature knows nothing of. Sublimity is come to its noon.

”Where wast thou when I laid the foundation of the earth?” is the astounding introductory. No exordium is here. Into the thick of argument, G.o.d leaps as a soldier might leap into the midst of furious battle. ”Whereupon are the foundations thereof fastened? Or who laid the corner-stones thereof; when the morning stars sang together, and all the sons of G.o.d shouted for joy? Or who shut up the sea with doors, when I made the cloud the garment thereof, and set bars and doors, and said, Hitherto shalt thou come, but no further: and here shall thy proud waves be stayed? Hast thou commanded the morning since thy days; and caused the dayspring to know his place; that it might take hold of the ends of the earth that the wicked might be shaken out of it? It is changed as clay under the seal; and all things stand forth as a garment; and from the wicked their light is withholden, and the high arm shall be broken. Hast thou entered into the springs of the sea? Have the gates of death been opened unto thee? Where is the way where light dwelleth? And as for darkness, where is the place thereof? Hast thou entered into the treasures of the snow? By what way is the light parted, or the east wind scattered upon the earth?

Who hath cleft a channel for the waterflood, or a way for the lightning of the thunder? Hath the rain a father? or who hath begotten the drops of dew? Canst thou bind the cl.u.s.ter of the Pleiades, or loose the bands of Orion? Canst thou lead forth the signs of the zodiac in their seasons? or canst thou guide Arcturus with his sons? Knowest thou the ordinances of the heavens? Canst thou lift up thy voice to the clouds, that abundance of waters may cover thee? Canst thou send forth lightnings, that they may go, and say unto thee, Here we are? Who provideth for the raven his food, when his young ones cry unto G.o.d, and wander for lack of meat? But seeing thou canst not understand these things, and they are too high for thee, canst thou understand some little things, and answer some trivial questions I will put to thee?

Knowest thou the secret of the wild goat or the wild a.s.s on the desert?

or the wild ox? or the ostrich that scorneth the horse and his rider?

or the horse, hast thou given him strength? for he paweth in the valley, and leaps as a locust, and rejoiceth in his strength, and goeth out to meet the armed men; he mocketh at fear, and is not dismayed, neither turneth his back from the sword; he smelleth the battle afar off. Doth the hawk soar by thy wisdom, and stretch her wings toward the south? Doth the eagle mount up at thy command, and make her nest on high? And behemoth, what of him? His limbs are like bars of iron; he is confident, though Jordan swell even to his mouth. Or leviathan, what canst thou do with him, and what knowest thou of him? In his neck abideth strength; his breath kindleth coals; his heart is as firm as a stone; he counteth iron as straw, and bra.s.s as rotten wood; and when he raiseth himself up, the mighty are afraid. Hast thou an arm like G.o.d?

and canst thou thunder with a voice like him? Deck thyself now with excellency and dignity, and array thyself with honor and majesty. Pour forth the overflowings of thy anger; and look upon every one that is proud, and abase him. Look on every one that is proud, and bring him low; and tread down the wicked where they stand, and hide them in the dust together.”

And Job called, so that his words sounded through the whirlwind's curtains: ”I know that Thou canst do all things, and that no purpose of Thine can be restrained. Who is this that hideth counsel without knowledge? Therefore have I uttered that which I understood not; things too wonderful for me, which I knew not. Wherefore I abhor myself, and repent in dust and ashes.” And Job has learned this salutary lesson, that no man can comprehend all the ways life leads, nor need to. G.o.d is above the ways of life:

”He leads us on by paths we do not know; Upward he leads us, though our steps be slow; Though oft we faint and falter by the way; Though clouds and darkness oft obscure the day, And still He leads us on.”

Job has learned to rest his case with G.o.d.

”My G.o.d knows best! Through all my days This is my comfort and my rest; My trust, my peace, my solemn praise,-- That G.o.d knows all, and G.o.d knows best.

My G.o.d knows best! That is my chart-- That thought to me is always blest: It hallows and it soothes my heart; For all is well, and G.o.d knows best.

My G.o.d knows best! Then tears may fall: In his great heart I find my rest; For he, my G.o.d, is over all; And he is love, and he knows best.”

G.o.d's argument is burned into Job's mind. How can man, who understands not the visible things of daily recurrence, think to penetrate the meaning of the moral universe, whose ways are hidden, like the caverns of the seas? Not Job, nor any one of those who have spoken, has found the clew to this maze. But Job is impregnable now in his trust in G.o.d, as if he were in a fortress whose approaches were guarded by the angels of heaven.

And G.o.d spake yet once more; and now a word of rebuke--not argument--to the old men, who trembled near the tent of G.o.d's whirlwind: ”My wrath is kindled against you: for ye have not spoken of me the thing that is right, as my servant Job hath. My servant Job shall pray for you; for him I will accept.” And Job, what ails Job now? He thought he was rebuked of G.o.d in the Divine argument, and now he knows himself, at a word, vindicated, exalted; honor burnished, and not tarnished; himself, not accused of G.o.d, but beloved of him, and praised by him,--and Job is weeping like a little child; and lifting up his face, while the tears rain down his cheeks, his eyes and his heart and his face are like springtime in laughter, and his voice is as the singing of a psalm!

For ”the Lord turned the captivity of Job.”

How great an advent! Beauty this drama has; but beauty belongs to the rivulet and the twilights; but sublimity to the Niagaras, and the oceans, and the human heart, and the words of G.o.d. This drama is sublimity's self. Theme, actors, movement, goal, pertinency to the deepest needs of soul and experience, and chiefly, G.o.d as protagonist, say that sublimity belongs to this drama as naturally as to the prodigious mountains or to the desert at night. ”Surely, G.o.d is in this place, and we knew it not.”

And Job ends as comedy, though it began as tragedy. Hamlet ends in tragedy. He has lost faith, and his arm is palsied. We hear the musicians of Fortinbras playing a funeral dirge. Hamlet was tragedy because G.o.d was not there. When G.o.d is near, no tragedy is possible.

G.o.d is out of Hamlet. Job had closed as Job began, with tragedy dire and utter, but that here a man refused to let go of G.o.d. Job believed.

He did not understand. He was sore pressed. His tears and his anguish blinded him for an hour; but where he could not see, he groped, and caught

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