Part 47 (1/2)

They went into the work-room together, and Gloria sat down on one of the rush chairs, and told Griggs what she had done. He walked slowly up and down while she was speaking, his eyes on the pattern of the old carpet.

”I might have stayed,” she said at last. ”The servants did not even know that I had been out of the house.”

”You should have stayed,” said Griggs. ”I ought to say it, at least.”

But as he spoke the mask softened and the rare smile beautified for one instant the still, stern face.

CHAPTER x.x.xIII.

REANDA neither wished to see Gloria again, nor to take vengeance upon Paul Griggs. He was not a brave man, morally or physically, and he was glad that his wife had left him. She had put him in the right, and he had every reason for refusing ever to see her again. With a cynicism which would have been revolting if it had not been almost childlike in its simplicity, he discharged his servants, sold his furniture, gave up his apartment in the Corso, and moved back to his old quarters in the Palazzetto Borgia. But he did not acknowledge Gloria's note in any other way.

She had left him, and he wished to blot out her existence as though he had never known her, not even remembering the long two years of his married life. She was gone. There was no Gloria, and he wished that there never had been any woman with her name and face.

On the third day, he met Paul Griggs in the street. The younger man saw Reanda coming, and stood still on the narrow pavement, in order to show that he had no intention of avoiding him. As the artist came up, Griggs lifted his hat gravely. Reanda mechanically raised his hand to his own hat and pa.s.sed the man who had injured him, without a word. Griggs saw a slight, nervous twitching in the delicate face, but that was all. He thought that Reanda looked better, less hara.s.sed and less thin, than for a long time. He had at once returned to his old peaceful life and enjoyed it, and had evidently not the smallest intention of ever demanding satisfaction of his former friend.

Francesca Campodonico had listened in nervous silence to Reanda's story.

”She has done me a kindness,” he concluded. ”It is the first. She has given me back my freedom. I shall not disturb her.”

The colour was in Francesca's face, and her eyes looked down. Her delicate lips were a little drawn in, as though she were making an effort to restrain her words, for it was one of the hardest moments of her life. Being what she was, it was impossible for her to understand Gloria's conduct. But at the same time she felt that she was liberated from something which had oppressed her, and the colour in her cheeks was a flash of satisfaction and relief mingled with a certain displeasure at her own sensations and the certainty that she should be ashamed of them by and bye.

It was not in her nature to accept such a termination for Reanda's married life, however he himself might be disposed to look upon it.

”You are to blame almost as much as Gloria,” she said, and she was sincerely in earnest.

She was too good and devout a woman to believe in duelling, but she was far too womanly to be pleased with Reanda's indifference. It was wicked to fight duels and unchristian to seek revenge. She knew that, and it was a conviction as well as an opinion. But a man who allowed another to take his wife from him and did not resent the injury could not command her respect. Something in her blood revolted against such tameness, though she would not for all the world have had Reanda take Gloria back.

Between the two opposites of conviction and instinct, she did not know what to do. Moreover, Reanda had struck his wife. He admitted it, though apologetically and with every extenuating circ.u.mstance which he could remember.

”Yes,” he answered. ”I know that I did wrong. Am I infallible? Holy Saint Patience! I could bear no more. But it is clear that she was waiting for a reason for leaving me. I gave it to her, and she should be grateful. She also is free, as I am.”

”It is horrible!” exclaimed Francesca, with sorrowful emphasis.

She blamed herself quite as much as Reanda or Gloria, because she had brought them together and had suggested the marriage. Reanda's thin shoulders went up, and he smiled incredulously.

”I do not see what is so horrible,” he answered. ”Two people think they are in love. They marry. They discover their mistake. They separate.

Well? It is finished. Let us make the sign of the cross over it.”

The common Roman phrase, signifying that a matter is ended and buried, as it were, jarred upon Francesca, for whom the smallest religious allusion had a real meaning.

”It is not the sign of the cross which should be made,” she said sadly and gravely, and the colour was gone from her face now. ”There are two lives wrecked, and a human soul in danger. We cannot say that it is finished, and pa.s.s on.”

”What would you have me do?” asked Reanda, almost impatiently. ”Take her back?”

”No!” exclaimed Francesca, with a sharp intonation as though she were hurt.

”Well, then, what? I do not see that anything is to be done. She herself can think of her soul. It is her property. She has made me suffer enough--let some one else suffer. I have enough of it.”