Part 32 (1/2)

'How are you getting back to London?'

'I don't know.'

'I do,' says a voice from the door. I turn and there is Nina, lounging in the door frame, an unlit cigarette between her lips. She speaks around it, like a dime-store detective. 'She's coming with me.'

35.

HOME. SUCH A small word, and yet, when I close the door of my tiny flat behind me and lock the door, I feel a spreading flood of relief that seems too huge to be encompa.s.sed by those four letters.

I am home. I am home.

Jess drove us back. She came all the way up from London to pick up me and Nina, and take us home. When they got to my road they offered to come in, help me carry my case up the three flights of stairs, but I said no.

'I'm looking forward to being alone,' I said, and it was true. And I knew that they were looking forward to being alone too alone together. I'd seen the quiet affectionate gestures on the long drive, Nina's hand resting in Jess's lap, Jess rubbing Nina's knee as she changed gear. But I didn't feel excluded it wasn't that.

I just never knew how much I loved my own s.p.a.ce until now.

Flo died a few hours after I saw Tom three days after she'd taken the overdose. Nina was right about that. And right, too, that she'd changed her mind by the end. I never saw her, but Nina visited her, and listened while she cried, and talked, and planned for the future and what she'd do when she left hospital. Her parents were with her when she died. I don't know if it was peaceful Nina wouldn't tell me, which makes me think not.

I sigh and let my case fall to the floor. I am tired, and parched, and stiff from the long drive.

I open up the coffee maker, pour in the water, and fold the filter paper just so. Then I open up my gla.s.s coffee jar and sniff the grounds. They're a week old, but still fresh enough to make the inside of my nose sing.

The sound the machine makes as it percolates is the sound of home, and the scent of the steaming grounds is the smell of home, and then at last I curl my battered body on the bed, my still-packed case on the rug, and I take a long, slow sip. The winter sun is filtering through the rattan blinds, and the traffic below makes a soft roar, too far away to disturb, more like the sound of the sea on a sh.o.r.e.

I think of that gla.s.s house, far away, in the stillness of the forest, with the birds swooping past and the woodland animals padding quietly through the garden. I think of its blank gla.s.s walls, reflecting the dark shapes of the trees, and the moonlight filtering through.

Flo's aunt is selling, apparently. Flo's parents told Nina. Too much blood spilt, too many memories. And she said she was planning to burn the planchette, when the police released it.

That's the one part I don't understand. The seance.

Everything else was necessary. Everything else was part of the plan. But the ouija board, and that creepy, creepy message?

I can still see it now, looping and scrolling across the page.

M m mmmmuurderrrrrrrrrrrrrer Lamarr thought it was deliberate, all part of the plan to unnerve everyone, get them sufficiently on edge so that when the back door swung open, we'd be more inclined to panic, and react to a suggestion to get out the gun.