Part 19 (1/2)

The question takes me aback. Suddenly, in spite of the sun, the room feels cold. I want to ask again if I'm a suspect, but she has said I'm not, and won't it look strange to keep asking?

'B-because I don't like having a gun pointed at me, no matter what it's loaded with. All right?'

'All right,' she says mildly, and makes a note on her pad. She flips over a sheet and then turns back. 'Let's go back a bit. James how did you know him?'

I shut my eyes. I bite the inside of my cheek to keep from crying. There are so many options open to me: we went to school together. We were friends. He is Clare's fiance. Was, I correct myself silently. It is impossible to believe he is gone. And I realise, suddenly, the selfishness of my grief. I have been thinking about James. But Clare- Clare has lost everything. Yesterday she was to be a bride. Today she is ... what? There's not even a word for what she is. Not a widow just bereft.

'He ... we used to be together,' I say at last. It's better to be honest, surely? Or at least as honest as I can be.

'When did you break up?'

'A long time ago. We were ... oh ... sixteen or seventeen.'

The 'oh' is a little dishonest. It makes it sound like a guesstimate. In fact, I know to the day when we broke up. I was sixteen and two months. James was just a few months away from his seventeenth birthday.

'Amicably?'

'Not at the time, no.'

'But you've made up since? I mean, you were on Clare's hen weekend ...' She trails off, inviting me to jump in with plat.i.tudes about how time heals everything, how betrayals at sixteen are the stuff you laugh about at twenty-six.

Only I don't. What should I say? The truth?

Something cold is stealing around my heart, a chill in spite of the hospital heat and the warmth of the setting sun.

I don't like these questions.

James's death was an accident: a gun that should never have been loaded, going off by mistake. So why is this policewoman here, asking about long-dead break-ups?

'What relevance does this have to James's death?' I say abruptly. Too abruptly. Her head comes up from her notepad, her plum-coloured lips forming a silent 'oh' of surprise. d.a.m.n. d.a.m.n, d.a.m.n, d.a.m.n.

'We're just trying to form a complete picture,' she says mildly.

I feel cold all up and down my spine.

James was shot by a gun that was supposed to be unloaded. So who loaded it?

I feel the blood drain from my cheeks. I very, very much want to ask the question I asked before: am I a suspect?

But I can't. I can't ask, because to ask would be suspicious. And suddenly I very much want to not be suspicious.

'It was a long time ago,' I say, trying to recover. 'It hurt a lot at the time, but you get over things, don't you?'

No you don't. Not things like that. Or at least, I don't.

But she doesn't hear the lie in my voice. Instead she smoothly changes tack. 'What happened after James was shot?' she asks. 'Can you remember what you all did next?'

I shut my eyes.

'Try to walk me through it,' she says. Her voice is soft, encouraging, almost hypnotic. 'You were with him in the hallway ...'

I was with him in the hallway. There was blood on my hands, on my nightclothes. His blood. Ma.s.ses of it.

His eyes had drifted closed, and after a few minutes I put my face down to his, trying to hear if he was still breathing. He was. I could feel his halting breath on my cheek.

How different he was to when we had been together there were lines around his eyes, a five o'clock shadow on his jaw, and his face had become leaner and more defined. But he was still James. I knew the contours of his brow, the ridge of his nose, the hollow beneath his lip where the sweat beaded on summer nights.

He was still my James. Except he was not. Where in G.o.d's name was Clare?

I heard footsteps behind me, but it was Nina, holding a length of white cloth which looked like a sheet. She knelt and began binding James's leg very tight.

'I think our best hope is to stabilise you until we get you to hospital,' she said, very loud and clear, talking to James, but to me as well, I knew. 'James, can you hear me?'

He didn't respond. His face had gone a strange waxen colour. Nina shook her head and then said to me, 'Clare had better drive. You direct. I'll go in the back with James and try to keep him going until we get there. Tom had better stay with Flo. I think she's in shock.'

'Where's Clare?'

'She was trying to get a signal up the far end of the garden apparently you can sometimes get one there.'

'But there's nothing,' a voice came from over my shoulder. It was Clare. Her face was the colour of skimmed milk, but she was dressed. 'Can he talk?'

'He was saying a few words,' I said. My throat was cracked and hoa.r.s.e with tears. 'But I ... I think he's unconscious now.'

'Oh f.u.c.k.' Her face went even whiter, even her lips bloodless pale, and there were tears in her eyes. 'I should have come down sooner. I just thought -'

'Don't be silly,' Nina cut her off. 'It was the right thing to do getting an ambulance was the most important thing, if we could only have got a f.u.c.king signal. Right, I think that tourniquet is as good as I can make it I'm not going to try to do anything else now, let's get him out of here.'

'I'll drive,' Clare said instantly.

Nina nodded. 'I'll come in the back with James.' She looked out of the window. 'Clare, you go and bring the car as close to the front door as you can get it.' Clare nodded and left to get her car keys. Nina carried on, talking to me this time, 'We'll need something to lift him on. It'll hurt him too much if we just pick him up.'

'What sort of thing?'

'Something flat ideally, like a stretcher.' We both gazed around but there was nothing obvious.

'We could take a door down.' Tom's voice came from behind us, making us both jump. He gazed down at James, now fully unconscious on the floor in a spreading pool of his own blood. There was a kind of horror in his expression. 'Flo's out cold in the bedroom. Is he going to be OK?'

'Honestly?' Nina said. She glanced at James and I saw her face was weary and, for the first time since she had taken over, showing traces of fear. 'Honestly, I don't know. It's possible he'll make it. Door's a good idea. Can you find a screwdriver? I think there was a box of stuff under the stairs.'

Tom gave a short nod and disappeared.

Nina put her face in her hands. 'f.u.c.k,' she said, into her cupped, m.u.f.fling palms. 'f.u.c.k, f.u.c.k, f.u.c.k.'

'Are you all right?'

'No. Yes.' She looked up. 'I'm fine. Just oh my G.o.d. What a f.u.c.king stupid wasteful way to die. Who the h.e.l.l fires a gun when they don't know what it's loaded with?'

I thought of Tom, waving it around yesterday as a joke, and I felt suddenly sick.

'Poor Flo,' I said.