Part 6 (1/2)
Commonly throughout the region of the Missouri River was to be seen the cottonwood, the willows of several species, and the cedar or juniper. The appearance and habits of these trees impressed themselves powerfully upon the mind and imagination of the Indian folk.
The cedar or juniper was wonderful because it was ever green; unlike other trees it appeared indifferent to frost and to heat, but alike in winter and summer retained its leaves. Also it appeared to be withdrawn, solitary and silent, standing dark and still, like an Indian standing upon a hill with his robe drawn over his head in prayer and meditation. Thus it gave the suggestion, and had the appearance of being in communion with the High Powers.
Leaves and twigs of cedar were burned as incense in ceremonial rituals in order that evil influences might be driven away.
Willows were always found growing along watercourses, as though they had some duty or function in the world in connection with water, the element so immediately and constantly needful to man and to all other living things. Water was not only imperatively necessary for vivifying and reanimating all living things, but was an active agent in processes of change and trans.m.u.tation. In cases of disease the evil influences which plagued the body might be driven out and thus health might be restored through the use of water transformed into vapor by means of heat. So the vapor bath was used. Also if a man contemplated the undertaking of any serious project, any dangerous mission, or any solemn enterprise, it was important first to prepare himself by purification, by means of the vapor bath, from all evil influences.
The framework of the vapor bath lodge was made of willow poles, bent and tied with their bark.
The willow was also mystically connected with that greatest change of all, the departure of the spirit from the body, the change which we call death. Willow twigs had certain uses in funeral rites.
The cottonwood was found growing over a widely extended range, under diverse climatic conditions, appearing always self-reliant, showing prodigious fecundity, and having wonderful means of propagation. It provided its seed, produced in enormous number, with a device by which they traveled on the wind to far places and so became widely disseminated in all directions, traveling up-stream or down-stream, and even across the plains and prairies to other streams where the new generation might establish itself. But besides this admirable provision to insure the perpetuation of its kind it had also another means of propagation; though by this means it could move only down-stream. This method of propagation is by the making of cuttings or planting slips from its own twigs. It is well known that the gardener may make artificial cuttings of many kinds of trees and plants, and so increase his stock. But the cottonwood, alone among trees, performs this operation itself. At the beginning of autumn the cottonwood trees form layers of cork cells which gradually wedge off part of its twigs from the parent branch, thus covering and healing the wound of separation and also covering and healing the base of the separated twig so that it falls off alive and protected from loss of sap.
Falling thus to the ground just about the time that autumn rains are about to begin, they are ready to be carried away by the rising waters of the streams and may be thus planted in a mud or sand bank further down stream, ready to take root and grow in the springtime.
In the springtime the opening of the cottonwood buds and pus.h.i.+ng out of the young leaves, even when chilly nights follow the bright breezy days and the rapid growth of these l.u.s.trous leaves, brightly dancing in the spring winds, their brilliant sheen and active movement reflecting the splendour of the sun like the dancing, glinting ripples of a lake, suggest the joy and eagerness and energy of movement of all returning life.
The foliage of the cottonwood is peculiar and remarkable so that it may be said the air is never so still that there is not motion of cottonwood leaves. Even in still and sultry summer afternoons, and at night when all else was still, ever they could hear the rustling of cottonwood leaves by the pa.s.sage of little vagrant currents of air.
Secret messages seemed ever to be pa.s.sing in soft whispers among the cottonwood leaves. And the winds themselves are the bearers of the messages and commands of the Higher Powers, so there was constant reminder of the mystic character of this tree.
The cottonwood was, among trees, the symbol of fidelity, one of the four great virtues inculcated by the ethical code of the people of the Dakota nation.
So from all these considerations, it might be expected that this tree should have an important place in the rituals of the people for many generations a.s.sociated with it. And so it had.
The Sacred Pole of the Omaha nation was made of the cottonwood. The Sacred Pole was an object of the greatest veneration to the people of that nation, similarly as the Ark of the Covenant was sacred to the Hebrew nation.
The Sacred Tree, the central object of the Sun Dance, the most momentous religious ritual of the Dakota nation, was a cottonwood. The tree which should be chosen to be felled and brought into camp and set up in the lodge erected for the performance of this ritual, must be a growing cottonwood tree, the base of whose trunk is not less than two spans in circ.u.mference. The tree must be straight and forked at a distance from the ground of about four times the measure of the outstretched arms from hand to hand.
Twigs and bark of cottonwood were burned as incense to ward against the scheming of Anog Ite, the spiteful malevolent being who foments scandals, strife and infidelity.
Such then, were some of the relations in the philosophic thought, the religious conceptions and the sentiments of the people of the Dakota nation in regard to these three species of trees.
THE SONG OF THE PASQUE FLOWER
The pasque flower (=Pulsatilla patens=), has a very extensive range upon the northern prairies, reaching from about lat.i.tude 43 degrees north to the Great Slave Lake above 60 degrees north lat.i.tude. It is the earliest flower to put forth its blossoms in the springtime, often appearing before all the snow is gone. Its bluish purple flowers gladden the bare brown hillsides with great profusion of bloom, in earnest of returning life. For this reason it has a strong hold upon the affections of all the native tribes throughout all its extended range. The plant is closely related to the anemone, which is sometimes called the wind flower.
The people of the Dakota nation have a number of pretty little folk stories concerning the pasque flower. One story is that in the long ago, whenever any of the people happened to pa.s.s by where these flowers were blooming they tried to show the friendliness which they felt for human beings by nodding their heads in the chilly spring wind, showing their smiling faces and saying, ”Good morning! Good morning!” But the people pa.s.sed them unheeding. They became abashed at this indifference, so nowadays still feeling friendly towards the people in spite of such rebuffs, they bashfully turn their heads to one side as they nod and call their kindly greetings in their sweet low voice.
There is another pretty conceit connected with the pasque flower.
Indians generally are keenly observant of all things in nature, and reverent towards them. They feel reverence for all living creatures, whether plant or animal. They have songs and stories about most of the species of plants and animals with which they are acquainted, the specific song being the expression of the life or soul of the species to which it pertains. The song of the pasque flower, translated out of the Dakota language into English runs something like this:
”I wish to encourage the children of other flower nations Which are now appearing over all the land; So while they waken from sleep and rise from the bosom Of Mother Earth, I stand here old and gray-headed.”
[Ill.u.s.tration: Map of Geographical Distribution of Pasque Flower]
The saying: ”I wish to encourage the children of other flower nations,” refers to the very early prevernal blossoming of this plant and its consequent ripening while the other flower species (nations) are just peeping through the ground. The entire plant is hairy, and when mature its seed head is plumose and white, similar to the clematis head, suggesting the head of a very old man with long white hair. This explains the allusion in ”I stand here old and gray-headed.”
When in springtime an old man of the Dakota nation first finds one of these flowers it reminds him of his childhood, when he wandered over the hills at play as free from sorrow and care as the birds and the flowers. He sits down near the flower, upon the lap of Mother Earth, takes out his pipe and fills it with tobacco. Then he reverently holds the pipe towards the earth, then towards the sky, then towards the north, the east, the south and the west. After this act of silent invocation and thanksgiving, he smokes. Tobacco was sacred and was used ceremonially as an incense. The pipe was therefore a sort of censer, and was accordingly treated with respect and reverence. In smoking, Indians did not seize the pipestem in the teeth. Such an act would be sacrilegious. The mouthpiece of the pipestem was gently presented to the lips and the breath drawn through. By this inspiration the smoker united the mystery of the tobacco, the mystery of fire and the mystery of the breath of life.
While the old man sits by the flower and smokes he meditates upon all the changing scenes of his lifetime; his joys and sorrows, his youthful hopes, his accomplishments, his disappointments, and upon the guidance of the Unseen Powers accorded to him thus far upon the journey of life, and he is encouraged to believe that he will be guided to the end of life's journey ”beyond the fourth hill” of life; as he has been guided over the hill of childhood, the hill of youth, and the hill of manhood's prime, that he will also be guided over the last hill, the hill of old age.