Part 5 (1/2)

Chapter 3.

Amy is struggling and thras.h.i.+ng about as I stick her head in the basin of suds. ”Get it in there, Amy. If we're gonna be sharin' an occasional pillow, you've got to wash your hair a bit more often.” My own hair is already done and up in a towel.

”But, Jacky, I-”

”I know, I know, you just washed it last month. I knows the old chant, 'Onc't a year, whether it needs it or not.' Well, it needs it right now, Amy, believe me.”

I scrub away, workin' my fingers in her thick, black hair, gettin' the soap down to the roots. Her hair is surprisingly long and glossy, when it's taken out of that schoolmarmish bun she's been keepin' it in. We can work with this, I'm thinkin'.

”We've got to get you shaped up, Amy. Won't be too long 'fore you're lookin' for a proper husband, and not one from back on your farm-a real gent, like.”

There's a tap on the washroom door and one of the serving girls, a girl with dark eyes and dark hair and a quiet and shy demeanor, who I know is named Sylvie, comes in with a fresh pitcher of water and I take it and say, ”Thanks, Sylvie,” and she dips and leaves. I pour the rinse water over Amy's head and say, ”All right, let's wring it out and then wrap it in this towel.”

”That is nonsense, Miss,” says she, her eyes squinted up against the soap. ”No one will want me. I am fat and ugly and no one will ever love me and I do not care that they will not.” I twist her hair into the towel, as she ain't very practiced at it. ”Besides, I'm not ready for that sort of thing yet.”

Does she blush just at the mere mention of a husband?

”Well, I loves ye, Amy,” says I, and plants one on her cheek, ”and you ain't fat, just a bit plump, and there's coves that likes 'em that way. Besides, it's just baby fat-stick with the Jackaroe and you'll be beatin' the boys to the foretop in no time, you will. And as for ugly, why, your teeth are good and I finds your pug nose downright charmin'. Better than my pointy beak.”

We drop the towels and head outside to let our hair dry in the sun. It's a wondrously warm mid-September day. We go down through the kitchen and out the back-the less Mistress sees of me, the better, I figure. I wave to Peg and the girls as we pa.s.s through.

Amy and I go out into the sunlight and across the road to the field across the way, next to the church. The sun warms our damp hair and we fluff it out to dry, and it's so warm and beautiful that I twirl myself about, making both hair and skirt blossom out, and then I flop down in the gra.s.s and look up at the sky.

It's so nice to be out of the school for a bit. I've been here for about two weeks now and I'm starting to feel more easy in the place. Today is Sat.u.r.day and so it's a lot quieter around the school-a lot of the girls live locally and they can go home for the weekends if they sign out and are picked up by their families. I saw Clarissa go off in a carriage with Lissette this morning, so I guess she's staying with her. There's no cla.s.ses on Sat.u.r.days and we're free to do what we want. Sort of what we want. I figure I'll write a few more things to Jaimy and then take Gretchen out for a ride.

I'm getting much better at the riding-Henry's been ever so helpful and patient with me and he says I have come along in an amazing way, which pleases me no end. I had him show me how to saddle Gretchen myself so's I wouldn't bother him all the time, and even though he said it was no bother-”Not for you, Miss”-I learned how to do it. I find I like being off alone on her, looking out over the city and its harbor and buildings and marshes and fields and such, and now I can go and get her myself, without having to ask.

Tomorrow we will all troop over to the church again and have the Preacher shout at us for a couple of dreary hours. When he gets all worked up about sin and stuff, it's like he don't know how to stop, shouting and jabbing his finger at us, and me in particular, it seems. Wonder why? I don't know what he thinks we could be up to in the way of sin, living in this convent as we do. I usually let my mind wander off to think about Jaimy when the Preacher rants on and on. I wonder if impure thoughts count as sin? Prolly do, and I do think up plenty of those when I'm daydreamin' about Jaimy. Don't seem like sins to me, though. Just love, is all. Oh, well, at least we get Sunday afternoons off, too. Pretty soft, I thinks, remembering the one-in-three watch schedule we had on the Dolphin, night and day, day in and day out. Still rather be there, though. And then on Wednesday mornings we put our dirty drawers and s.h.i.+fts, all our underclothes, in those net bags that I wondered about when I first got here and we leave them at the foot of our beds for the serving girls to pick up and wash. Pretty sinfully soft, that, too. Wednesday being wash day, the beds are stripped and we will have fresh sheets that evening. Don't I feel a little guilty, though.

”Ain't it grand, Amy, so warm and nice and all.”

”Best enjoy it, for the fall will be short. Indian summer will come and go and winter will come around, count on it,” says Amy, ever the happy one. She already looks better, I'm thmkin', even with her hair wet and hangin' down all straight.

”So you have Red Indians here?” I say, thrilled with the thought of seein' one all decked out with tommyhawk and war paint and feathers. ”Where are they?”

”Mostly out to the west now.” She pauses, and then goes on. ”Surely you know the British gave them guns and money to kill our poor settlers during the Revolution. They paid them by the scalp. There were the most awful ma.s.sacres. On both sides, Indians and us.”

Hmmm, I thinks, prolly best to skip this line of conversation. I can't believe my country would do such a thing, but then I can't believe that the child that was me was tossed out into the streets of London with no help nor mercy nor Christian kindness. I get up and stretch and say, ”Let's go and look through the churchyard.”

We go through a break in the low stone wall that surrounds the church and its graveyard.

”Do you think it is wise?” says Amy, all doubtful. The church looms high above us.

”Why not? We have nothing to fear from the dead, as we ain't done nothin' to harm em,” I says. ”It's the livin' you got to fear.” I lean down to peer at the carving on a stone. ”What do those skulls with those wings stickin' out of em mean?”

”Those are old stones from a hundred years ago. The carvings are called 'Death Angels' and they are supposed to depict the person that died.” Amy wraps her arms about herself and s.h.i.+vers. ”You can see that each one is different.”

”And what does that 'Memento Mori' mean?” I've got some Latin, but not much.

”It means 'Remember Death.'”

”Which means?”

”It means you can have all your parties and songs and dances and you can pursue all your schemes and endeavors and ambitions and fancies and pride but...”-and here Amy tosses her head and looks almost defiant-”but remember Death is coming and you'd better be ready at any time. That is what it means. Can we go now?”

”Ah,” I say, and walk on. I stoop down and read another stone. ”Oh, Amy, look. How sad. It is the grave of a girl not much older than us.” The inscription under the Death Angel reads: Here lyes ye body of

Constance Howard, Beloved Daughter

Who Departed This Life on May 2nd, 1679

in her seventeenth year

Death is a Debt to Nature...

The gray and weathered stone is at a tilt and the rest of the verse is hidden by the high gra.s.s and I can't make it out, and so I kneel down and pull at the gra.s.s clumps and dirt till the words are revealed and I read them out loud: Death is a Debt to Nature Due

Which I have Paid

And So Must You

Well, that rocks me back on my heels. Talk about a message from the beyond!

I think for a moment and then I stand up and pull out my pennywhistle from my sleeve and I puts it to my lips and I play.

When I'm done, Amy says, ”That was very nice. What is the name of it?”