Part 34 (1/2)
”No, you are not. Every profession has its unpresentable aspects, which ought not to be seen by out-siders. Think of a sculptor's studio and of the sculptor himself when he is modelling a large figure or group in the clay. He might be a bricklayer or a road-sweeper if you judge by his appearance. This is the tomb I was telling you about.”
We halted before the plain coffer of stone, weathered and wasted by age, but yet kept in decent repair by some pious hands, and read the inscription, setting forth with modest pride, that here reposed Anna, sixth daughter of Richard Cromwell, ”The Protector.” It was a simple monument and commonplace enough, with the crude severity of the ascetic age to which it belonged. But still, it carried the mind back to those stirring times when the leafy shades of Gray's Inn Lane must have resounded with the clank of weapons and the tramp of armed men; when this bald recreation-ground was a rustic churchyard, standing amidst green fields and hedgerows, and countrymen leading their pack-horses into London through the Lane would stop to look in over the wooden gate.
Miss Bellingham looked at me critically as I stood thus reflecting, and presently remarked, ”I think you and I have a good many mental habits in common.”
I looked up inquiringly, and she continued: ”I notice that an old tombstone seems to set you meditating. So it does me. When I look at an ancient monument, and especially an old headstone, I find myself almost unconsciously retracing the years to the date that is written on the stone. Why do you think that is? Why should a monument be so stimulating to the imagination? And why should a common headstone be more so than any other?”
”I suppose it is,” I answered reflectively, ”that a churchyard monument is a peculiarly personal thing and appertains in a peculiar way to a particular time. And the circ.u.mstance that it has stood untouched by the pa.s.sing years while everything around has changed, helps the imagination to span the interval. And the common headstone, the memorial of some dead and gone farmer or labourer who lived and died in the village hard by, is still more intimate and suggestive. The rustic, childish sculpture of the village mason and the artless doggerel of the village schoolmaster, bring back the time and place and the conditions of life much more vividly than the more scholarly inscriptions and the more artistic enrichments of monuments of greater pretensions. But where are your own family tombstones?”
”They are over in that farther corner. There is an intelligent, but inopportune, person apparently copying the epitaphs. I wish he would go away. I want to show them to you.”
I now noticed, for the first time, an individual engaged, note-book in hand, in making a careful survey of a group of old headstones. Evidently he was making a copy of the inscriptions, for not only was he poring attentively over the writing on the face of the stone, but now and again he helped out his vision by running his fingers over the worn lettering.
”That is my grandfather's tombstone that he is copying now,” said Miss Bellingham; and even as she spoke, the man turned and directed a searching glance at us with a pair of keen, spectacled eyes.
Simultaneously we uttered an exclamation of surprise; for the investigator was Mr. Jellicoe.
CHAPTER XVI
”O! ARTEMIDORUS, FAREWELL!”
Whether or not Mr. Jellicoe was surprised to see us, it is impossible to say. His countenance (which served the ordinary purposes of a face, inasmuch as it contained the princ.i.p.al organs of special sense, with the inlets to the alimentary and respiratory tracts) was, as an apparatus for the expression of the emotions, a total failure. To a thought-reader it would have been about as helpful as the face carved upon the handle of an umbrella; a comparison suggested, perhaps, by a certain resemblance to such an object. He advanced, holding his open note-book and pencil, and having saluted us with a stiff bow and an old-fas.h.i.+oned flourish of his hat, shook hands rheumatically and waited for us to speak.
”This is an unexpected pleasure, Mr. Jellicoe,” said Miss Bellingham.
”It is very good of you to say so,” he replied.
”And quite a coincidence--that we should all happen to come here on the same day.”
”A coincidence, certainly,” he admitted; ”and if we had all happened not to come--which must have occurred frequently--that also would have been a coincidence.”
”I suppose it would,” said she, ”but I hope we are not interrupting you.”
”Thank you, no. I had just finished when I had the pleasure of perceiving you.”
”You were making some notes in reference to the case, I imagine,” said I. It was an impertinent question, put with malice aforethought for the mere pleasure of hearing him evade it.
”The case?” he repeated. ”You are referring, perhaps, to Stevens versus the Parish Council?”
”I think Doctor Berkeley was referring to the case of my uncle's will,”
Miss Bellingham said quite gravely, though with a suspicious dimpling about the corners of her mouth.
”Indeed,” said Mr. Jellicoe. ”There is a case, is there; a suit?”
”I mean the proceedings inst.i.tuted by Mr. Hurst.”
”Oh, but that was merely an application to the Court, and is, moreover, finished and done with. At least, so I understand. I speak, of course, subject to correction; I am not acting for Mr. Hurst, you will be pleased to remember. As a matter of fact,” he continued, after a brief pause, ”I was just refres.h.i.+ng my memory as to the wording of the inscriptions on these stones, especially that of your grandfather, Francis Bellingham. It has occurred to me that if it should appear by the finding of the coroner's jury that your uncle is deceased, it would be proper and decorous that some memorial should be placed here. But, as the burial-ground is closed, there might be some difficulty about erecting a new monument, whereas there would probably be none in adding an inscription to one already existing. Hence these investigations. For if the inscription on your grandfather's stone had set forth that 'here rests the body of Francis Bellingham,' it would have been manifestly improper to add 'also that of John Bellingham, son of the above.'