Part 23 (1/2)

No part is easier to play than that of being always pleasant; and the applause we sometimes receive in censuring others is not worth being exposed to the chance of offending them when they are out of temper.

Satire is at once the most agreeable and most dangerous of mental qualities. It always pleases when it is refined, but we always fear those who use it too much, yet satire should be allowed when unmixed with spite, and when the person satirised can join in the satire.

It is unfortunate to have a satirical turn without affecting to be pleased or without loving to jest. It requires much adroitness to continue satirical without falling into one of these extremes.

Raillery is a kind of mirth which takes possession of the imagination, and shows every object in an absurd light; wit combines more or less softness or harshness.

There is a kind of refined and flattering raillery that only hits the faults that persons admit, which understands how to hide the praise it gives under the appearance of blame, and shows the good while feigning a wish to hide it.

An acute mind and a cunning mind are very dissimilar. The first always pleases; it is unfettered, it perceives the most delicate and sees the most imperceptible matters. A cunning spirit never goes straight, it endeavours to secure its object by byeways and short cuts. This conduct is soon found out, it always gives rise to distrust and never reaches greatness.

There is a difference between an ardent and a brilliant mind, a fiery spirit travels further and faster, while a brilliant mind is sparkling, attractive, accurate.

Gentleness of mind is an easy and accommodating manner which always pleases when not insipid.

A mind full of details devotes itself to the management and regulation of the smallest particulars it meets with. This distinction is usually limited to little matters, yet it is not absolutely incompatible with greatness, and when these two qualities are united in the same mind they raise it infinitely above others.

The expression ”Bel Esprit” is much perverted, for all that one can say of the different kinds of mind meet together in the ”Bel Esprit.” Yet as the epithet is bestowed on an infinite number of bad poets and tedious authors, it is more often used to ridicule than to praise.

There are yet many other epithets for the mind which mean the same thing, the difference lies in the tone and manner of saying them, but as tones and manner cannot appear in writing I shall not go into distinctions I cannot explain. Custom explains this in saying that a man has wit, has much wit, that he is a great wit; there are tones and manners which make all the difference between phrases which seem all alike on paper, and yet express a different order of mind.

So we say that a man has only one kind of wit, that he has several, that he has every variety of wit.

One can be a fool with much wit, and one need not be a fool even with very little wit.

To have much mind is a doubtful expression. It may mean every cla.s.s of mind that can be mentioned, it may mean none in particular. It may mean that he talks sensibly while he acts foolishly. We may have a mind, but a narrow one. A mind may be fitted for some things, not for others. We may have a large measure of mind fitted for nothing, and one is often inconvenienced with much mind; still of this kind of mind we may say that it is sometimes pleasing in society.

Though the gifts of the mind are infinite, they can, it seems to me, be thus cla.s.sified.

There are some so beautiful that everyone can see and feel their beauty.

There are some lovely, it is true, but which are wearisome.

There are some which are lovely, which all the world admire, but without knowing why.

There are some so refined and delicate that few are capable even of remarking all their beauties.

There are others which, though imperfect, yet are produced with such skill, and sustained and managed with such sense and grace, that they even deserve to be admired.

III. On Taste.

Some persons have more wit than taste, others have more taste than wit.

There is greater vanity and caprice in taste than in wit.

The word taste has different meanings, which it is easy to mistake.

There is a difference between the taste which in certain objects has an attraction for us, and the taste that makes us understand and distinguish the qualities we judge by.

We may like a comedy without having a sufficiently fine and delicate taste to criticise it accurately. Some tastes lead us imperceptibly to objects, from which others carry us away by their force or intensity.

Some persons have bad taste in everything, others have bad taste only in some things, but a correct and good taste in matters within their capacity. Some have peculiar taste, which they know to be bad, but which they still follow. Some have a doubtful taste, and let chance decide, their indecision makes them change, and they are affected with pleasure or weariness on their friends' judgment. Others are always prejudiced, they are the slaves of their tastes, which they adhere to in everything.