Part 10 (1/2)

No. They turn to the left and push me into a cabin. It is lighted by a port-hole, which is open, and through which the fresh air comes in gusts from the briny. The furniture consists of a bunk, a chair, a chest of drawers, a wash-hand-stand and a table.

The latter is spread for dinner, and I sit down. Then the cook's mate comes in with two or three dishes. He is a colored lad, and as he is about to withdraw, I try to question him, but he, too, vouchsafes no reply. Perhaps he doesn't understand me.

The door is closed, and I fall to and eat with an excellent appet.i.te, with the intention of putting off all further questioning till some future occasion when I shall stand a chance of getting answered.

It is true I am a prisoner, but this time I am comfortable enough, and I hope I shall be permitted to occupy this cabin for the remainder of the voyage, and not be lowered into that black hole again.

I now give myself up to my thoughts, the first of which is that it was the Count d'Artigas who planned the abduction; that it was he who is responsible for the kidnapping of Thomas Roch, and that consequently the French inventor must be just as comfortably installed somewhere on board the schooner.

But who is this Count d'Artigas? Where does he hail from? If he has seized Thomas Roch, is it not because he is determined to secure the secret of the fulgurator at no matter what cost? Very likely, and I must therefore be careful not to betray my ident.i.ty, for if they knew the truth, I should never be afforded a chance to get away.

But what a lot of mysteries to clear up, how many inexplicable things to explain--the origin of this d'Artigas, his intentions as to the future, whither we are bound, the port to which the schooner belongs, and this mysterious progress through the water without sails and without screws, at a speed of at least ten knots an hour!

The air becoming keener as night deepens, I close and secure the port-hole, and as my cabin is bolted on the outside, the best thing I can do is to get into my bunk and let myself be gently rocked to sleep by the broad Atlantic in this mysterious cradle, the _Ebba_.

The next morning I rise at daybreak, and having performed my ablutions, dress myself and wait.

Presently the idea of trying the door occurs to me. I find that it has been unbolted, and pus.h.i.+ng it open, climb the iron ladder and emerge on deck.

The crew are was.h.i.+ng down the deck, and standing aft and conversing are two men, one of whom is the captain. The latter manifests no surprise at seeing me, and indicates my presence to his companion by a nod.

This other man, whom I have never before seen, is an individual of about fifty years of age, whose dark hair is streaked with gray.

His features are delicately chiselled, his eyes are bright, and his expression is intelligent and not at all displeasing. He is somewhat of the Grecian type, and T have no doubt that he is of h.e.l.lenic origin when I hear him called Serko--Engineer Serko--by the Captain of the _Ebba_.

As to the latter, he is called Spade--Captain Spade--and this name has an Italian tw.a.n.g about it. Thus there is a Greek, an Italian, and a crew recruited from every corner of the earth to man a schooner with a Norwegian name! This mixture strikes me as being suspicious.

And that Count d'Artigas, with his Spanish name and Asiatic type, where does he come from?

Captain Spade and Engineer Serko continue to converse in a low tone of voice. The former is keeping a sharp eye on the man at the wheel, who does not appear to pay any particular attention to the compa.s.s in front of him. He seems to pay more heed to the gestures of one of the sailors stationed forward, and who signals to him to put the helm to port or to starboard.

Thomas Roch is near them, gazing vacantly out upon the vast expanse which is not limited on the horizon by a single speck of land. Two sailors watch his every movement. It is evidently feared that the madman may possibly attempt to jump overboard.

I wonder whether I shall be permitted to communicate with my ward.

I walk towards him, and Captain Spade and Engineer Serko watch me.

Thomas Roch doesn't see me coming, and I stand beside him. Still he takes no notice of me, and makes no movement. His eyes, which sparkle brightly, wander over the ocean, and he draws in deep breaths of the salt, vivifying atmosphere. Added to the air surcharged with oxygen is a magnificent sunset in a cloudless sky. Does he perceive the change in his situation? Has he already forgotten about Healthful House, the pavilion in which he was a prisoner, and Gaydon, his keeper? It is highly probable. The past has presumably been effaced from his memory and he lives solely in the present.

In my opinion, even on the deck of the _Ebba_, in the middle of the sea, Thomas Roch is still the helpless, irresponsible man whom I tended for fifteen months. His intellectual condition has undergone no change, and his reason will return only when he is spoken to about his inventions. The Count d'Artigas is perfectly aware of this mental disposition, having had a proof of it during his visit, and he evidently relies thereon to surprise sooner or later the inventor's secret. But with what object?

”Thomas Roch!” I exclaim.

My voice seems to strike him, and after gazing at me fixedly for an instant he averts his eyes quickly.

I take his hand and press it. He withdraws it brusquely and walks away, without having recognized me, in the direction of Captain Spade and Engineer Serko.

Does he think of speaking to one or other of these men, and if they speak to him will he be more reasonable than he was with me, and reply to them?

At this moment his physiognomy lights up with a gleam of intelligence.