Part 5 (2/2)

Ornans is lovely, and no wonder that Courbet was so fond of it. Nestled in a deep valley of green rocks and vineyards, and built on the banks of the transparent Loue, its quaint spire rising from the midst, it commends itself alike to artist, naturalist, and angler. These old-world houses reflected in the river are marvellously paintable, and the scene, as we saw it after a heavy rain, glowed in the brightest and warmest light.

Courbet's house is situated, not on the river, but by the roadside, on the outskirts of the town, fronting the river and the bright green terraced hills above. It is a low, one-storied house, embosomed in greenery, very rural, pretty, and artistic. In the dining-room we were shown a small statue of the painter by his own hand, giving one rather the idea of a country-squire or sporting farmer than a great artist, and his house--which is not shown to strangers--is full of interesting reminiscences of its owner. In the kitchen is a splendid Renaissance chimney-piece in sculptured marble, fit for the dining-hall of a Rothschild. This, Courbet found in some old chateau near, and, artist-like, transferred it to his cottage. On the walls of the studio are two frescoes he painted in his happier days, before he helped to overthrow the Vendome Column, and thus forfeited the good feeling of his fellow-townsmen. Ornans is clerical to the backbone, and will it be believed?--after this unfortunate affair of the Vendome Column, an exquisite statue, with which Courbet had decorated the public fountain, was thrown down, of course at clerical instigation. Morteau, it must be supposed, being more enlightened, rescued the dishonoured statue, and it now adorns the public fountain of that village. It is, indeed, impossible to give any idea of the vindictive spirit with which poor Courbet was treated by his native village, and, seeing how much he loved it, it must have galled him deeply. We were allowed to wander at will over the house and straggling gardens, having friends in the present occupants, but the house still belongs to the Courbet family, and is not otherwise to be seen.

All this time I was listening, with no little edification, to the remarks of our young driver, who took the keenest interest in Courbet and art generally. He told me, as an instance of the strong feeling existing against Courbet after the events of the Commune, that, upon one occasion when the painter had been drinking a toast with a friend in a cafe, he had no sooner quitted the place than a young officer sprang up and dashed the polluted gla.s.s to the ground, shattering it into a dozen pieces. ”No one shall henceforth drink out of a gla.s.s used by that man,”

he said, and doubtless he was only echoing the popular sentiment.

Ornans is the birthplace of the princely Perronet de Granvelle (father of the Cardinal whose portrait by t.i.tian adorns the picture-gallery of Besancon), and whose munificent patronage of arts and letters turned that city into a little Florence during the Spanish regime. In the church is seen the plain red marble sarcophagus of his parents, also a carved reading desk and several pictures presented to the church by his son, the Cardinal. There is a curious old Spanish house in the town, a relic of the same epoch. Ornans is celebrated for its cherry orchards and fabrications of Kirsch, also for Absinthe, and its wines. Everywhere you see cherry orchards and artificial terraces for the vines as on the Rhine, not a ledge of hill side being wasted. Gruyere cheese, so called, is also made here, and there are besides several manufactures, nail-forges, wire-drawing mills, and tile-kilns. But none of these interfere with the pastoralness of the scenery, and no wonder that this attracts French artists in the summer time. Lovely walks and drives abound, and the magnificence of the forest trees has been made familiar to us by the landscapes of Courbet, whose name will ever be a.s.sociated with this quaint village in the Valley of the Loue.

We are now on the high road from Ornans to Pontarlier, and are pa.s.sing some of the wealthiest little communities in Franche-Comte, Montgesoye, Vuillafans, Lods, all most picturesque to behold, and important centres of industry. Iron foundries, kirsch distilleries, chemical works, and other manufactures maintain these rustic populations, and such isolated little nuclei of trade will doubtless take extraordinary development when the line of railway from Besancon to Pontarlier, by way of Ornans, is completed. At present it is one of the few places that may be described as out of the world, and a veritable paradise for the lover of quiet and rusticity. If we proceed further on the Monthier road, the aspect changes, and we find ourselves in the winding close-shut valley, the narrow turbulent little streams of deepest green tossing over its rocky bed amid hanging vineyards and lofty cliffs. Soon, however, the vine, the oak, the beech, and the ash tree disappear, and we have instead the sombre pine and fir only.

Monthier is perched on a hill-side amid grandiose mountains, and is hardly less picturesque than Ornans, though not nearly so enticing. In fact it is a trifle dirty when visited in detail, though charming, viewed from the high road above. Here we sat down to an excellent dinner at one end of the _salle-a-manger_; at the other was a long table where a number of peasant farmers, carters, and graziers--it was fair day--were faring equally well: our driver was amongst them, and all were as quiet and well-behaved as possible, but given to spit on the floor, ”as is their nature to.” The charges were very low, the food good, the wine sour as vinegar, and the people obliging in the extreme. The hotels in these parts are very much on a par with caravanserais in Algeria; bells, fire-places, and other necessities of civilized life are unknown, the bed-rooms are often reached by an outside staircase only, and afford such accommodation we should not think luxurious for a stable-boy in England, and these often, moreover, adjoin a noisy upper _salle-a-manger_, where eating, and drinking, and talking go on all day long.

After having stopped to look at the beautiful old wood carvings in the church, we continue our way, climbing the mountain road towards Pontarlier; hardly knowing which to admire most, the deep-lying valley at our feet, where the little imprisoned river curls with a noise as of thunder, making miniature cascades at every step, or the limestone rocks of majestic shape towering above on the other side. One of them, the so-called _Roche de Hautepierre_, is nearly nine hundred yards high; the road all the time zigzags wonderfully around the mountain sides, a stupendous piece of engineering which cost the originator his life. Soon after pa.s.sing the tunnel cut in the rock, we saw an inscription telling how the engineer, while engaged in taking his measurements, lost his footing and was precipitated into the awful ravine below. The road itself was opened in 1845, and is mainly due to the public spirit of the inhabitants of Ornans.

Franche-Comte is rich in zig-zagging mountain roads of daring construction, and none are more wonderful than this. As we crawl at a snail's pace between rocks and ravine, silvery grey ma.s.ses towering against the glowing purple sky, deepest green fastnesses below that make us giddy to behold, all is still but for the sea-like war of the little river as it pours down impetuously from its mountain home. The heavy rain of the previous night unfortunately prevents us from following it to its source, a delightful excursion in tolerably dry weather, but impracticable after a rain-fall. By far the best, way is to sleep at Monthier and visit the source on foot, but fatigue may be avoided by taking a carriage from Pontarlier. Between Monthier and the source of the Loue is a bit of wild romantic scenery known as the _Combes de Nouaille_, home of the Franc-Comtois elf, or fairy, called _la Vouivre_.

_Combe_, it must be explained, means a straight, narrow valley lying between two mountains, and Charles Nodier remarks: ”is very French, and is perfectly intelligible in any part of the country, but has been omitted in the Dictionary of the Academy, because there is no _combe_ at the Tuileries, the Champs Elysees or the Luxembourg!” These close winding _combes_ form one of the most characteristic and picturesque features of Franc-Comtois scenery. Leaving the more adventuresome part of this journey therefore to travellers luckier in respect of weather than ourselves, we turn our horses' heads towards Ornans, where we rest for coffee and a little chat with friends. As we set out for Besancon, a splendid glow of sunset lights up Courbet's birth and favourite abiding place, clothing in richest gold the hills and hanging woods he portrayed with so much vigour and poetic feeling. The glories of the sinking sun lingered long, and, when the last crimson rays faded, a full pearly moon rose in the clear heavens, lighting us on our way.

A few days after this delightful excursion, I left Besancon, as I had done Montbeliard, amid the heartiest leave-takings, and the last recollection I brought away from the venerable town is of two little fair-haired boys, whose faces were lifted to mine for a farewell kiss in the railway station.

CHAPTER VIII.

SALINS, ARBOIS, AND THE WINE COUNTRY OF THE JURA.

Hardly has the traveller quitted Besancon in the direction of Lons-le-Saunier ere he finds himself amid wholly different scenery; all is now on a bolder, vaster scale, desolate sweeps of rocky plain, shelving mountain sides, bits of scant herbage alternating with vineyards, the golden foliage lending wondrous l.u.s.tre to the otherwise arid landscapes, the rocks rising higher and higher as we go--such are the features that announce the Jura. We have left the gentler beauties of the Doubs behind us, and are now in one of the most romantic and picturesque regions of all France. Salins, perhaps the only cosmopolitan town that the Jura can be said to possess, since hither English and other tourists flock in the summer season, is superbly situated--a veritable fairy princess guarded by monster dragons! Four tremendous mountain peaks protect it on every side, towering above the little town with imposing aspect; and it is no less strongly defended by art, each of these mountain tops being crested with fortifications. Salins bears indeed a formidable front to the enemy, and no wonder the Prussians could not take it. Strategically, of course, its position is most important, as a glance at the map will show. It is in itself a wonderful little place from its ”a.s.siette,” as the French say; and wherever you go you find wild natural beauty, while the brisk mountain air is delightful to breathe, and the transparent atmosphere lends an extra glow to every feature of the scene.

At Salins too we find ourselves in a land of luxuries, _i.e._, clean floors, chamber-maids, bells, sofas, was.h.i.+ng basins and other items in hygiene and civilization not worth mentioning. The Hotel des Messageries is very pleasant, and here, as in the more primitive regions before described, you are received rather as a guest to be made much of than as a foreigner to be imposed upon. This charming _bonhomie_, found among all cla.s.ses, is apt to take the form of gossip overmuch, which is sometimes wearisome. The Franc-Comtois, I must believe, are the greatest talkers in the world, and any chance listener to be caught by the b.u.t.ton is not easily let go. Yet a considerable amount of volubility is pardoned when people are so amiable and obliging.

Mendicity is forbidden in the Jura as in the Department of the Doubs, and there is little real pinching poverty to be found among the rural population, though of course a laboriousness and economy unknown among our own. In the most part, the vine-grower and fabricator of Gruyere cheese, so called, is well-to-do and independent, and here indeed, the soil is the property of the people.

The Salins season ends on the 15th of September, when the magnificent hydropathic establishment is closed, and only a few stray visitors remain. The Salins waters are said to be much more efficacious than those of Kreuznach in Prussia, which they much resemble; and the nature of the soil is shown by its deep crimson hue. If the tonic qualities of these mountain springs are invaluable, it must be admitted that they are done ample justice to, for never surely were so many public fountains to be found in a town of the same size. A charming monograph might be devoted to the public fountains of Franche-Comte, and those of Salins are especially meritorious as works of art. How many there are, I cannot say, but at least half-a-dozen are interesting as monuments, notably the charming life-size bronze figure of a Vintager, by the gifted Salinois sculptor, Max Claudel, ornamenting one, the fine torso surmounting another, and of which the history is mysterious, the group of swans adorning a third, and so on; at every turn the stranger coming upon some street ornament of this kind, whilst the perpetual sound of running water is delightful to the ear. I shall never recall the Jura without this cool, pleasant, dripping noise, as much a part of it as its brisk air and dazzling blue sky.

There is a good deal to see at Salins; the _salines_, or salt-works, the old church of St. Anatole with its humorous wood-carvings, the exquisite Bruges tapestries in the Museum, the ancient gateways of the city, the quaint Renaissance statue of St. Maurice in the church of that name--wooden figure of a soldier-peasant on horseback--and lastly the forts and the superb panoramas to be obtained from them. This little straggling town, of not more than six thousand and odd inhabitants, possesses a public library of ten thousand volumes, a natural history museum, and a theatre, and other resources. It is eminently Catholic, but I was glad to find that the thin edge of the Protestant wedge is being driven in there, a Protestant service being now held once a month, and this will doubtless soon develop into some regular organization.

Protestantism means cleanliness, education, and domestic morality, and Catholicism the reverse; so no wonder that the more enlightened mayors and munic.i.p.alities are inclined to look upon these quiet invasions with favour. As I narrate my progress through the Jura, it will be seen that I found Protestantism everywhere making head against the enemy.

Perhaps the most beautiful excursion to be made from Salins is to the little town of Nans, and the source of the River Lison, a two hours'

drive amid scenery of alternating loveliness and grandeur--vines everywhere as we climb upwards, our road curling round the mountain-sides, as a ribbon twisted round a sugar-loaf, and then having wound in and out jagged peaks covered with light foliage and abrupt slopes clad with vines, we come to the sombre pine-forests, pa.s.sing from one forest to another, the air blowing upon us with sudden keenness. No sooner do we emerge from these gloomy precincts than we come upon the pretty little village of Nans, smiling and glowing in a warm sunlit valley, and most enticing to us after the sombreness and chilliness of the mountain-tops.

Although anything but a _gourmand_ myself, I will mention for the benefit of those who really care for good things, that we found a most wonderful dinner awaiting us in the homely little _auberge_ at which we alighted--hare, salmon, trout, prawns, and all kinds of local confectionery, were here supplied at the modest price of ten francs and a half, the cook of the establishment being the landlady herself, and the entire staff consisting of two old women. One of these was drafted off to guide me to the source, and off we set on our walk, at once leaving the warm open valley for the mountain world. On and on we went, the mountain closing upon us and shutting out more and more of the glowing blue heavens, till we came to a stand. From these rocky fastnesses, here forbidding further progress, the River Lison has its source; above they show a silvery grey surface against the emerald of the valleys and the sapphire of the sky, but below the huge clefts, from which we are soon to see the river issue forth exultingly, they are black as night.

A few steps onward and we were in sight of the source, and no words can convey its imposingness, or the sense of contrast forced upon the mind--the pitchy, ebon cavern from which flashes the river in silvery whiteness, tumbling in a dozen cascades down glistening black rocks, and across pebbly beds, and along gold-green pastures. We explored the inner part of this strange rock-bed; the little River Lison, springing from its dark cavernous home, leaping forth with wild exultation into the light, pursuing its way under all kinds of difficulties, growing broader and broader as it goes, till a wide, sunlit river, it flows onward and onward, finally reaching the sea, reminded me, as I gazed, of a lovely thought emerging from the thinker's brain, which, after obstacles and hindrances innumerable, at last, refres.h.i.+ng all as it goes, reaches the open light of universal truth.

Behind the source, and reached by a winding path cut in the rocks, is a lofty chasm, from the summit of which another mountain stream falls with beautiful effect; and no less impressive and curious are the so-called _Grottes des Sarrazins_, a little further off, huge caverns shutting in a little lake, and where the river rushes with a sound of thunder.

On the steep mountain path, leading to the chasm just mentioned, we found h.e.l.lebore growing in abundance, also the winter-cherry, its vermillion-hued capsules glowing through the green. The brilliant red berry of the white bream-tree also lends colour to the wayside hedge, as well as the deep rose-coloured fruit of the barberry. Flowers also grow in abundance; and in the town their cultivation seems a pa.s.sion. Some gardens contain sun-flowers, or little else, others are full of zinnias, flowering mallow trees, and balsams. There is no gardening aimed at, in our sense of the word, but simply abundance of colour; the flowers are planted anyhow and grow anyhow, the result being ornamental in the extreme.

There is a pottery, or _faiencerie_; of two hundred years standing at Nans, and some of the wares are very pretty and artistic. The chief characteristics of the Nans ware, or _cailloutage_, is its creamy, highly-glazed surface, on which are painted, by hand, flowers, birds, and arabesques in brilliant colours, and in more or less elaborate styles. Attempts are also made to imitate the well-known Strasburg ware, of which great quant.i.ties are found in these parts, chiefly at sales in old houses. The Strasburg ware is known by its red flowers--chiefly roses and tulips--on a creamy ground, also elaborate arabesques in deep purple. If we take up a specimen, we find the ornamentation done at random, and, in fact, the artist was compelled to this method of working in order to conceal the imperfections of the porcelain. The Nans ware--very like the _faiencerie_ of Salins--commends itself alike for form and design, and the working potters employed there will be found full of information, which they are very ready to impart. One of them, with whom I fell into conversation, had just returned from the Paris Exhibition, and expressed himself with enthusiasm concerning the English ceramic galleries, of which, indeed, we may be proud.

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