Part 5 (1/2)
Strange that one whom I have described hitherto as so timid and easily put upon should prove such a Tartar all of a sudden on the day of his marriage. Perhaps I have pa.s.sed over his years of courts.h.i.+p too rapidly.
During these he had become a tutor of his college, and had at last been Junior Dean. I never yet knew a man whose sense of his own importance did not become adequately developed after he had held a resident fellows.h.i.+p for five or six years. True--immediately on arriving within a ten mile radius of his father's house, an enchantment fell upon him, so that his knees waxed weak, his greatness departed, and he again felt himself like an overgrown baby under a perpetual cloud; but then he was not often at Elmhurst, and as soon as he left it the spell was taken off again; once more he became the fellow and tutor of his college, the Junior Dean, the betrothed of Christina, the idol of the Allaby womankind. From all which it may be gathered that if Christina had been a Barbary hen, and had ruffled her feathers in any show of resistance Theobald would not have ventured to swagger with her, but she was not a Barbary hen, she was only a common hen, and that too with rather a smaller share of personal bravery than hens generally have.
CHAPTER XIV
Battersby-On-The-Hill was the name of the village of which Theobald was now Rector. It contained 400 or 500 inhabitants, scattered over a rather large area, and consisting entirely of farmers and agricultural labourers. The Rectory was commodious, and placed on the brow of a hill which gave it a delightful prospect. There was a fair sprinkling of neighbours within visiting range, but with one or two exceptions they were the clergymen and clergymen's families of the surrounding villages.
By these the Pontifexes were welcomed as great acquisitions to the neighbourhood. Mr Pontifex, they said was so clever; he had been senior cla.s.sic and senior wrangler; a perfect genius in fact, and yet with so much sound practical common sense as well. As son of such a distinguished man as the great Mr Pontifex the publisher he would come into a large property by-and-by. Was there not an elder brother? Yes, but there would be so much that Theobald would probably get something very considerable. Of course they would give dinner parties. And Mrs Pontifex, what a charming woman she was; she was certainly not exactly pretty perhaps, but then she had such a sweet smile and her manner was so bright and winning. She was so devoted too to her husband and her husband to her; they really did come up to one's ideas of what lovers used to be in days of old; it was rare to meet with such a pair in these degenerate times; it was quite beautiful, etc., etc. Such were the comments of the neighbours on the new arrivals.
As for Theobald's own paris.h.i.+oners, the farmers were civil and the labourers and their wives obsequious. There was a little dissent, the legacy of a careless predecessor, but as Mrs Theobald said proudly, ”I think Theobald may be trusted to deal with _that_.” The church was then an interesting specimen of late Norman, with some early English additions. It was what in these days would be called in a very bad state of repair, but forty or fifty years ago few churches were in good repair.
If there is one feature more characteristic of the present generation than another it is that it has been a great restorer of churches.
Horace preached church restoration in his ode:--
Delicta majorum immeritus lues, Romane, donec templa refeceris Aedesque labentes deorum et Foeda nigro simulacra fumo.
Nothing went right with Rome for long together after the Augustan age, but whether it was because she did restore the temples or because she did not restore them I know not. They certainly went all wrong after Constantine's time and yet Rome is still a city of some importance.
I may say here that before Theobald had been many years at Battersby he found scope for useful work in the rebuilding of Battersby church, which he carried out at considerable cost, towards which he subscribed liberally himself. He was his own architect, and this saved expense; but architecture was not very well understood about the year 1834, when Theobald commenced operations, and the result is not as satisfactory as it would have been if he had waited a few years longer.
Every man's work, whether it be literature or music or pictures or architecture or anything else, is always a portrait of himself, and the more he tries to conceal himself the more clearly will his character appear in spite of him. I may very likely be condemning myself, all the time that I am writing this book, for I know that whether I like it or no I am portraying myself more surely than I am portraying any of the characters whom I set before the reader. I am sorry that it is so, but I cannot help it--after which sop to Nemesis I will say that Battersby church in its amended form has always struck me as a better portrait of Theobald than any sculptor or painter short of a great master would be able to produce.
I remember staying with Theobald some six or seven months after he was married, and while the old church was still standing. I went to church, and felt as Naaman must have felt on certain occasions when he had to accompany his master on his return after having been cured of his leprosy. I have carried away a more vivid recollection of this and of the people, than of Theobald's sermon. Even now I can see the men in blue smock frocks reaching to their heels, and more than one old woman in a scarlet cloak; the row of stolid, dull, vacant plough-boys, ungainly in build, uncomely in face, lifeless, apathetic, a race a good deal more like the pre-revolution French peasant as described by Carlyle than is pleasant to reflect upon--a race now supplanted by a smarter, comelier and more hopeful generation, which has discovered that it too has a right to as much happiness as it can get, and with clearer ideas about the best means of getting it.
They shamble in one after another, with steaming breath, for it is winter, and loud clattering of hob-nailed boots; they beat the snow from off them as they enter, and through the opened door I catch a momentary glimpse of a dreary leaden sky and snow-clad tombstones. Somehow or other I find the strain which Handel has wedded to the words ”There the ploughman near at hand,” has got into my head and there is no getting it out again. How marvellously old Handel understood these people!
They bob to Theobald as they pa.s.sed the reading desk (”The people hereabouts are truly respectful,” whispered Christina to me, ”they know their betters.”), and take their seats in a long row against the wall.
The choir clamber up into the gallery with their instruments--a violoncello, a clarinet and a trombone. I see them and soon I hear them, for there is a hymn before the service, a wild strain, a remnant, if I mistake not, of some pre-Reformation litany. I have heard what I believe was its remote musical progenitor in the church of SS. Giovanni e Paolo at Venice not five years since; and again I have heard it far away in mid- Atlantic upon a grey sea-Sabbath in June, when neither winds nor waves are stirring, so that the emigrants gather on deck, and their plaintive psalm goes forth upon the silver haze of the sky, and on the wilderness of a sea that has sighed till it can sigh no longer. Or it may be heard at some Methodist Camp Meeting upon a Welsh hillside, but in the churches it is gone for ever. If I were a musician I would take it as the subject for the _adagio_ in a Wesleyan symphony.
Gone now are the clarinet, the violoncello and the trombone, wild minstrelsy as of the doleful creatures in Ezekiel, discordant, but infinitely pathetic. Gone is that scarebabe stentor, that bellowing bull of Bashan the village blacksmith, gone is the melodious carpenter, gone the brawny shepherd with the red hair, who roared more l.u.s.tily than all, until they came to the words, ”Shepherds with your flocks abiding,” when modesty covered him with confusion, and compelled him to be silent, as though his own health were being drunk. They were doomed and had a presentiment of evil, even when first I saw them, but they had still a little lease of choir life remaining, and they roared out
[wick-ed hands have pierced and nailed him, pierced and nailed him to a tree.]
but no description can give a proper idea of the effect. When I was last in Battersby church there was a harmonium played by a sweet-looking girl with a choir of school children around her, and they chanted the canticles to the most correct of chants, and they sang Hymns Ancient and Modern; the high pews were gone, nay, the very gallery in which the old choir had sung was removed as an accursed thing which might remind the people of the high places, and Theobald was old, and Christina was lying under the yew trees in the churchyard.
But in the evening later on I saw three very old men come chuckling out of a dissenting chapel, and surely enough they were my old friends the blacksmith, the carpenter and the shepherd. There was a look of content upon their faces which made me feel certain they had been singing; not doubtless with the old glory of the violoncello, the clarinet and the trombone, but still songs of Sion and no new fangled papistry.
CHAPTER XV
The hymn had engaged my attention; when it was over I had time to take stock of the congregation. They were chiefly farmers--fat, very well-to- do folk, who had come some of them with their wives and children from outlying farms two and three miles away; haters of popery and of anything which any one might choose to say was popish; good, sensible fellows who detested theory of any kind, whose ideal was the maintenance of the _status quo_ with perhaps a loving reminiscence of old war times, and a sense of wrong that the weather was not more completely under their control, who desired higher prices and cheaper wages, but otherwise were most contented when things were changing least; tolerators, if not lovers, of all that was familiar, haters of all that was unfamiliar; they would have been equally horrified at hearing the Christian religion doubted, and at seeing it practised.
”What can there be in common between Theobald and his paris.h.i.+oners?” said Christina to me, in the course of the evening, when her husband was for a few moments absent. ”Of course one must not complain, but I a.s.sure you it grieves me to see a man of Theobald's ability thrown away upon such a place as this. If we had only been at Gaysbury, where there are the A's, the B's, the C's, and Lord D's place, as you know, quite close, I should not then have felt that we were living in such a desert; but I suppose it is for the best,” she added more cheerfully; ”and then of course the Bishop will come to us whenever he is in the neighbourhood, and if we were at Gaysbury he might have gone to Lord D's.”
Perhaps I have now said enough to indicate the kind of place in which Theobald's lines were cast, and the sort of woman he had married. As for his own habits, I see him trudging through muddy lanes and over long sweeps of plover-haunted pastures to visit a dying cottager's wife. He takes her meat and wine from his own table, and that not a little only but liberally. According to his lights also, he administers what he is pleased to call spiritual consolation.