Part 20 (1/2)

The Pirate Walter Scott 58270K 2022-07-22

FOOTNOTES:

[41] See Note I.--Norse Fragments.

[42] Montrose, in his last and ill-advised attempt to invade Scotland, augmented his small army of Danes and Scottish Royalists, by some bands of raw troops, hastily levied, or rather pressed into his service, in the Orkney and Zetland Isles, who, having little heart either to the cause or manner of service, behaved but indifferently when they came into action.

[43] Here, as afterwards remarked in the text, the Zetlander's memory deceived him grossly. Sir John Urry, a brave soldier of fortune, was at that time in Montrose's army, and made prisoner along with him. He had changed so often that the mistake is pardonable. After the action, he was executed by the Covenanters; and

”Wind-changing Warwick then could change no more”

Strachan commanded the body by which Montrose was routed.

[44] Note VII.--The Sword-Dance.(_l_)

CHAPTER XVI.

--------My mind misgives, Some consequence, yet hanging in the stars, Shall bitterly begin his fearful date With this night's revels.

_Romeo and Juliet._

The new-comers were, according to the frequent custom of such frolickers all over the world, disguised in a sort of masquing habits, and designed to represent the Tritons and Mermaids, with whom ancient tradition and popular belief have peopled the northern seas. The former, called by Zetlanders of that time, Shoupeltins, were represented by young men grotesquely habited, with false hair, and beards made of flax, and chaplets composed of sea-ware interwoven with sh.e.l.ls, and other marine productions, with which also were decorated their light-blue or greenish mantles of wadmaal, repeatedly before-mentioned. They had fish-spears, and other emblems of their a.s.sumed quality, amongst which the cla.s.sical taste of Claud Halcro, by whom the masque was arranged, had not forgotten the conch-sh.e.l.ls, which were stoutly and hoa.r.s.ely winded, from time to time, by one or two of the aquatic deities, to the great annoyance of all who stood near them.

The Nereids and Water-nymphs who attended on this occasion, displayed, as usual, a little more taste and ornament than was to be seen amongst their male attendants. Fantastic garments of green silk, and other materials of superior cost and fas.h.i.+on, had been contrived, so as to imitate their idea of the inhabitants of the waters, and, at the same time, to show the shape and features of the fair wearers to the best advantage. The bracelets and sh.e.l.ls, which adorned the neck, arms, and ankles of the pretty Mermaidens, were, in some cases, intermixed with real pearls; and the appearance, upon the whole, was such as might have done no discredit to the court of Amphitrite, especially when the long bright locks, blue eyes, fair complexions, and pleasing features of the maidens of Thule, were taken into consideration. We do not indeed pretend to aver, that any of these seeming Mermaids had so accurately imitated the real siren, as commentators have supposed those attendant on Cleopatra did, who, adopting the fish's train of their original, were able, nevertheless, to make their ”bends,” or ”ends,” (said commentators cannot tell which,) ”adornings.”[45] Indeed, had they not left their extremities in their natural state, it would have been impossible for the Zetland sirens to have executed the very pretty dance, with which they rewarded the company for the ready admission which had been granted to them.

It was soon discovered that these masquers were no strangers, but a part of the guests, who, stealing out a little time before, had thus disguised themselves, in order to give variety to the mirth of the evening. The muse of Claud Halcro, always active on such occasions, had supplied them with an appropriate song, of which we may give the following specimen. The song was alternate betwixt a Nereid or Mermaid, and a Merman or Triton--the males and females on either part forming a semi-chorus, which accompanied and bore burden to the princ.i.p.al singer.

I.

MERMAID.

Fathoms deep beneath the wave, Stringing beads of glistering pearl, Singing the achievements brave Of many an old Norwegian earl; Dwelling where the tempest's raving Falls as light upon our ear, As the sigh of lover, craving Pity from his lady dear, Children of wild Thule, we, From the deep caves of the sea, As the lark springs from the lea, Hither come, to share your glee.

II.

MERMAN.

From reining of the water-horse, That bounded till the waves were foaming, Watching the infant tempest's course, Chasing the sea-snake in his roaming; From winding charge-notes on the sh.e.l.l, When the huge whale and sword-fish duel, Or tolling shroudless seamen's knell, When the winds and waves are cruel; Children of wild Thule, we Have plough'd such furrows on the sea As the steer draws on the lea, And hither we come to share your glee.

III.

MERMAIDS AND MERMEN.

We heard you in our twilight caves, A hundred fathom deep below, For notes of joy can pierce the waves, That drown each sound of war and woe.

Those who dwell beneath the sea Love the sons of Thule well; Thus, to aid your mirth, bring we Dance, and song, and sounding sh.e.l.l.

Children of dark Thule, know, Those who dwell by haaf and voe, Where your daring shallops row, Come to share the festal show.

The final chorus was borne by the whole voices, excepting those carrying the conch-sh.e.l.ls, who had been trained to blow them in a sort of rude accompaniment, which had a good effect. The poetry, as well as the performance of the masquers, received great applause from all who pretended to be judges of such matters; but above all, from Triptolemus Yellowley, who, his ear having caught the agricultural sounds of plough and furrow, and his brain being so well drenched that it could only construe the words in their most literal acceptation, declared roundly, and called Mordaunt to bear witness, that, though it was a shame to waste so much good lint as went to form the Tritons' beards and periwigs, the song contained the only words of common sense which he had heard all that long day.