Part 39 (1/2)

CHAPTER XIX.

IN THE PAVILION. I EXPLAIN.

The marriage, with its odd customs of the Ehrengang and Ehrentanz, might at another time have afforded me the entertainment which Father Spaur promised; but, to speak the truth, the whole ceremony wearied me beyond expression. My thoughts were set in a tide towards the evening, and I watched the sun loiter idly down the length of the valley in a burning fever of impatience.

'Twas about seven of the clock when the villagers flocked up to the Castle and began their antic dances in the Hall and in the ball-room which fronted the terrace. They aimed at a display of agility rather than of elegance, leaping into the air and falling crack upon their knees, slapping their thighs and the soles of their feet, with many other barbaric gambols; and all the while they kept up such a noise of shouting, whistling, and singing, as fairly deafened one.

Ilga, I observed with some heart-sinking, had once more robed herself in black, and very simply; but the colour so set off the brightness of her hair, which was coiled in a coronal upon her head, and the white beauty of her arms, that for all my fears I could not but think she had never looked so exquisitely fair. However, I had thought the same upon so many different occasions that I would not now a.s.sert it as an indisputable fact.

As you may be certain, I had not copied Ilga's simplicity, but had rather dressed in the opposite extreme. 'Twas no part of my policy to show her the disrespect of plain apparel. I had so little to offer that I must needs trick that little out to the best of advantage; indeed, even at this distance of time, I fairly laugh when I recall the extraordinary pains I spent that evening upon my adornment. My Lord Culverton could never have bettered them. A coat of white brocaded velvet, ruffles that reached to the tips of my fingers, a cravat of the finest Mechlin, pink breeches, silk stockings rolled above the knees, with gold clocks and garters, white Spanish leather shoes with red heels and Elmscott's buckles, a new heavy black peruke; so I attired myself for this momentous interview.

Father Spaur greeted me with a sour smile and a sneering compliment; but 'twas not his favour that I sought, and I cared little that he showed so plainly his resentment.

”A carriage,” he added, ”will be in waiting for you at eleven, if you are still minded to leave us.”

I thanked him shortly, and pa.s.sed on to Ilga, but for some while I could get no private speech with her. For though she took no part in the dancing, even when a quieter measure made a break in the boisterous revelry, she moved continually from one to the other of her villagers with a kindly smile and affable word for each in a spirit of so sweet a condescension, that I had no doubt that she had vaunted their loyalty most truthfully. 'Twould have been strange, indeed, if they had not greatly wors.h.i.+pped her.

In the midst of the clatter, however, and near upon the hour of nine, a man burst wildly into the room, faltering out that the ”Wildthurm”

bell was even now ringing its message to Lukstein.

On the instant the music was stopped; a great awe fell upon the noisy throng; women clung in fear to men, and men crossed themselves with a muttering of tremulous prayers; and then Ilga led the way through the Hall into the courtyard of the Castle.

The ice-fields of the mountain glittered like silver in the moonlight, and we gazed upwards towards them with our ears strained to catch the sound. Many, I know, will scoff at and question what I relate. Many have already done so, attributing it to a delusion of the senses, a heated imagination, or any other of the causes which are held to absolve the spirits of the air from partic.i.p.ation in men's affairs.

Against such unholy disbelief it is not for me to argue or dispute, nor is this the fitting place and opportunity. But this I do attest, and to it I do solemnly put my name. 'Twas not I alone who heard the bell; every man and woman who danced that night at Lukstein Castle heard it. The sound was faint, but wonderfully pure and clear, the strokes of the hammer coming briskly one upon the other as though the bell was tossed from side to side by willing hands.

”It speaks of happiness for Lukstein,” said Father Spaur with an evil glance towards me.

For my part I just looked at Ilga.

”Come!” she said.

And we walked back through the empty echoing Hall, and across the lawn to the terrace.

A light wind was blowing from the south, but there were no clouds in the sky, and the valley lay beneath us with all its landmarks merged by the grey, tender light, so that it seemed to have widened to double its breadth.

The terrace, however, was for the most part in shadow, since the moon, hanging behind a cl.u.s.ter of trees at the east corner of the wall, only sprinkled its radiance through a tracery of boughs, and drew a dancing pattern about our feet. As I leaned upon the parapet there came before my eyes, raised by I know not what chance suggestion, a vivid picture of my little far-away hamlet in the country of the English lakes.

”You are thoughtful, Mr. Buckler!” said Ilga.

”I was thinking of the valley of Wastdale,” I replied, ”and of a carrier's cart stuck in a snowdrift on Hard Knot.”

”Of your home? 'Twas of your home that you were thinking?” she asked curiously, and yet with something more than curiosity in her voice, with something of regret, something almost of pity.

”Not so much of my home,” I replied, ”but rather from what distant points our two lives have drawn together.” I was emboldened to the words by the tone in which she had spoken. ”A few weeks ago you were here at Lukstein in the Tyrol, I was at the Hall in c.u.mberland, and we had never spoken to one another. How strange it all seems!”

”Nay,” she answered simply; ”it was certain you and I should meet. Is not G.o.d in His heaven?”

My heart gave a great leap. We had come now to the pavilion, which leaned against the Castle wall, and Ilga opened the door and entered it. I followed her, and closed the latch behind me.

In the side of the room there was a square window with shutters, but no gla.s.s. The shutters were open, and through a gap of the trees the moonlight poured into the pavilion.