Part 3 (2/2)

A week later the thaw was over, and all that hill-country was once more in the grip of winter. When the temperature went down toward the zero-mark, the skunk went back to bed. Rolled up in a round ball of fur, with his warm tail wrapped about him like a fleecy coverlet, he slept out the cold in the midmost chamber of his den on a bed of soft, dry gra.s.s. At the first sign of spring he was out again, the latest to bed and the earliest to rise of all the Sleepers.

At last the green banners of spring were planted on all the hills.

Underneath the dry leaves, close to the ground, the fragrant pink-and-white blossoms of the trailing arbutus showed here and there; while deeper in the woods leathery trefoil leaves, green above and dark violet beneath, vainly tried to hide the blue-and-white-porcelain petals of the hepatica. In bare spots the crowded tiny white blossoms of the saxifrage showed in the withered gra.s.s, and the bloodroot, with its golden heart and snowy, short-lived petals, and gnarled root which drips blood when broken. A little later the hillsides were blue with violets, and yellow with adder's-tongue with its drooping blossoms and spotted fawn-colored leaves. Then came days of feasting, which made up for the long lean weeks that had gone before. There were droning, blundering June-bugs, crickets, grubs, gra.s.shoppers, field-mice, snakes, strawberries, and so many other delicacies that the skunk's walk was fast becoming a waddle.

It was on one of those late spring days that the Artist and the Skunk had their first and last meeting. Said artist was none other than Reginald De Haven, whose water-colors were world-famous. Reginald had a rosy face, and wore velvet knickerbockers and large chubby legs, and made the people of Cornwall suspect his sanity by frequently telescoping his hands to look at color-values. This spring he was boarding with old Mark Hurlb.u.t.t, over on Cream Hill. On the day of the meeting, he had been sketching down by Cream Pond and had taken a wood-road home. Where it entered one of Mark's upper pastures, he saw a strange black-and-white animal moving leisurely toward him, and stood still lest he frighten it away. He might have spared his fears.

The stranger moved toward him, silent, imperturbable, and with an a.s.sured air. As it came nearer, the artist was impressed with its color-scheme. The snowy stripe down the pointed black nose, the ma.s.s of white back of the black head, and, above all, the resplendent, waving pompon of a tail, made it a spectacular study in blacks and whites.

With tiny mincing steps the little animal came straight on toward him.

It seemed so tame and unconcerned, that De Haven planned to catch it and carry it back to the farm wrapped up in his coat. As he took a step forward, the stranger seemed for the first time to notice him. It stopped and stamped with its forepaws, in what seemed to the artist a playful and attractive manner. This, if he had but known it, was signal number one of the prescribed three which a well-bred skunk always gives, if there be time, even to his bitterest enemies.

As De Haven moved toward the animal, he was again interested to see the latter hoist aloft the gorgeous black-and-white banner of its clan. Rus.h.i.+ng on to his ruin, he went unregardingly past this second danger-signal. By this time, he was within six feet of the skunk, which had now come to a full stop and was watching him intently out of its deep-set eyes. As he approached still nearer, he noticed that the white tip of the tail, which heretofore had hung dangling, suddenly stiffened and waved erect. ”Like a flag of truce,” he observed whimsically to himself. Never was there a more dreadful misapprehension. That raising of the white tail-tip is the skunk's ultimate warning. After that, remains nothing but war and carnage and chaos.

If even then the artist had but stood stony still, there might have been room for repentance, for the skunk is long-suffering and loath to go into action. No country-bred guardian angel came to De Haven's rescue. Stepping quickly forward, he stooped to seize the motionless animal. Even as he leaned forward, his fate overtook him. Swinging his plumed tail to one side, the skunk bent its back at the shoulders, and brought its secondary batteries into action. A puff of what seemed like vapor shot toward the unfortunate artist, and a second later he had an experience in atmospheric values which had never come into his sheltered life before. From the crown of his velour hat with the little plume at the side, down to his suede shoes, he was Maranatha and Anathema to the whole world, including himself. Coughing, sneezing, gasping, strangling, racked by nausea and wheezing for breath, his was the motto of the Restless Club: ”Anywhere but here.”

His last sight of the animal which had so influenced his life showed it demurely moving along the path from which it had never once swerved.

The wind was blowing toward the farmhouse, and although it was half a mile away, old Mark Hurlb.u.t.t soon had advance reports of the battle.

”A skunk b'gos.h.!.+” he remarked to himself, stopping on his way to the barn; ”and an able-bodied one, too,” he continued, sniffing the breeze.

A minute later he saw someone running toward him, and recognized his boarder. Even as he saw him, a certain aura which hung about the approaching figure made plain to Mark what had happened.

”Hey! stop right where you be!” shouted the old man. ”Another step an'

I'll shoot,” he went on, aiming the shovel which he had in his hand directly at the distressed artist's head, and trying not to breathe.

De Haven halted in his tracks.

”But--but--I require a.s.sistance,” he pleaded.

”You sure do,” agreed his landlord; ”somethin' tells me so. Hustle over back of the smoke-house and get your clothes off an' I'll join you in a minute.”

Mark hurried into the house, and was out again almost immediately with a large bottle of benzine, a wagon-sponge, a calico s.h.i.+rt, and a pair of overalls. As he came around the corner, the sight of the artist posing all pink and white against the smoke-house, with a pile of discarded clothes at his feet, was too much for the old man, and he cackled like a hen.

”Darned if you don't look like one of them fauns you're all the time paintin',” he gasped.

”Shut up!” snapped the artist. ”You fix me up right away, or I'll put these clothes on again and walk through every room in your house.”

This threat brought immediate action, and a few moments later an expensive and artistic suit of clothes reposed in a lonely grave back of Mark's smoke-house, where they remain even to this day. Thereafter the artist, scrubbed with benzine until he smelt like a garage, left Cornwall forever. He was wearing a mackintosh of his own. Everything else belonged to Mark.

”It's lucky for you that he went when he did,” said old Hen Root the next evening, when the story was told at Silas Dean's store at the Centre. ”You're gettin' on, Mark,” he continued solemnly. ”If he'd a'

stayed you might have got some kind of a stroke or other from over-laughin' yourself. I didn't dare to do any work for nigh a week after I first saw him telescopin' round in them velvet short pants.”

”That's right,” agreed Silas Dean heartily; ”an' you ain't done any since--nor before,” he concluded, carefully closing the cracker-barrel next to Hen.

It was, perhaps, the meeting with an eminent artist that aroused a new ambition in the skunk's mind. At any rate, from that day he began to haunt the farmyard. The first news that Mark had of his presence was when a motherly old hen, who had been sitting contentedly on twelve eggs for nearly a week, wandered around and around her empty nest clucking disconsolately. During the night some sly thief had slipped egg after egg out from under her brooding wings, so deftly that she never even clucked a protest. In the morning there were left only scattered egg-sh.e.l.ls and a telltale track in the dust.

”Blamed old rascal,” roared Mark. ”First he loses me a good boarder an' now he's ate up a full clutch of pedigree white Wyandotte eggs.

I'm goin' to shoot that skunk on sight.”

Mark was mistaken. Early the next morning he opened the spring-house to set in a pail of milk. There, right beside the magnificent spring which boiled and bubbled in the centre of the cement floor, a black-and-white stranger was contentedly drinking from a pan of milk that had been placed there to cool. As Mark opened the door, the skunk looked at him calmly, and then quietly raised the banner which had waved over many a bloodless victory. Whereupon the owner of the spring-house backed away, and waited until his visitor had finished his drink and disappeared in a patch of bushes back of the milk-house.

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