Part 10 (2/2)

”I knew you two would get on together,” said Mrs. Hartley, who came up at the moment and dropped into Alan Walcott's chair. ”I am not easily deceived in my friends, and I was sure you would have plenty to say to each, other. I have been watching you, and I declare it was quite a case of conversation at first sight. Now, mind you come to me often, Miss Campion. I feel that I shall like you.”

And the fat good-natured little woman nodded her grey head to emphasize the compliment.

”It is kind of you to say that,” said Lettice, warmly. ”I will certainly take you at your word.”

”My dear,” said Mrs. Hartley, when Alan Walcott had left them, ”he is a very nice and clever man--but, oh, so melancholy! He makes me feel quite unhappy. I never saw him so animated as he was just now, and it must be thoroughly good for him to be drawn out in that way.”

”I suppose it is the natural mood of poets,” Lettice answered with a smile. ”It is an old joke against them.”

”Ah, but I think the race is changing its characteristics in these days, and going in for cheerfulness and comfort. There is Mr. Pemberton, for instance--how aggravatingly prosperous he looks! Do you see how he beams with good nature on all the world? I should say that he is a jovial man--and yet, you know, he has been down there, as they said of Dante.”

”Perhaps it goes by opposites. What I have read of Mr. Walcott's poetry is rather light than sad--except one or two pieces in _The Decade_.”

”Poor man! I think there is another cause for his melancholy. He lost his wife two or three years ago, and I have been told that she was a charming creature, and that her death upset him terribly. He has only just begun to go about again.”

”How very unfortunate!” said Lettice. ”And that makes it still more strange that his poems should be so slightly tinged with melancholy. He must live quite a double life. Most men would give expression to their personal griefs, and publish them for everybody to read; but he keeps them sacred. That is much more interesting.”

”I should think it is more difficult. It seems natural that a poet, being in grief, should write the poetry of grief.”

”Yes--no doubt it is more difficult.”

And Lettice, on her way home and afterwards, found herself pondering on the problem of a man who, recently robbed of a well-beloved wife, wrote a thousand verses without a single reference to her.

She took down his ”Measures and Monologues,” and read it through, to see what he had to say about women.

There were a few cynical verses from Heine, and three bitter stanzas on the text from Balzac:--”Vous nous promettiez le bonheur, et finissiez par nous jeter dans une precipice;” but not one tender word applied to a woman throughout the book. It was certainly strange; and Lettice felt that her curiosity was natural and legitimate.

Alan Walcott, in fact, became quite an interesting study. During the next few months Lettice had many opportunities of arriving at a better knowledge of his character, and she amused herself by quietly pus.h.i.+ng her inquiries into what was for her a comparatively new field of speculation. The outcome of the research was not very profitable. The more she saw of him the more he puzzled her. Qualities which appeared one day seemed to be entirely wanting when they next met. In some subtle manner she was aware that even his feelings and inclinations constantly varied; at one time he did not conceal his craving for sympathy, at another he was frigid and almost repellent. Lettice still did not know whether she liked or disliked him. But she was now piqued as well as interested, and so it happened that Mr. Walcott began to occupy more of her thoughts than she was altogether willing to devote to him.

So far, all their meetings were in public. They had never exchanged a word that the world might not hear. They saw each other at the Grahams'

dinner-parties, at Mrs. Hartley's Sunday afternoon ”at homes,” and at one or two other houses. To meet a dozen times in a London season const.i.tutes intimacy. Although they talked chiefly of books, sometimes of men and women, and never of themselves, Lettice began to feel that a confidential tone was creeping into their intercourse--that she criticized his poems with extraordinary freedom, and argued her opinions with him in a way that would certainly have staggered her brother Sydney if he had heard her. But in all this friendly talk, the personal note had never once been struck. He told her nothing of his inner self, of his past life, or his dreams for the future. All that they said might have been said to each other on their first meeting in Mrs. Hartley's drawing-room. It seemed as if some vague impalpable barrier had been erected between them, and Lettice puzzled herself from time to time to know how this barrier had been set up.

Sometimes--she did not know why--she was disposed to a.s.sociate it with the presence of Brooke Dalton. That gentleman continued to display his usual lack of brilliance in conversation, together with much good-heartedness, soundness of judgment, and thoughtfulness for others; and in spite of his slowness of speech Lettice liked him very much. But why would he persist in establis.h.i.+ng himself within earshot when Alan was talking to her? If they absolutely eluded him, he betrayed uneasiness, like that of a faithful dog who sees his beloved mistress in some danger. He did not often interrupt the conversation. He sat silent for the most part, unconsciously throwing a wet blanket over both speakers, and sometimes sending Walcott away in a state of almost irrepressible irritation. And yet he seemed to be on good terms with Alan. They spoke to each other as men who had been acquaintances, if not friends, for a good number of years; and he never made an allusion to Alan, in his absence, which could in the least be deemed disparaging.

And yet Lettice felt that she was watched, and that there was some mysterious anxiety in Dalton's mind.

Having no companions (for Clara was too busy with her house and her children to be considered a companion for the day-time), Lettice sometimes went for solitary expeditions to various ”sights” of London, and, as usual in such expeditions, had never once met anybody she knew.

She had gone rather early one summer morning to Westminster Abbey, and was walking slowly through the dim cloistered shades, enjoying the coolness and the quietness, when she came full upon Alan Walcott, who seemed to be doing likewise.

They both started: indeed, they both changed color. For the first time they met outside a drawing-room; and the change in their environment seemed to warrant some change in their relation to one another. After the first greeting, and a short significant pause--for what can be more significant than silence between two people who have reached that stage of sensitiveness to each other's moods when every word or movement seems like self-revelation?--Alan spoke.

”You love this place--as I do; I know you love it.”

”I have never been here before,” said Lettice, letting her eyes stray dreamily over the grey stones at her feet.

”No, or I should have seen you. I am often here. And I see you so seldom----”

”So seldom?” said Lettice in some natural surprise. ”Why, I thought we met rather often?”

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