Part 11 (1/2)
”Dad cut him off rather short on that. He said that from a legal or business point of view, which was all that could possibly concern LaChaise, his consent wasn't necessary. If his wife signed a contract he would put no obstacles in the way of her fulfilling it. Beyond that he had obviously nothing to say.
”Well, that was about all. They both put on all the tr.i.m.m.i.n.gs saying good night to each other and LaChaise thanked me very handsomely for interpreting. I chucked him into his overcoat and let him out the front door.--And bolted it after him, you bet! Lord, but I hated to go back to dad after that.
”I needn't have worried though. When we sat down for our smoke in the library, it was exactly as if nothing had happened. I'd have been tearing my hair but old dad.... He certainly is a peach.”
Rush paused there for some comment from her and when she made none, looked around at her. Her hands were lightly clasped across her breast, her eyelids nearly closed. Save for her barely perceptible breathing, she lay dead still.
”Have I talked you to sleep?” he asked.
”No,” she said, ”I was thinking what a mixed-up thing life is. The way you can't help liking and admiring the people you wish you could hate and hating and hurting the ones you love.” Then her eyes came open with a smile and she held out a hand toward him. ”You don't have to answer that.
It's the sort of silly thing people say when they have been drinking gin.
What I was really wondering was whether there will be anything about Mr.
March's opera in that contract Paula signs with LaChaise?”
This startled him. ”I never thought of that,” he answered. ”Do you suppose that's it? Oh, it can't be! She wouldn't chuck dad for that doughboy piano tuner. Not Paula!”
”Oh, no,” said Mary. ”She wouldn't do that. It wouldn't look to her like that, anyhow. She's got enough, don't you see, for everybody; for dad and--and the doughboy as well. Father wouldn't have any less, if he could just make up his mind that he didn't have to have it all. And as for the other, why, it might be the greatest thing that could possibly happen to him;--being in love with Paula and writing operas for her and having her sing them the way she sang those songs to-night. I suppose that's what a genius needs. And you couldn't blame her exactly. At least there always have been people like that and the world hasn't blamed them--no matter how moral it pretends to be. It's the other sort of people, the ones who won't take anything unless they can have it all and who can't give anything unless they can give it all--those that haven't but one thing to give--that are--no good.”
He didn't more than half understand her, which was fortunate, since he was rather horrified as it was. He put it down broadly as the same sort of nervous crisis that he had encountered in New York, a sort of hypersensitiveness due to the strain of war work--the thing he had amused her by speaking of as sh.e.l.l-shock.
”I think perhaps I know what has upset you to-night,” he said uncomfortably. ”At least Graham told me about it.”
She looked at him with a puzzled frown. It was the third time that he had brought up the Stannard boy's name. What in the world...?
”He's terribly distressed about it,” Rush went on. In his embarra.s.sment he wasn't looking at her and she composed her face. ”He didn't mean to shock you or--or offend you. He says he gave you reason enough to be offended, but only because you didn't understand. He says he has always--cared for you a lot. He said he thought you were the most--well, about the most perfect thing in the world. Only to-night he said he got carried off his feet and went further than he had any right to. And he simply can't bear to have you think that he meant anything--disrespectful. He felt he had to apologize to you before he went home, but you didn't come down so finally he told me about it and made me promise that I'd tell you to-night. Of course, I don't know what he did,” Rush concluded, ”but I can tell you this. Graham Stannard's a white man; they don't make them whiter than that.”
Her reply, although it was unequivocally to the effect that it was all right--Graham needn't worry--failed, altogether, to rea.s.sure him. Was this, after all, he wondered, what she had exploded about? She prevented further inquiry, however, by an abrupt change of the subject, demanding to be told what it was that he and his father, all these hours, had been talking about.
He took up the topic with unforced enthusiasm. He had been surprised and deeply touched over the discovery that his father did not require to be argued out of the project either to send him back to Harvard or to start him in at the bottom in Martin Whitney's bank. ”If he'd just been through it all himself, he couldn't have understood any better how I feel about it.”
”Did you tell him about the farm?” Mary asked.
This was an idea of Graham's which she and Rush had been developing with him during the half hour in the drawing-room before they had gone down to dinner. Young Stannard, during his two years on a destroyer, had conceived an extraordinary longing for Mother Earth, and had filled in his dream in tolerably complete detail. What he wanted was an out-of-door life which should not altogether deprive him of the pleasures of an urban existence; and he accomplished this paradox by premising a farm within convenient motoring distance of Chicago, on one of the hard roads.
Somewhere in the dairy belt, out Elgin way perhaps. You could have wonderful week-end house parties in a place like that, even in winter, with skiing and skating for amus.e.m.e.nts, and in summer it would be simply gorgeous. And, of course, one could always run into town for the night if there was anything particular to come for.
Mary had volunteered to keep house for them and they had talked a lot of amusing nonsense as to what her duties should be. Graham, too, had a kid sister, only seventeen, who fitted admirably into the picture. She loved the country, simply lived in riding breeches and rode like a man--a sight better than most men--and drove a car like a young devil. There was nothing, in fact, she couldn't do.
Graham was altogether serious about it. He had been scouting around during the fortnight since his return and had his eyes on two or three places that might do. There was one four-hundred-acre property that was altogether desirable, ideal in fact, except for the one painful particular that the cost of it was just about twice as much as Graham's father was willing to run to. But if Rush would go in with him they need seek no further. The thing was as good as settled.
”I did talk to father about it,” Rush now told Mary. ”The thing is a real idea. Graham and I talked seriously about it while we were smoking before we went up-stairs. The scheme is to run a dairy, hog and poultry combination on a manufacturing basis and then sell our whole product direct to two or three customers in town, one or two of the clubs--perhaps a hotel. Deliver by motor truck every day, you see, and leave the middleman out entirely. It's the only way to beat the game.
Father saw it like a shot. He said it would take a lot of money, of course, but he thought he could manage my share.”
Mary relaxed just perceptibly deeper in the pillows and her eyelids drooped again. ”It's getting awfully late,” Rush said; ”don't you want to go to sleep?” But he needed no urging to go on when she asked him to tell her all about it, and for another half hour he elaborated the plan.
He was still breezing along on the full tide of the idea, when, happening to glance at her little traveling clock, he pulled himself up short, took away her extra pillows, switched off her night lamp and ordered her to go to sleep at once. Her apparent docility did not altogether satisfy him and two or three times during the hour before he himself fell asleep, he sat up to look under the door and see whether she had turned the light on again.
He was right about that, of course. The enforced calm Mary had imposed upon herself as a penance for the tempest of emotion she had indulged--she had lain without moving, hardly a finger, from the time she remade that bed and crept back into it until hearing Rush coming she switched on the light--had had a sort of hypnotic effect upon her. So long as her body did not move, it ceased to exist altogether and set her spirit free, like a pale-winged luna moth from its chrysalis to adventure into the night. The light it kept fluttering back to was that blinding experience with March while the music of his song had surged through her and her hand had been crushed in his.